Two friends are searching for their long lost companion. They revisit their college days and recall the memories of their friend who inspired them to think differently, even as the rest of the world called them "idiots".
A cop, investigating the mysterious death of a filmstar, meets a sex-worker, while he faces some personal problems psychologically. The mystery connects these people in a way, that ultimately changes their lives.
A clash between Sultan (a Qureishi dacoit chief) and Shahid Khan (a Pathan who impersonates him) leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.
A young idealistic English filmmaker, Sue, arrives in India to make a film on Indian revolutionaries Bhagat Singh, Chandrashekhar Azad and their contemporaries and their fight for freedom from the British Raj. Owing to a lack of funds, she recruits students from Delhi University to act in her docu-drama. She finds DJ, who graduated five years ago but still wants to be a part of the University because he doesn't think there's too much out there in the real world to look forward to. Karan, the son of Industrialist Rajnath Singhania, who shares an uncomfortable relationship with his father, but continues to live off him, albeit very grudgingly. Aslam, is a middle class Muslim boy, who lives in the by-lanes near Jama Masjid, poet, philosopher and guide to his friends. Sukhi, the group's baby, innocent, vulnerable and with a weakness for only one thing - girls. Laxman Pandey, the fundamentalist in the group, the only one who still believes that politics can make the world a better place ... Written by
Aamir Khan was initially uncertain about taking on the role of DJ, as he was in his 40s and DJ was 25 years old Punjabi in the film. He eventually accepted, though, and hired a tutor to aid him in Punjabi speech and accents. See more »
During one of the flashback sequences - set prior to 1947, the historical characters are on a roof of a building. In the distance is another large building, and, on its roof, is a large satellite dish. See more »
As I watched DJ sleep that night, a funny thought occurred to me. Maybe DJ wasn't sleeping. Maybe none of them were. Maybe they were all waking up.
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'Rang De Basanti' gratifies you with uncomplicated, almost melodious humor; it fills any void that Hindi films altogether may have left inside you dry. From the word 'go', this is one film that grips you one hundred percent. It is a film that every Indian should watch. The film simply flows like poetry where characters have the magical ability to bounce into different periods in time and the past and the present conjoin beautifully like a reverie. And in this moment lies the strength that transforms a common man into an uncommon man. He truly becomes an Indian. 'Rang De Basanti' is not a cliché patriotic film. And thank goodness for that! One really needed a break from J.P. Dutta and Anil Sharma brand of films. No more over the top acting, melodrama, reckless display of uncontrollable emotions and forced tear jerker deshbhakti songs. It was about time for a novel storytelling, for someone as passionate a director like Rakeysh Omprakash Mehra to tell and for us to hear and see and become. The actors simply glide through with the story and the screenplay by Kamlesh Pandey, which is the USP of the film. Not to take away any credit, Aamir Khan, Atul Kulkarni, Sharman Joshi, Kunal Kapoor and Siddharth really got into the skin of their characters of ones they are and ones they turn into. Even Soha Ali Khan has given her career's best and her unconventional looks proved only advantageous for the character she plays. What 'Mangal Pandey' couldn't do for Aamir Khan, 'Rang De Basanti' does and more. Madhavan in the cameo gives a true to life performance. Om Puri and Anupam Kher didn't have much to do in the script. Kirron Kher on the other hand was exemplary in her 'pucca Punjaban' character. Veteran actor Waheeda Rehman also did justice to her role. One actor who deserves a special mention is debutante Alice Payton who plays the role of Sue, a filmmaker from London, who wants to make a documentary in India called 'Young Guns of India' based on heroes of Pre-Independence era. Sue wants the boy band to don the roles of Bhagat Singh, Azad, Bismil, Rajguru etc. that only act as a baptism of fire, by virtue of which they find courage and strength that was needed when a cyclone behest their lives and demanded of them to raise their voice; a blast that could be heard by our generation, to shake their souls and have a one voice. And hence the film is beautifully titled 'Rang De Basanti'. The dialogues and lyrics by Prasoon Joshi take the film to another level. While Art Direction and Cinematography of the film almost makes you speechless. Every frame of the film is shot with precision and perfection. Needless to say, the editor has also done a super fine job. And now for the music- A.R. Rehman after the wishy- washy music of 'Mangal Pandey' completely absolves himself. A musical journey that takes you on a roller coaster ride that ends in an Awakening. Well, that's what the film hopes to achieve on some level, without being preachy or affected. Salutations to Rakeysh Omprakash Mehra for giving to our generation a renewed faith and hope, for making us believe that there is a fire kindling in all of ours' souls and no matter where we are and what we do, we love our country.
The Story: A young English filmmaker, Sue (Alice Payton), arrives in Delhi to make a film on Indian revolutionaries and their struggle for independent India. She is supported in her venture by her friend Sonia (Soha Ali Khan). After grilling auditioning sessions, when Sue is almost disheartened and doubts if she will be able to find her heroes at all, she comes across DJ (Aamir Khan), Karan (Siddharth), Sukhi (Sharman Joshi), Aslam (Kunal Kapoor) and Lakshman Pandey (Atul Kulkarni) and she knows she has found what she was looking for. From sheer playfulness, the group gradually starts to feel the pathos the revolutionaries must have experienced in their battles. All these individuals have a different outlook when it comes to sentiments on Nationalism. Ajay (Madhavan) who is an Air Force and plays Sonia's fiancé is instrumental in igniting the fire in them and the events that follow, uproot their indifference towards their country and change their lives forever.
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