| Benoît Delépine | ... | L'employé | |
| Gustave de Kervern | ... | L'ouvrier agricole (as Gustave K/Vern) | |
| Michel de Gavre | ... | Le paysan | |
| Gérard Condejean | ... | Le Chinois | |
| Isabelle Delépine | ... | L'épouse | |
| Pierre Ghenassia | ... | Le patron | |
| Fred Martin | ... | Le collègue | |
| Jan Bucquoy | ... | L'amant | |
| Pierre Carles | ... | Le médecine | |
| Céline Normand | ... | Infirmière | |
| Martine Peigné | ... | Infirmière | |
| Carine Liénard | ... | Infirmière | |
| Nathalie Carpentier | ... | Infirmière | |
| Dada Avrel | ... | Le kiné | |
| Jean-Michel Carlier | ... | Ambulancier bavard | |
| Laurent Galvez | ... | Ambulancier muet | |
| Vincent Belorgey | ... | Agent SNCF | |
| Christine Grulois | ... | La guichetière | |
| Geneviève Rotinckx | ... | La serveuse | |
| Abdelaziz Bachaou | ... | L'éplucheur de patates | |
| Cécile Stanquet | ... | La femme qui aide | |
| Noël Godin | ... | Le clochard volubile | |
| Vincent Patar | ... | Le guichetier têtu | |
| Joseph Dahan | ... | Le motard | |
| Hughes Tavier | ... | Le passant agressé | |
| Laurence Vermpiren | ... | La passante | |
| Peter Vanmutten | ... | Le deuxième passant agressé | |
| Robert Dehoux | ... | L'amnésique | |
| Benoît Poelvoorde | ... | L'amateur de moto-cross | |
| Robin Woerts | ... | Le fils du fan | |
| Gaspard Tavier | ... | L'enfant aux frites | |
| Joël Robert | ... | Joël Robert | |
| Benedikt Van der Vorst | ... | Le père flamand | |
| Christine Van der Vorst | ... | La mère flamande | |
| Charlotte Van der Vorst | ... | La fille flamande | |
| Alexandra Van der Vorst | ... | LA 2e fille flamande | |
| Félix Delépine | ... | Enfant (voice) | |
| Denis Marquet | ... | Enfant (voice) | |
| Christophe Salengro | ... | Le samaritain | |
| Jean-Marie Villain | ... | Le 1er ouvrier | |
| Michel Levrey | ... | Le 2e ouvrier | |
| Harra Geerts | ... | Le camionneur fantôme | |
| Paul Tavier | ... | Le vieux sur la péniche | |
| Sabine Tavier | ... | La vieille sur la péniche | |
| Stefan Everts | ... | Himself | |
| Jason Flemyng | ... | L'Anglais à la moto | |
| Stanislas Zoba | ... | Le mécanicien Husqvarna | |
| Isabelle Girard | ... | La fille à l'aspirateur | |
| Walter Brandenburg | ... | Le père allemand | |
| Martina Brandenburg | ... | La mère allemande | |
| Mariana Brandenburg | ... | La fille allemande | |
| Arthur Brandenburg | ... | Le fils allemand | |
| Vincent Tavier | ... | Saint-Christophe | |
| Jackson Elizondo | ... | Un endormi | |
| Guillaume Le Bras | ... | Un endormi | |
| Laurent Cercleux | ... | Un endormi | |
| Hugues Poulain | ... | Un endormi | |
| Emilie Furelid | ... | La fille sur le pont | |
| Thérèse Kobankaya | ... | La morte mystérieuse | |
| Irmeli Debarle | ... | La finlandaise bavarde | |
| Bouli Lanners | ... | Le chanteur finlandais | |
| Aki Kaurismäki | ... | Le patron Aaltra |
Directed by | |||
| Gustave de Kervern | (as Gustave K/Vern) | ||
| Benoît Delépine | |||
Writing credits(in alphabetical order) | ||
| Gustave de Kervern | writer (as Gustave K/Vern) | |
| Benoît Delépine | writer | |
Produced by | |||
| Guillaume Malandrin | .... | producer | |
| Vincent Tavier | .... | producer | |
Original Music by | |||
| Les Wampas | |||
Cinematography by | |||
| Hugues Poulain | |||
Film Editing by | |||
| Anne-Laure Guégan | |||
Production Design by | |||
| Isabelle Girard | |||
Costume Design by | |||
| Isabelle Girard | |||
Production Management | |||
| Laurent Galvez | .... | unit production manager | |
Sound Department | |||
| Laurent Cercleux | .... | sound | |
| Guillaume Le Bras | .... | sound editor | |
| Guillaume Le Bras | .... | sound mixer | |
| Guillaume Le Bras | .... | sound | |
Camera and Electrical Department | |||
| Jackson Elizondo | .... | assistant camera | |
Editorial Department | |||
| Marguerite Le Bourgeois | .... | assistant editor | |
| Sophie Vercruysse | .... | assistant editor | |
Other crew | |||
| Priscilla Bertin | .... | production assistant | |
| Adriana Piasek-Wanski | .... | production assistant | |
![]() |
![]() |
![]() |
![]() |
![]() |
| The Darjeeling Limited | Broken Flowers | Wild Hogs | Little Miss Sunshine | Lost in Translation |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
Forget about Thelma and Louise (1991), The Sugarland Express (1974) and others: this is a road movie with a real difference actually many differences.
First, it's shot in beautiful, stark black-and-white, always the best, in my opinion, for watching faces the shadows bringing out the grimaces, smiles, sadness, despair etc, in a way that colour misses. Second, most of the players in this story are nameless. Third, there is virtually no musical sound track; but there is a hilarious scene at a biker gathering when le chanteur finlandais (Bouli Lanners) sings in English the well know blues song, 'Sonny'. And, finally, the story is told more or less visually, as good cinema should; while the sparse dialog fills in the narrative 'gaps' for the viewer.
It doesn't start as a road movie at all: two locals in a provincial town have an argument that results in both of them rendered paralyzed from the waist down. After a period of hospitalization, they both return to their homes in wheelchairs, realizing that their lives are ruined unless they try to get compensation from the company that produced the faulty equipment that caused their injuries. So, they decide to go to Finland together, to the headquarters of the company Aaltra and demand compensation. And so, they begin their journey in wheelchairs! The rest of the story isn't really about Aaltra, at all. Instead, the directors who also play the two paralyzed protagonists use that scenario to explore and satirize how ordinary people treat the wheelchair bound and vice-versa, setting up some moments of side-splitting humour and irony as the two travel 3000 km to finally reach their objective. And, what an objective it is...which I'll leave you to discover.
For me, this movie is a treat, a feast about why people go out of their way to be helpful, kind, difficult, unpleasant, devious, obnoxious etc and what can happen when they lose the capacity for trying to understand another's point of view. It's an object lesson for all, and a very funny one to boot.
Highly recommended for all lovers of good cinema and clever comedy.