| Benoît Magimel | ... | Philippe Tardieu | |
| Laura Smet | ... | Stéphanie "Senta" Bellange | |
| Aurore Clément | ... | Christine | |
| Bernard Le Coq | ... | Gérard Courtois | |
| Solène Bouton | ... | Sophie Tardieu | |
| Anna Mihalcea | ... | Patricia Tardieu | |
| Michel Duchaussoy | ... | Le clochard | |
| Suzanne Flon | ... | Madame Crespin | |
| Eric Seigne | ... | Jacky | |
| Pierre-François Dumeniaud | ... | Nadeau | |
| Philippe Duclos | ... | Capitaine Dutreix | |
| Thomas Chabrol | ... | Lieutenant José Laval | |
| Isolde Barth | ... | Rita (as Isild Barth) | |
| Mazen Kiwan | ... | Pablo | |
| rest of cast listed alphabetically: | |||
| Chantal Banlier | ... | La caissière épicerie | |
| Jacqueline Cassard | ... | Madame Bertillon | |
| Brigitte Chamarande | ... | Madame Soupin | |
| Emmanuel Faure | |||
| Pascal Franks | |||
| Pierre Galliard | |||
| Florent Gibassier | ... | Le serveur de pizza | |
| Vincent Guillerminet | |||
| Joëlle Legua | |||
| Isabelle Leprince | ... | Madame Pélissier | |
| Isabelle Mamère | ... | Nathalie Dumont | |
| Jean-Pierre Niobe | (as Jean-Pierre Niobé) | ||
| Cécile Peroua | |||
| Taïeb | (as Taieb) | ||
| Michel Vivier | |||
Directed by | |||
| Claude Chabrol | |||
Writing credits(in alphabetical order) | ||
| Claude Chabrol | ||
| Pierre Leccia | ||
| Ruth Rendell | novel | |
Produced by | |||
| Françoise Galfré | .... | executive producer | |
| Patrick Godeau | .... | producer | |
| Alfred Hürmer | .... | co-producer | |
| Antonio Passalia | .... | co-producer | |
Original Music by | |||
| Matthieu Chabrol | |||
Cinematography by | |||
| Eduardo Serra | |||
Film Editing by | |||
| Monique Fardoulis | |||
Production Design by | |||
| Françoise Benoît-Fresco | |||
Costume Design by | |||
| Mic Cheminal | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
Production Management | |||
| Laura Einmahl | .... | unit manager | |
| Michel Jullien | .... | production manager | |
| Anne Lessnick | .... | production manager | |
| Thierry Magniez | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Vincent Guillerminet | .... | second assistant director | |
| Cécile Maistre | .... | first assistant director | |
Art Department | |||
| Yvonnick Bousso | .... | painter | |
| Aleth Galen | .... | sculptor | |
| Patrick Loret | .... | painter | |
| Jérôme Perrin | .... | key construction | |
| Catherine Pierrat | .... | set dresser | |
| Amanda Ponsa | .... | painter | |
| Evariste Richer | .... | painter | |
Sound Department | |||
| Vincent Cosson | .... | sound re-recording mixer | |
| Michel Filippi | .... | adr supervisor | |
| Thierry Lebon | .... | sound re-recording mixer | |
| Pierre Lenoir | .... | sound | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Camera and Electrical Department | |||
| Mathieu Caudroy | .... | Steadicam operator | |
| Delphine Desbruères | .... | second assistant camera | |
| Sascha Govic | .... | grip | |
| David Grinberg | .... | assistant camera | |
| Dominique Robert | .... | key grip | |
| Michel Thiriet | .... | camera operator | |
| Jakob von Lenthe | .... | video operator | |
Editorial Department | |||
| Christophe Bousquet | .... | color timer | |
| Stanislas Moreau | .... | assistant editor | |
Music Department | |||
| Laurent Petitgirard | .... | musical director | |
Other crew | |||
| Vincent Bell | .... | scout | |
| Aurore Chabrol | .... | script supervisor | |
| Stéphanie Fouet | .... | administrator | |
| Aleth Galen | .... | sculptress | |
| Caspar Heider | .... | production coordinator | |
| Eva Simonet | .... | press attache | |
| Carolin von Fritsch | .... | set manager: Munich | |
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| Head-On | Kings & Queen | My Own Private Idaho | The Best of Youth | The Reader |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb France section |
This movie did not particularly convince me. Maybe my expectations went in a completely wrong direction but nevertheless I discovered some flaws that really disturbed my pleasure of this basically interesting film.
The plot line grows more and more absurd and - in its absurdity - predictable as the story goes on. This would not matter to me (as I do not really mind that we are never given an explanation for the strange and questionable features that strike us right from the beginning, especially in connection with Senta and the bust) if the characters were a little more subtly portrayed. All of the characters (Magimel's at the least) are exaggerated and near-hysterical, and therefore close to various type clichés (the rebelling teen daughter stealing, colouring her hair AND piercing her nose; the bridegroom, who is revealed as an idiot the instant we see him, calling his bride embarrassing terms of endearment; the mother smiling hopefully throughout as if she was on drugs). I am sure all this is not due to bad acting but done so intentionally. But I fail to understand what kind of quality it is supposed to add to the film. Humour? I don't know; I laughed occasionally but not very often.
This is the kind of film that I am sure is fun making; but then it should not be shown publicly.