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All the King's Men (2006)

6.2
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Ratings: 6.2/10 from 18,533 users   Metascore: 37/100
Reviews: 173 user | 126 critic | 37 from Metacritic.com

Based on the Robert Penn Warren novel. The life of populist Southerner Willie Stark, a political creature loosely based on Governor Huey Long of Louisiana.

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Title: All the King's Men (2006)

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Cast

Cast overview, first billed only:
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Tom Stark (as Travis M. Champagne)
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Willie's Father (as Frederic F. Forrest)
Paul Desmond ...
Slade
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Alex
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Editor (as Tom McCarthy)
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Storyline

In the 50's, in Louisiana, the smart populist, manipulative and wolf hick Willie Stark is elected governor with the support of the lower social classes. He joins a team composed of his bodyguard and friend Sugar Boy; the journalist from an aristocratic family Jack Burden; the lobbyist Tiny Duffy; and his mistress Sadie Burke, to face the opposition of the upper classes. When the influent Judge Irwin supports a group of politicians in their request of impeachment, Stark assigns Jack to find some dirtiness along the life of Irwin, leading to a tragedy in the end. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

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Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for an intense sequence of violence, sexual content and partial nudity | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

22 September 2006 (USA)  »

Also Known As:

All the King's Men  »

Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend:

$3,672,366 (USA) (22 September 2006)

Gross:

$7,221,458 (USA) (13 October 2006)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film was a commercial failure, despite its strong cast, direction, and production team. Few critics endorsed it, despite garnering strong Oscar buzz before its initial opening. See more »

Goofs

When Willie Stark is putting jam onto his crumpet, we get a close-up scene of him doing so while it is on the plate he is holding, in the next scene he is seen only holding the crumpet and then grabbing for a plate. See more »

Quotes

Jack Burden: [to Anne, explaining what happened to his marriage] A lot of tangled bedclothes and unspoken loathing, then spoken loathing and no tangled bedclothes.
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Connections

Featured in Siskel & Ebert: The Worst of 2006 (2007) See more »

Soundtracks

Porgi, Amor
from "The Marriage of Figaro"
Music by Wolfgang Amadeus Mozart
Libretto by Lorenzo da Ponte
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User Reviews

 
A powerful showcase of talent in a gripping film
24 October 2006 | by (United Kingdom) – See all my reviews

A door-to-door salesman, Willie Stark (Sean Penn), is a straightforward man with decent morals and a commitment to the common weal. Such a winning profile is quickly spotted by political hucksters who disingenuously persuade him to stand for Louisiana State Governor simply to split the opposition vote. Stark gets wise to this attempt to use him as a pawn and, in a dramatic turnabout, throws away a prepared speech and appeals to the people, declaring himself a 'hick among the hicks' who will stand up for the commoners' needs. Once made Governor, he does indeed set about popular reform programs, also hiring reporter Jack Burden (Jude Law) to dig dirt on anyone who stands in his way. Jack, unfortunately, comes from the wrong (well-heeled) side of town and soon finds his loyalties torn when Judge Irwin (Anthony Hopkins) refuses to publicly support Stark. Jack also has some unpleasant surprises in store as he is reunited with childhood friends Adam Stanton, a determinedly unmaterialistic character who doesn't want to be in anyone's pocket, and his luscious sister Anne (Kate Winslet), both of whom are tangling in different ways with Willie Stark before very long. This is a towering story set in the deep south, amid sweltering ideals and where goodness only comes out of the dirt - which means that everyone has some dirt on them somewhere.

All the King's Men is quality, heavyweight cinema with outstanding performances backed up by very professional direction and cinematography. Penn sets the standard, delivering one of his most moving demonstrations of carefully chiselled acting skills but, aided by a tight script and editing that doesn't waste a frame, every other actor also seems to be giving it their all in every frame. At well over two hours, it kept my attention all the way through, and a score by Oscar-winning composer James Horner served only to underline how effectively all these top talents are assembled.

Having given All the King's Men such accolades, you might think I'd be struggling to find fault with it but, although many of the elements might individually be worthy of an Oscar, my overall impression was that the film showcases a lot of remarkable talent rather than putting it to its finest use.

This is the second time Robert Penn Warren's book has been made into a major movie, yet we might wonder if much of the subtle analysis that space allows an author is being woefully denied filmmakers because of time restraints. Although the movie is to be congratulated for not using a trowel to lay on contemporary analogies about political power, corruption and oil, some character development in other morally ambiguous areas would not have gone amiss. Did power finally corrupt Willie Stark, and how far did he go in using criminals to further his beneficial public works? Penn creates a powerful figure, but the story, for all its tension, remains sadly predictable. The title is never clearly explained in the film, although it can elsewhere be attributed to a motto used by real life Governor Huey Long (on whom the story is arguably based): "Every Man a King" - which was part of a Share Our Wealth program of heavy taxation for wealthy individuals and corporations. In 1929, Long had called a special session of the legislature so as to enact a five-cent per barrel 'occupational license tax' on production of refined oil, in order to help fund social programs. What would originally have been complex trade-offs between a rich elite and an impoverished, post- Great Depression lower class, is in the movie reduced to high-sounding truisms about ideals and finding things of value. The rhetoric, forcefully delivered (as it is here) is an actor's dream, but although the story is beautifully and dramatically told, it lacks enough surprises, is heavy with the gravitas of its own self-importance, and may tempt some audiences simply to exclaim, 'So what'? Reading up on the background can supply a context that gives All the King's Men greater depth, but as entertainment it is a tour-de-force that is at the same time slightly unsatisfying.


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