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Southland Tales (2006)

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During a three day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a policeman who holds the key to a vast conspiracy.



1 win & 2 nominations. See more awards »



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Cast overview, first billed only:
Carlos Amezcua ...
Robert Benz ...
Tab Taverner
UPU 4 Officer 3 (as Chris Ciulla)
Aaron Dillar ...
Shari Dunn ...
USI Dent Reporter
Michele Durrett ...
Jon Falcone ...
Soldier Falcon
Leila Feinstein ...
Jaret Gardiner ...


Southland Tales is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who's stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy. Written by TheGuyInThePj's

Plot Summary | Plot Synopsis


This is the way the world ends. See more »

Motion Picture Rating (MPAA)

Rated R for language, violence, sexual material and some drug content | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

7 December 2007 (UK)  »

Also Known As:

A káosz birodalma  »

Filming Locations:


Box Office


$17,000,000 (estimated)

Opening Weekend:

$123,428 (USA) (16 November 2007)


$273,420 (USA) (14 December 2007)

Company Credits

Show detailed on  »

Technical Specs



Sound Mix:

| |


Aspect Ratio:

2.35 : 1
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Did You Know?


Richard Kelly sent the organizers of the 2006 Cannes Film Festival a rough cut of the film on DVD assuming that it would not be accepted. Much to his surprise, they loved it and wanted the film entered in competition for the Palme d'Or. He stopped editing the film and was also unable to complete all of the visual effects in time for the screening. Kelly's film premiered at the Cannes Film Festival in May 2006 with a length of 160 minutes. Kelly describes the negative reaction at Cannes as a "very painful experience on a lot of levels" but ultimately felt that the film "was better off because of it". After the film's festival release, it was purchased by Sony Pictures. See more »


When the ATM is dragged behind the car, the white sparks can be clearly seen coming from inside it and not from the bottom as from the friction with the asphalt road. See more »


[first lines]
Private Pilot Abilene: [narration] In the aftermath of nuclear attacks in Texas, America found itself on the brink of anarchy.
[overlapping news reports]
Private Pilot Abilene: World War III had begun.
Private Pilot Abilene: The accelerated conflict in the Middle East placed significant restrictions on American access to oil. Alternative fuel sources became a lucrative commodity. Americans were transfixed by the terrorist's threat, and were willing to prevent another attack by any means necessary. Military checkpoints were erected at each State line. ...
See more »

Crazy Credits

After the credits, a logo appears of a thumbprint over an American flag with the words: "DON'T TOUCH ME" See more »


Referenced in An Evening with Kevin Smith 2: Evening Harder (2006) See more »


Tiny Elephants
Written and Performed by Moby
Courtesy of Mute Records and Little Idiot Music
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Frequently Asked Questions

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User Reviews

The Most Misunderstood Movie Masterpiece Ever?
18 November 2007 | by (Watertown, Mass.) – See all my reviews

Note well and full: my rating of 10/10 is for the combination of the graphic novel "prequel saga," which is nothing less than the *first half of the story*, and the movie itself. I'm not sure if it makes sense to rate the movie as a separate entity, but it is wildly entertaining enough, I think, to rate a solid 7/10 or 8/10 for anyone who can lock into its satirical mode.

A word on that: it's amazing how tone-deaf some critics can be. I've read numerous reviews that criticize the movie for attempting to make deep or profound statements that instead fall flat because they are in fact trite, shallow, or stupid. Duh! I think it fair to say that at no point does any character say anything that Kelly thinks is profound; what we hear is a steady and very funny parody of exactly that. Maybe because the tone of the movie, its vision, is fresh and unique, that those who don't get it just assume it must be serious. This is part of the reason the movie is getting such wildly mixed reviews. Half the critics don't get the tone at all and hate it. Half the critics get it, and about 1/3 of those think the movie still isn't coherent enough to recommend, while the other 2/3 of the 1/2 think it's got just enough coherence to make it a treat.

So how coherent is it? *Without it's first half*, I think it's fair to say that it's confusing as hell and a challenge to follow. But we are given enough of the back story that the pieces can be put together reasonably well *by someone with decent experience seeing and reading complex science fiction stories*. I can certainly see how someone could regard the story as wholly incoherent, but that's their inexperience with this kind of story. Anyone who has "gotten" ETERNAL SUNSHINE OF THE SPOTLESS MIND, PRIMER, or, yes, the original cut of DONNIE DARKO on the first viewing, gotten them enough to figure out the broad outline of the plot, should be able to do the same here (as did my companion at the theater).

There is a big difference, though, between the movie half of SOUTHLAND TALES and these other flicks. The broad understanding of the story that you can get from a first viewing is an understanding of the WHAT of the story, but not of the WHY. In particular, it is impossible to understand the motivations of the movie's most important characters, the Treer Corporation, without having read the first half of the story.

Now, here's the astonishing part. Usually when a movie is widely dissed as incoherent, the best argument its defenders can muster is that some decent sense can actually be made of it after all. Often that involves inventing plot points that the actual story omits! However, the complete SOUTHLAND TALES, the graphic novel first half and the movie second half, is not just adequately coherent, not just satisfyingly coherent, it is *thrillingly* coherent. It's every bit as coherent as its reputation for the opposite. The big reveals near the end make numerous pieces of the puzzle fall into place, and once you leave the movie theater the pieces keep on locking up, bit by bit by bit. It's one hell of a science fiction story.

In short: if you have any strong interest in this movie, do yourself an immense favor and read the graphic novel. (Ideally, read it first, but I think that seeing the movie, reading the graphic novel, and seeing the movie again would be highly satisfying).

I still cannot figure out what Kelly was thinking when he decided to split this huge story the way he did. There's one alternate universe where this is a 600 page Hugo-Award winning novel, standing in the precise relationship to 2007 as John Brunner's brilliant STAND ON ZANZBAR did to 1967. And there's another alternate universe where it was a 6-part HBO miniseries that was universally regarded as doing for sci-fi on cable TV what the Sopranos did for crime and family drama. It's our sucky luck that we live in the universe where it was a mostly unread graphic novel plus a widely misunderstood motion picture. Then again, it's the point of the story that we do live in a sucky reality, so maybe there's perverse ironic sense in that.

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