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All the King's Men (2006)

PG-13  |   |  Drama, Thriller  |  22 September 2006 (USA)
6.2
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Ratings: 6.2/10 from 19,782 users   Metascore: 37/100
Reviews: 177 user | 124 critic | 37 from Metacritic.com

Based on the Robert Penn Warren novel. The life of populist Southerner Willie Stark, a political creature loosely based on Governor Huey Long of Louisiana.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
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Tom Stark (as Travis M. Champagne)
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Willie's Father (as Frederic F. Forrest)
Paul Desmond ...
Slade
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Alex
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Editor (as Tom McCarthy)
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Storyline

In the 50's, in Louisiana, the smart populist, manipulative and wolf hick Willie Stark is elected governor with the support of the lower social classes. He joins a team composed of his bodyguard and friend Sugar Boy; the journalist from an aristocratic family Jack Burden; the lobbyist Tiny Duffy; and his mistress Sadie Burke, to face the opposition of the upper classes. When the influent Judge Irwin supports a group of politicians in their request of impeachment, Stark assigns Jack to find some dirtiness along the life of Irwin, leading to a tragedy in the end. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Some people will do anything to gain power. Some will do anything to keep it. See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for an intense sequence of violence, sexual content and partial nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

22 September 2006 (USA)  »

Also Known As:

Les fous du roi  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

$3,672,366 (USA) (22 September 2006)

Gross:

$7,221,458 (USA) (13 October 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

On Ebert & Roeper, it was ranked as #1 on Worst Movies of 2006. See more »

Goofs

In the meeting at the pool hall, when Willie Stark first meets Mr. Duffy, Stark is introduced as the county treasurer of Mason City. The movie is set in Louisiana, which does not have counties. Therefore, he should have been called the parish treasurer. He is referred to properly by that title in the next scene in the newspaper office. See more »

Quotes

Jack Burden: The friend of your youth is the only friend you'll ever have. For he doesn't really see you. He sees in his mind a face which doesn't exist anymore, speaks a name... Spike, Bud, Red, Rusty... Jack... that belongs to that now nonexistent face. He's still the young idealist you used to be, still sees good and bad in black and white and men as sinners or saints but never both and feels superior in the knowledge that you no longer can distinguish the two. That's what drives you to it. To try to ...
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Connections

Featured in Siskel & Ebert: The Worst of 2006 (2007) See more »

Soundtracks

Long Gone Lonesome Blues
Written by Hank Williams (as Hank Williams, Sr.)
Performed by Hank Williams
Courtesy of Mercury Records
Under license from Universal Music Enterprises
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User Reviews

 
Big, Brassy, Gorgeous Images; Literate Script; Politics: What's Not to Like?

The critics slammed this movie and I loved it. Shame on the critics.

I love movies that transport me to an exotic place and a distant time. "All the King's Men" lushly recreates mid-century Louisiana. There's a lot of money up on the screen, beautifully lit and photographed: vintage, boat-like automobiles, forties and fifties fashions and fabrics, Spanish moss, ante-bellum mansions, a bronze bas relief map of Louisiana, set in a floor, that is put to amazing use.

There's a scene where a young woman returns from an illicit tryst in dim light. Her hair ripples to her shoulders in honey blonde waves. Her plump lips are painted, matte, in the color of dried blood. Her jilted lover, his fedora slung low on his forehead, stands in silhouette, watching her every move. Neither speaks.

In another scene, a backlit woman enters a bar and places her white cotton gloves over her hand.

Just, lovely scenes that capture another era.

I'm a political junkie, so I went to see this movie in spite of the bad reviews. It didn't let me down. It's a political soap opera from the first frame to the last.

Deals cut in smoke filled rooms, double crosses, fiery speeches to enthralled crowds. I ate it up.

The stars! Sean Penn, Jude Law, Kate Winslet, Kathy Baker, James Gandolfini...Jackie Earle Haley, someone I'd never heard of before, was memorable as a gun toting body guard.

Sean Penn's performance has been panned - too much arm waving. I loved the arm waving. Penn's arm waving doesn't come across as forced or inorganic. This is a man who can barely contain himself -- he's a human tornado. The historical figure with whom Penn's character, Willy Stark, is associated, Huey Long, was a powerhouse builder of bridges, hospitals, and roads. Penn conveys that kinetic energy and passion.

And the script! Thank God someone was willing to write a script in which people take some risks with language, communicate complex ideas, employ figures of speech! Heavens! In a movie in which nothing explodes and no cartoon superhero saves the world! I loved having to listen to what people were saying to know what was going on. I loved the flowery language. This is the South, after all, from several decades ago, and, yeah, those folks did love their language skills.

Another reviewer denounced the film's score as bombastic. It is bombastic, wonderfully so. It suits the subject matter perfectly. This isn't a movie about a shrinking violet who sits at home and writes poetry; it's a movie about a sweaty man who takes power and makes his mark.

Okay, so why didn't I give the movie ten stars? Sean Penn's character is fully realized, but the other characters are not. "All the King's Men" is a big, fat soap opera. There's a lot of sex, threats, lust, longing, suicide, and betrayal to fit into two hours. The film should have been longer so that characters other than Willy could have been fleshed out.

Patricia Clarkson is a case in point. Her character sets some key events in motion, but she's barely there -- either the character or the actress.

Anthony Hopkins comes across as just that -- Anthony Hopkins -- not the character he is playing. While everyone else does their best to produce a Southern accent, Hopkins insists on speaking with a British accent, and this sticks out like a sore thumb.

Kate Winslet and Mark Ruffalo are meant to be, like Blanche Dubois, representatives of degenerate Southern aristocracy, but they both seem entirely too robust to be degenerating.

Jude Law is better in a similar role as a member of the fading aristocratic class. Law always seems to do well in roles where he is punished by, rather than enjoys, his beauty. Just so here. Too bad that, in key scenes, Hopkins doesn't create any chemistry with him.

The lack of development of secondary characters -- and everyone, compared to Willie Stark, is secondary here -- made the film oddly emotionally unmoving to me. Again, there are scenes that contain the kind of elements that might have packed an emotional wallop that left me dry eyed.

Willy Stark's rise to power is built on the poverty of the citizens of Louisiana. The movie didn't convey that poverty to me. According to one website devoted to Huey Long, Lousiana had three hundred miles of paved road, two bridges, and high illiteracy rates when Long took office. If true, those stats are startling.

Finally, something else was missing, for me. Whenever one observes a charismatic politician, there is always the question: Does he really care about the people? Or is he just addicted to the adulation? I never had that question about Sean Penn's Willy Stark, as I do about, say, Bill Clinton. Willy Stark, here, is imperfect, but sincere. He wants to help his people.


120 of 164 people found this review helpful.  Was this review helpful to you?

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Did anyone else love it? jerseygirl-laura
THIS MOVIE WAS AWFUL!!! ryan_gosling
Couldn't understand it... aaronn-b
Did we run out of American actors? comblitz
Why is it so bad? drbrettschneider
get the gun, get the gun. flave70
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