A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies ...
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Home video changed the world. The cultural and historical impact of the VHS tape was enormous. This film traces the ripples of that impact by examining the myriad aspects of society that were altered by the creation of videotape.
Jack Rebney is the most famous man you've never heard of - after cursing his way through a Winnebago sales video, Rebney's outrageously funny outtakes became an underground sensation and ... See full summary »
Harry Dean Stanton: Partly Fiction is a mesmerizing, impressionistic portrait of the iconic actor comprised of intimate moments, film clips from some of his 250 films and his own ... See full summary »
Harry Dean Stanton,
The reclusive Patricia Douglas comes out of hiding to discuss the 1937 MGM scandal, in which the powerful film studio tricked her and over 100 other underage girls into attending a stag party, where she was raped.
Dubbed "The Cannibal Cop," Gilberto Valle was convicted in March 2013 of conspiring to kidnap and eat young women. Valle argued it was all a fantasy; the prosecution's narrative convinced ... See full summary »
When Warren Jeffs rose to Prophet of the Fundamentalist Church of Latter Day Saints, he took control of a religion with a history of polygamous and underage marriage. In a short time, ... See full summary »
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television. Written by
Z Channel was a Los Angeles pay-tv channel run by one Jerry Harvey. His devotion to cinema as art, broadcasting uncut (directors' versions) of films or other worthy efforts sidelined by the studios or TV channels that interspersed them with advertising, earned him the enduring respect of a multitude of Hollywood greats, many of whom are interviewed in this touching movie. One wonders if he had lived in France or even Latin America perhaps their might have been a public outcry to defend an institution he created, rather than lawsuits. In USA and Britain there is a lethargy, an apathy for cinema as art art is viewed as almost a luxury item, something that is nice but hardly necessary. What do we need to do to ignite a fire in the hearts of students and film aficionados? What do we need to do to bring about a cultural revolution where the people who appreciate art can nurture and control it, rather than those that make money from it, or government ministers of culture' who, lacking sufficient conviction themselves, are also unable to effectively encourage art. During the French New Wave, students took to the streets to defend a cinema. In Rio de Janeiro, the main arthouse cinema bookshop sells two kinds of books those on cinema and those on philosophy. These examples show a different kind of cinema-going public: a thinking, educated viewer who probably sees cinema firstly as art, as a source of ideas and inspiration. This film shows that such people exist even in the USA. It is a valuable document and perhaps shows the way forward in consumer-orientated cultures where the jaded palates of the citizens have little collective desire for good cinema.
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