| Videos (see all 2) |
| Christian Slater | ... | Tom Hanson | |
| Selma Blair | ... | Abbey Gallagher | |
| Robert Loggia | ... | Jared Tolson | |
| Colm Feore | ... | Hank Weiss | |
| Angie Harmon | ... | Anna | |
| John Heard | ... | Professor Roseman | |
| Kevin Tighe | ... | John Cortland | |
| Philip Granger | ... | Jerome Halliday | |
| Françoise Yip | ... | Janice Long | |
| Jim Thorburn | ... | Shane Waller | |
| Paul McGillion | ... | Richard Kester | |
| Christine Lippa | ... | Lucy Rahlston | |
| Jennifer Clement | ... | Sara Kester | |
| Mike Dopud | ... | Theo Gorbov | |
| Vyacheslav Vinnik | ... | Nicholai Chernoff | |
| Peter Hall | ... | Clark Jackwell | |
| Jay Robert Inslee | ... | Senator Lucas | |
| Linda Darlow | ... | Erma | |
| Frida Betrani | ... | Jared's Secretary | |
| Tony Alcantar | ... | Agent Grazer | |
| Peter LaCroix | ... | Rod | |
| Aubrey Arnason | ... | Deena Scott | |
| Tom McBeath | ... | Board Member No. 1 | |
| Marc Baur | ... | Client No. 1 | |
| Nathaniel DeVeaux | ... | Officer | |
| Valentina Ballos | ... | Cleaning Woman | |
| Howard Storey | ... | Armed Security Guard |
Directed by | |||
| Harvey Kahn | |||
Writing credits(in alphabetical order) | ||
| Ruth Epstein | written by | |
Produced by | |||
| Michael Carlin | .... | associate producer | |
| Chris Dorr | .... | producer | |
| Sheri Elowsky | .... | associate producer | |
| Ruth Epstein | .... | producer | |
| Harvey Kahn | .... | producer | |
| Kevin W. Kennedy | .... | executive producer | |
| Ken Lawson | .... | line producer | |
| Robert Lee | .... | producer | |
| David Leuschen | .... | executive producer | |
| Bernadette Meyers | .... | associate producer | |
| Mark Shafir | .... | executive producer | |
| Christian Slater | .... | executive producer | |
Original Music by | |||
| Christopher Lennertz | |||
Cinematography by | |||
| Adam Sliwinski | |||
Film Editing by | |||
| Richard Schwadel | |||
Casting by | |||
| Lindsay Chag | |||
Production Design by | |||
| Andrew Deskin | |||
Art Direction by | |||
| Kristina Lyne | |||
Set Decoration by | |||
| Ian Nothnagel | |||
Costume Design by | |||
| Katia Stano | |||
Makeup Department | |||
| Ankaraj Eden | .... | key makeup artist (as Ankara Eden) | |
| Alla Kornilov | .... | assistant makeup artist | |
| Lee Novak | .... | assistant hair stylist | |
| Robert A. Pandini | .... | key hair stylist | |
Production Management | |||
| Jaye Gazeley | .... | unit manager | |
| Ken Lawson | .... | production manager | |
| Bernadette Meyers | .... | post-production supervisor | |
| Claudia Vianello | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert Lee | .... | first assistant director | |
| Melissa Patton | .... | third assistant director | |
| Patrick Weir | .... | second assistant director | |
Art Department | |||
| Carole Alexander | .... | lead dresser | |
| Bobbi Allyn | .... | set decoration buyer (as Bobbi Uhrich-Allyn) | |
| Jane Janigan | .... | set dresser | |
| Todd Keller | .... | on-set dresser | |
| Elizabeth Mackinnon | .... | assistant props | |
| Mark McGann | .... | assistant set decorator | |
| Sean McGee | .... | on-set props assistant | |
| Noni Peck | .... | property master | |
| Michael Raylevick | .... | paint coordinator | |
| Mike Robertson | .... | graphic artist | |
| Ken Sullivan | .... | construction coordinator | |
| Tamara Susik | .... | on-set props | |
Sound Department | |||
| Rick Bold | .... | boom operator | |
| Brian Campbell | .... | dialogue editor | |
| Kris Casavant | .... | assistant sound editor | |
| Jay Cheetham | .... | sound editor | |
| Dario DiSanto | .... | foley editor | |
| Steven Erickson | .... | adr recordist | |
| Kris Fenske | .... | sound designer | |
| Talvinder Gill | .... | assistant sound editor | |
| Mark Klausmayer | .... | sound re-recording mixer | |
| Kevin Konarzewski | .... | adr mixer | |
| Matt Kunau | .... | sound consultant: Dolby | |
| Philip J. MacCormick | .... | production sound mixer | |
| Laurie Melhus | .... | audio coordinator | |
| Iain Pattison | .... | sound re-recording mixer | |
| Jean Raymond | .... | foley mixer | |
| Adam Sharpe | .... | adr mixer | |
| Paul A. Sharpe | .... | sound re-recording mixer | |
| Shane Shemko | .... | foley artist | |
| Joe Spivak | .... | sound effects editor | |
| Janice Thompson | .... | assistant sound editor | |
| Ann Townshend | .... | assistant sound editor (as Anne Townshend) | |
| Cam Wagner | .... | foley artist | |
| Todd R. Mason | .... | sound effects recordist (uncredited) | |
Special Effects by | |||
| Cara E. Anderson | .... | special effects technician | |
| Rory Cutler | .... | special effects supervisor | |
Stunts | |||
| Brett Armstrong | .... | stunt coordinator | |
| Alette Falle | .... | stunt double | |
| Owen Walstrom | .... | stunt double | |
Camera and Electrical Department | |||
| Douglas Arculus | .... | lamp operator | |
| Bill Baxter | .... | gaffer | |
| Simon Bayley | .... | lamp operator | |
| Denver John Collins | .... | director of photography: New York (as Denver Collins) | |
| Glen A. Dickson | .... | additional camera operator | |
| James Dittiger | .... | still photographer | |
| Kathy Herndl | .... | camera loader | |
| Dean Heselden | .... | Steadicam operator | |
| Morrison C. Huston | .... | first assistant camera: New York | |
| Darren Joseph | .... | second assistant camera | |
| Regine Klein | .... | best girl grip | |
| Robin Lindala | .... | camera operator | |
| Todd MacLand | .... | lamp operator | |
| Trevor C. Martin | .... | dolly grip | |
| Paul Michaud | .... | still photographer | |
| Steven N. Moore | .... | Steadicam operator | |
| Martin Nicholas | .... | key grip | |
| Joseph Paolini | .... | grip: New York (as Joe Paolini) | |
| Sergio Petre | .... | grip | |
| Dave Petry | .... | grip | |
| Johnny Scarvada | .... | grip | |
| Wolfgang Suk | .... | best boy electric (as Wolfi Suk) | |
| Jim Swanson | .... | rigging gaffer | |
| Trent Wiltse | .... | generator operator | |
Casting Department | |||
| Audrey Skalbania | .... | extras casting: New York | |
Costume and Wardrobe Department | |||
| Jennifer Dawson | .... | costume set supervisor (as Jen Dawson) | |
| Andrea Desroches | .... | assistant costume designer (as Andrea Des Roches) | |
| Andrea Hiestand | .... | truck costumer | |
| Marie Hock | .... | extras costumer | |
Editorial Department | |||
| Ed Dobbs | .... | color timer | |
| Bethany Handfield | .... | assistant editor | |
Music Department | |||
| Richard Bronskill | .... | orchestrator | |
| Peter Fuchs | .... | music scoring engineer | |
| Corey A. Jackson | .... | orchestrator | |
| Steve Juliani | .... | music preparation | |
| Andrew Kinney | .... | orchestrator | |
| Christopher Lennertz | .... | orchestrator | |
| Gerard K. Marino | .... | orchestrator | |
| Paul Talkington | .... | music contractor | |
| Marcus Trumpp | .... | orchestrator | |
| Christopher Violette | .... | music editor | |
| Christopher Violette | .... | music supervisor | |
| Allan Wilson | .... | conductor | |
Transportation Department | |||
| Ron Buyck | .... | transportation captain | |
| Dean Fitzpatrick | .... | transportation coordinator | |
| John Sorenson | .... | driver: cast | |
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| Salt | The Yards | Mission to Moscow | Three Days of the Condor | Confessions of a Dangerous Mind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Canada section |
It's rough to call something people worked on so hard for 'uneven' but there it is. The Deal is, simply put, about a 'deal'. It's a Wall Street thriller. And at the other end of the deal is oil. A planet in trouble where the carbon monoxide level is the highest it's been in three quarters of a million years, where 50,000,000 people are estimated to be on the run from climate catastrophes within four years, where the top twenty two median temperatures have been recorded in the past twenty six years, and so forth.
It's been done before and it will be done again until the dependence on fossil fuels is ended, until the electric car is allowed to proliferate, until the oil barons get their hands off the automobile industry, until things settle down in the middle east, and so forth.
Everyone does a fair job in this one except Angie. Sorry Angie, but for reasons that can't be exposed here but that will become apparent to viewers you just don't cut it.
The movie's uneven because its thrill factor is propelled through at least half way by withholding important facts about the plot. And at that point you just have to see everything turns out all right with the usual modicum of plot devices tossed in.