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Southland Tales (2006)

 -  Comedy | Drama | Sci-Fi  -  7 December 2007 (UK)
5.5
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Ratings: 5.5/10 from 30,177 users   Metascore: 44/100
Reviews: 231 user | 168 critic | 26 from Metacritic.com

During a three day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a policeman who holds the key to a vast conspiracy.

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Title: Southland Tales (2006)

Southland Tales (2006) on IMDb 5.5/10

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Cast

Cast overview, first billed only:
Carlos Amezcua ...
Himself
...
Robert Benz ...
Tab Taverner
...
...
...
UPU 4 Officer 3 (as Chris Ciulla)
...
Aaron Dillar ...
...
Shari Dunn ...
USI Dent Reporter
Michele Durrett ...
Jon Falcone ...
Soldier Falcon
Leila Feinstein ...
Herself
...
...
Edit

Storyline

Southland Tales is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who's stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy. Written by TheGuyInThePj's

Plot Summary | Plot Synopsis

Taglines:

This is the way the world ends-Not with a whimper, but with a bang. See more »


Motion Picture Rating (MPAA)

Rated R for language, violence, sexual material and some drug content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

| |

Language:

Release Date:

7 December 2007 (UK)  »

Also Known As:

A káosz birodalma  »

Filming Locations:

 »

Box Office

Budget:

$17,000,000 (estimated)

Opening Weekend:

$123,428 (USA) (16 November 2007)

Gross:

$273,420 (USA) (14 December 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The translation for the film title in Mexico was: "Las Horas Perdidas" (The Lost Hours). See more »

Goofs

When the home video at the start of the film catches a glimpse of the initial bomb blast, we see the flash and hear the boom at the same instant. Anything close enough to a nuclear blast to hear the boom at the same instant as seeing the flash would be instantly disintegrated. See more »

Quotes

[first lines]
Private Pilot Abilene: [narration] In the aftermath of nuclear attacks in Texas, America found itself on the brink of anarchy.
[overlapping news reports]
Private Pilot Abilene: World War III had begun.
Private Pilot Abilene: The accelerated conflict in the Middle East placed significant restrictions on American access to oil. Alternative fuel sources became a lucrative commodity. Americans were transfixed by the terrorist's threat, and were willing to prevent another attack by any means necessary. Military checkpoints were erected at each State line. ...
[...]
See more »

Crazy Credits

After the credits, a logo appears of a thumbprint over an American flag with the words: "DON'T TOUCH ME" See more »

Connections

Featured in Siskel & Ebert: Episode dated 17 November 2007 (2007) See more »

Soundtracks

3 Steps
Written and Performed by Moby
Courtesy of Mute Records and Little Idiot Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Disappointing
18 November 2007 | by (Texas) – See all my reviews

The real failure of this film isn't that it's overcomplicated in terms of plot. It is definitely overloaded with plots and subplots, characters, and various allusions to the arts. Its downfall is that it uses its central theme of media criticism as an excuse not to present its ideas coherently -- it critiques an incoherent form in an incoherent way. Pot Kettle Black.

The primary thing that keeps the film from succeeding as a whole is its constant shifts in tone. While the filmmakers might argue that they are aping/satirizing the way we get information through the media, it makes for a rotten experience at the cinema. Some scenes are sketch comedy, some are ponderous (in a good sense), there is a bit of action and bit of fun with setting of the film. Without a truly riveting lead character or other weighted focus point it falls apart -- really by the conclusion of the film it's just white noise.

The casting is meant to be part of the media critique, but it's works against the film to keep thinking, 'hey -- that's the guy from Revenge of the Nerds and Moonlighting again', and keeps you distracted from the plot and characters' relationship to the plot. When thinking of this aspect of the film AFTER viewing it's a straightforward idea -- hey the filmmakers are saying that the government is using entertainment to keep us from following the real news, man! But during the actual experience of watching the film, the casting starts one thinking of Mars Attacks or dare I say it, Cannonball Run......

The lighting was very flat, which I assume again is part of the 'fast food media' critique - but ugly is still ugly. Especially considering Donnie Darko I was expecting something worth looking at visually. There are some big IDEAS presented visually, but they are not visually interesting in a formal sense. There has to be SOMETHING for the audience to hang its hat on beyond an idea. Cinema is a sensate experience, not merely an intellectual one.

I look forward to reading about this someday in Scott Tobias's "My Year Of Flops - Redux" on the Onion AV Club....


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