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Israeli filmmaker Ari Folman fused poetic animation with brutal reality in his breakout 2008 film Waltz With Bashir, a personal account of the Lebanese conflict of the early 1980s. The Congress, based on the book The Futurological Congress by Solaris author Stanislaw Lem, is an altogether different animal, though it treads a similar line between dreamlike animation and unvarnished reality.
Robin Wright plays a 40-something Hollywood actress (loosely based on her own career) whose advancing years and capricious nature have made new jobs increasingly difficult to come by. Pressured by both her agent (Harvey Keitel) and a shark-like executive (Danny Huston) at Tinseltown studio Miramount, Wright agrees to have her likeness scanned into a computer. Afterwards, the younger, idealised CG version of Robin will appear in movies (but not science fiction, »
Richard Linklater is a visionary! His "Boyhood" is easily my favorite movie of 2014 for its creativity and heartfelt storytelling. It's very appropriate that the auteur us receiving the Sonny Bono Visionary Award at the upcoming Palm Springs International Film Festival. He will be joining other recipients such as Eddie Redmayne, Julianne Moore, J.K. Simmons, and Rosamund Pike.
Here's the full press release:
Palm Springs, CA (November 26, 2014) . The 26th annual Palm Springs International Film Festival (Psiff) will present two-time Academy Award® nominated filmmaker Richard Linklater with the Sonny Bono Visionary Award at its annual Awards Gala. Past recipients of the Sonny Bono Visionary Award include Academy Award® winning filmmakers Tom Hooper, Danny Boyle, Quentin Tarantino, and Michel Hazanavicius. Presented by Cartier, and hosted by Mary Hart, the Awards Gala will be held Saturday, January 3 at the Palm Springs Convention Center. The Festival runs January 2-12.
.Richard Linklater.s latest feature film is the critically acclaimed Boyhood, »
“Boyhood” writer-director Richard Linklater will receive the Sonny Bono Visionary Award at the 26th annual Palm Springs International Film Festival’s awards gala on Jan. 3. The festival runs from Jan. 2-12.
“Richard Linklater’s latest feature film is the critically acclaimed ‘Boyhood,’ a one-of-a-kind epic undertaking shot over the course of 12 years with the same cast,” said fest chairman Harold Matzner. “For his creative innovations in filmmaking, the Palm Springs International Film Festival is proud to present Richard Linklater with the Sonny Bono Visionary Award.”
Linklater’s past work includes “Slacker,” “Dazed and Confused,” “Before Sunrise,” “Waking Life,” “Tape,” “School of Rock,” “Before Sunset,” “A Scanner Darkly,” “Bernie,” and “Before Midnight.” “Before Sunset” and “Before Midnight” nabbed Linklater Oscar nominations for Best Adapted Screenplay.
The Psiff Gala will also present awards to previously announced honorees »
- Laura Prudom
Richard Linklater’s Boyhood received five Indie Spirit Award noms yesterday including best feature and director, and now Linklater can add another kudo to the list. He will receive the Sonny Bono Visionary Award at the 26th annual Palm Springs International Film Festival’s awards gala on January 3. The fest runs January 2-12.
“Richard Linklater’s latest feature film is the critically acclaimed Boyhood, a one-of-a-kind epic undertaking shot over the course of 12 years with the same cast,” said Festival Chairman Harold Matzner. “For his creative innovations in filmmaking, The Palm Springs International Film Festival is proud to present Richard Linklater with the Sonny Bono Visionary Award.”
- The Deadline Team
When you make movies about people, an eye for casting becomes an auteurist stamp. Richard Linklater knows his characters so well — their personalities, their movements, their sounds — that by the time he inserts actors into each part, the choices feel like absolutes. Take the "Before" series. It’s a war crime to fantasy cast alternatives for Celine and Jesse. Julie Delpy and Ethan Hawke are too perfect. Just try. Nope. Not the same movie. Can’t do it. Impossible. In a testament to Linklater’s knack for spotting talent, the Casting Society of America will present two-time Academy Award-nominee with their Career Achievement Award at the 30th Annual Artios Awards. “Richard is a filmmaker whose work is both current and timeless. With Boyhood, he worked with casting director Beth Sepko to make casting choices, which sustained the film’s emotional truth over the 12 years it took to shoot. It demonstrates »
- Matt Patches
21 Years: Richard Linklater
Most filmgoers don’t know Richard Linklater’s name but his effect has been felt through the American independent film scene since the debut of Slacker in 1991. For the star-studded cast of commenters sitting down for some insights into Linklater, it’s hard to imagine a world without him. He is the unicorn who managed to build an entire career of passion projects, a rare opportunity indeed.
Written and directed by Michael Dunaway and Tara Wood, 21 Years: Richard Linklater seeks perspectives on one of cinema’s most underrated directors via interviews and stories shared by notable filmmakers Ethan Hawke, Julie Delpy, Jack Black, Keanu Reeves, Billy Bob Thornton, Jason Reitman, Kevin Smith, the Duplass brothers, and Matthew McConaughey. To provide a unique spin on talking heads, Dunaway and Wood splice in animated »
- Colin Biggs
As a midway celebration of one of American independent cinema’s most vital careers, “21 Years: Richard Linklater” makes for a disappointingly hollow hagiography: gushy, superficial and strangely overdue — arriving significantly later than its title prescribes. This year, “Boyhood” sparked a serious reappraisal of Linklater’s oeuvre by film lovers everywhere (Brit film journal Little White Lies dedicated an issue to the helmer’s career, while Variety’s own critics ranked his 17 features to date), but this VOD-bound overview adds little to the conversation, beyond fresh endorsements from the likes of Ethan Hawke, Jack Black and Matthew McConaughey, embellished by amusing animated segments.
Given helmer Michael Dunaway and co-director Tara Wood’s evident affection for their subject’s contributions to cinema, it’s weird that they didn’t leverage their project as an excuse to gain access to the Austin-based auteur. Instead, the pair travel far and wide to interview his collaborators, »
- Peter Debruge
Ready for a night at the movies with Keanu Reeves? We’ve got your passes to the advance screening of John Wick. Adding to the excitement and anticipation for the film is the choice to release John Wick in immersive IMAX®, an epic format typically reserved for big-budget studio spectaculars.
Read Michael Haffner’s Fantastic Fest review Here.
An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the “assassin genre”. The film is directed by Chad Stahelski and written by Derek Kolstad.
Check out the Fantastic Fest Red Carpet photos Here. »
- Movie Geeks
For some reason, we have seen an influx of films about Somali pirates lately, from last year’s Oscar-nominated hit Captain Phillips and the slow-burn Danish thriller A Hijacking, to the recent Somali-language drama Fishing Without Nets. Before this wave settles, there is still room for another terrific title: the documentary Last Hijack, a revealing and often riveting look into the central dilemma of one pirate’s life.
The film, directed by Femke Wolting and Tommy Pallotta, is a live-action non-fiction movie buoyed by sequences of rotoscoped animation. Much of the present-day action focuses around Mohamed, whose days of ransom collecting and living the high-octane thrill of a pirate may be close to over. Hanging out in Eyl, a Somali shantytown not far from the Indian Ocean, Mohamed is in debt. After many years of pirating, he has to figure out whether to return home to get married and raise »
- Jordan Adler
A lot of people see cinema as a way to capture reality. Quite frankly, I do not see it that way. It is an artificial medium, and everyone watching knows it. The capturing reality mindset is needed for some pictures, but it is not a hard and fast rule. I think filmmakers embracing film's artificiality can make for very interesting products. One of my favorite ways to highlight that is by directly breaking the fourth wall, a storytelling technique that addresses the audience in very a direct way. It can make them complicit in a nefarious plot. It can accuse them. It can bring them in on a joke. It is a very fun device to use, and, for the most part, it works when it's used. Below is a pretty fun supercut of breaking the fourth wall in movies. Here, though, breaking the fourth wall is translated as looking directly at the lens. »
- Mike Shutt
Access is always an issue with documentary, creating unique challenges in war zones or similar areas where filmmakers would be in physical danger or simply cannot go. The documentary Last Hijack, produced by Submarine Channel and directed by Femke Wolting and Tommy Pallotta, doesn’t just deal with these issues but makes them one of the film’s greatest strengths. In documenting piracy in Somalia, the filmmakers turned to techniques like animation — Pallotta produced both Waking Life and A Scanner Darkly — to show what could not be filmed, and then went one step further by creating an interactive documentary to accompany the traditional linear film. […] »
- Randy Astle
Keanu Reeves’ latest actioner sounds like your typical by-the-numbers American action romp. What can we say? It’s a genre that’s bordering on stale right now, with so many popular kinetic franchises suffering the dreaded sequelitis. This is where John Wick steps in. Or should we say, steps on, the competition. Proof that there’s life in the old gal yet, this final trailer for the movie should have you gearing up to check it out at the end of October.
On the back of a stellar reception at Fantastic Fest, the movie has gone from quiet sleeper to a highly-anticipated title. The dearth of publicity material prior to… last week, might have something to do with that. In light of the positive critical reaction, Lionsgate have stepped up their marketing game now. After the release of the first trailer had us teary-eyed when someone tampered with Keanu’s puppy, »
- Gem Seddon
Last year, Barkhad Abdi earned an Oscar nomination for playing a Somali pirate in “Captain Phillips.” Now, Mohamed Nura shows audiences the real thing in “Last Hijack.” A new documentary from directors Femke Wolting and Tommy Pallotta (a producer on Richard Linklater‘s “Waking Life” and “A Scanner Darkly”) enters the forbidden — and thriving — world of Somali pirates. Using animation, documentary footage, and re-enactments, the film explores their tactics and justifications, seeking to understand the issue from the perspective we rarely hear in the news media. The Filmbuff release will premiere at the New York Film Festival on Sept. 28, and then open in. »
- Jordan Zakarin
While Keanu Reeves’ filmography spans a number of genres, from Bill and Ted’s Excellent Adventures to My Own Private Idaho to A Scanner Darkly, he is no stranger to the action genre, with his more notable forays including Point Break, Speed, and The Matrix. For his next feature, Reeves is set to step back into action mode. Titled John Wick, the film sees Reeves play the titular character, a retired hitman who moves to take revenge for the death of his dog at the hands of burglars, finding himself drawn back into his old life. The film marks the directorial debut of stunt coordinator Chad Stahelski, working from a script by Derek Kolstad, and co-starring alongside Reeves is Ian McShane, Willem Dafoe, and Adrianne Palicki. The first trailer for the film, which is set to open in American theatres on October 24th, has now been released, and can be seen below. »
- Deepayan Sengupta
Summer movie season is a magic time of year when Hollywood traditionally rolls out its most appealing merchandise. It’s true that some summer movie seasons are better than others. This is our ranking of all the summer movie seasons since 1980 from worst to best.
On January 20th, 1975, Steven Spielberg and Universal Studios released Jaws. The movie landscape would be forever changed from that date. Jaws is widely credited as being the first blockbuster film because it was the first movie to make over $100 million (non-adjusted). The fact that the film had a meager $8 million budget meant that it was a huge cash cow for the studio and rocketed Spielberg to the the forefront of a new generation of filmmakers for a new era of movie mass-consumption. George Lucas and Spielberg followed up in 1977 with Star Wars, which became a sensational and very profitable hit. It helped to convince production »
- firstname.lastname@example.org (G.S. Perno)
When it comes to independent films and major releases, animation is fairly underutilized medium. There are exceptions, but for the most part, it’s generally used for kid-centric stories or to paint a lush, if slightly more adult, world. That’s why movies like A Scanner Darkly and The Congress are so special. They use animation for drama and to express ideas that go beyond a few pretty shots. Both films shouldn’t be compared past that point, but they are both emotional, visual, and mental exercises — rides that you either go along with from the start or don’t. If director Ari Folman‘s The Congress grabs you from its first frame, then expect a rich science-fiction film packed with commentary, ideas, laughs, tears, and beauty. Speaking of beauty, Robin Wright (played conveniently by Robin Wright) has lost it, at least according to some slimy agist studio executive we meet working at Miramount. She »
- Jack Giroux
Ari Folman, visionary director of Waltz With Bashir, brings us a journey beyond imagination in his upcoming movie The Congress. Robin Wright (pictured above) plays a version of herself in this thought-provoking film, which merges live-action and colourful animation. To celebrate the release of The Congress today (our review is here), we take a look at some other movies which have embraced a live-action/animation mash-up.
1) Mary Poppins
Family favourite Mary Poppins delighted audiences when it first burst onto screens in 1964, and now 50 years later the magical tale continues to enchant a brand new generation of film fans. The hit adventure’s wonderful mix of live-action and fantasy animation was surely one of the elements which won it five Oscars at the 1965 Academy Awards, including Best Visual Effects.
- Phil Wheat
A character actor with more than 80 film and TV projects to his name, Austin, Tex.-based Marco Perella is receiving his widest exposure ever—for a movie he finished shooting eight years ago. As the drunk disciplinarian stepfather of Mason (Ellar Coltrane) in Richard Linklater’s decades-spanning Boyhood, Perella plays the pathetic bully with a finesse that’s left some viewers thinking the movie was all too real.
EW spoke to Perella about his role in the film and the choice of words when he’s being praised for being bad.
The interview below references specific scenes and plot details of Boyhood. »
- Joe McGovern
Richard Linklater, the auteur behind films like Dazed and Confused, the Before Sunrise trilogy, and A Scanner Darkly may be walking away from the WB's planned remake of The Incredible Mr. Limpet. The director, who peppers in studio fair like the 2005 Bad News Bears remake between projects he's more passionate about, seems to want to capitalize on the current buzz surrounding his film, Boyhood, to make another more personal film. The writer-director spent 12 years working on Boyhood, literally shooting the film little by little, with the same cast, depicting a true coming-of-age tale.
The film has been getting absolutely sensational reviews since it's limited release last month- scoring 99% on RottenTomatoes with 168 critics having chimed in. The film features a cast that includes frequent Linklater collaborator Ethan Hawke, Patricia Arquette, and a handful of unknown actors. The reception to this film, which clearly meant a lot to the filmmaker, has seemingly knocked Mr. »
- Mario-Francisco Robles
What Richard Linklater’s Boyhood accomplishes is due the highest praise; as a feat of extended cinematic biography, there have been few experiments as rounded, detailed, and character-developed as this twelve-year gamble.
Nailing my heart to the wall with a good growing-up tale is a favorite cinematic past-time going back to a lot of young, smart French faces in the 1950s and 1960s; Russian kids with militarized gazes but poetic minds; the amazing Killer of Sheep’s gentle look at black youth in 1970s Los Angeles. Richard Linklater has contributed his share of closely-observed movies on adolescence, from his debut self-starring film It’s Impossible to Learn to Plow by Reading Books (1988) and breakout indie ramble Slacker (1991)to the evergreen Dazed & Confused (1993) and Before… series (1995-2013), Linklater returns to the philosophical delusions of youth and retrospect realities of age again and again. Boyhood is one of his most generous gifts yet, »
- Gregory Fichter
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