Three young adults in Most sort out feelings and responsibilities: Monika's boyfriend has left for the States, her mother wants her to join him there, and if the invitation does come, what ... See full summary »
A nurse and her surgeon-lover are part of a resistance movement in 1940s Czechoslovakia. When they are discovered, her lover flees and she must find a place to hide. A patient whose life ... See full summary »
Twist of fate and the twists of mind of the characters (mostly couples) combine in just the right twinkled absurd way in the interweaving episodes of this comedy. Each of the characters ... See full summary »
A Czech journalist joins a Prague radio station that broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more ... See full summary »
A flood in Prague has damaged Marcela and Jarda's home. He behaves boorishly over their son's asthma so she threatens divorce and takes the kids to her mom's, a possessive woman whose ... See full summary »
Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of ... See full summary »
Frantisek, the main character is returning to his family. Until now he's been, "successfully" avoiding all relationships. He is an ingenuous and a pure person and thus, is regarded as an ... See full summary »
Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal. When Zhurov ... See full summary »
The first feature film to be made by the state of Kuwait. It is a period piece about Kuwait before the discovery of oil when fishing was the predominant occupation. Bay Ya Bahr is the story... See full summary »
Khalid Al Siddiq
Three young adults in Most sort out feelings and responsibilities: Monika's boyfriend has left for the States, her mother wants her to join him there, and if the invitation does come, what should she do? Toník is a nice guy, his love for Moni is unrequited. He's trying to rebuild his family's crumbling house; a nearby factory has made an offer to buy the land. With Moni, he watches out for the two young sons of Dasha, their friend who's in a hopeless long-term affair with a married man: Dasha is at once unstable, unrealistic, neglectful of her boys, and cruel to those who help. For whom is this something like happiness? Written by
This is worth seeing. The most talented Czech director.
There are quite different opinions on Bohdan Slama, a young Czech director. I give my own here. I believe him to be the greatest talent of the current Czech cinematography. He worked on his second movie "Stesti" really hard and for a long time, which eventually led to a surprisingly good result and high expectations of his upcoming work. He is marvelous (and precise!) in directing the actors, he gives them life and credibility. The movie is very dense and every moment is functional so it requires you to watch carefully! Most people say it is a sad or even a drastic movie and take the name Stesti rather as irony of the author. "Stesti" is ambiguous between happiness and luck. The German Glück is exactly the same. (How silly that they try to find different names for it in English and German! Something like happiness is a REALLY bad translation.) Seeing the movie only from its sad side is seeing the surface. Somewhere deeper, in the minds of the two main characters - Tonik and Monika, who eventually fall in love, there is a real happiness, one which most of us hasn't had the opportunity to experience. The happiness stems from the very fact that they live a life which is not simple but very meaningful. The sad and drastic background stands in direct contrast to the inner happiness of the characters. This is most apparent at the very end, where Monika, after leaving her boyfriend in the United States (most obviously standing for empty meaningless material dreams, not at all for a better life) comes back to Tonik's house (the symbol of all his humble material efforts but also and mainly his home), which is under destruction. Monika leaves the place with a light smile (how can people not see that!) and goes looking for Tonik, the source of her happiness, the one who gives her life meaning, no matter where he is, whether he has a house, or fixes broken windows with a piece of scotch-tape. The message of the movie is totally universal and labeling it as a social drama stemming from the unsatisfactory situation of an industrial and poor region of the Czech Republic is a misinterpretation, or at least a demotion.
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