A Scanner Darkly (2006)

User Rating:

7.2/10   

Director:

Richard Linklater

Writers (WGA):

Philip K. Dick (novel)
Richard Linklater (screenplay)

Release Date:

28 July 2006 (USA)

Genre:

Animation | Crime | Drama | Mystery | Sci-Fi | Thriller

Tagline:

What Does A Scanner See?

Plot:

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

Plot Keywords:

Drugs | Substance | Substance D | Undercover | Undercover Cop

Awards:

2 wins & 6 nominations

Cast

Rory Cochrane	...	Charles Freck
Robert Downey Jr.	...	James Barris
Mitch Baker	...	Brown Bear Lodge Host
Keanu Reeves	...	Bob Arctor
Sean Allen	...	Additional Fred Scramble Suit Voice (voice)
Cliff Haby	...	Voice from Headquarters (voice)
Steven Chester Prince	...	Cop
Winona Ryder	...	Donna Hawthorne
Natasha Valdez	...	Waitress
Mark Turner	...	Additional Hank Scramble Suit Voice (voice)
Woody Harrelson	...	Ernie Luckman
Chamblee Ferguson	...	Medical Deputy #2
Angela Rawna	...	Medical Deputy #1
Eliza Stevens	...	Arctor's Daughter #1
Sarah Menchaca	...	Arctor's Daughter #2

MPAA:

Rated R for drug and sexual content, language and a brief violent image.

Runtime:

100 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | SDDS | DTS

Certification:

Ireland:16 | UK:15 | Australia:M | Finland:K-15 | Italy:T | Singapore:M18 (cut) | New Zealand:R13 | Argentina:16 | USA:R (certificate #42344) | South Korea:15 | Malaysia:18PL (DVD) | Brazil:16 | Japan:R-15 | Germany:16 | Canada:14A (Canadian Home Video rating) | Sweden:15 | Norway:15 (TV rating)

Filming Locations:

Austin, Texas, USA

Company:

Warner Independent Pictures (WIP)

Trivia:

Both the lodge number and Arctor's house address are "709". This is a reference to the famed Austin satirical rock band "Uranium Savages", who use 709 as a "secret" number. All Uranium Savages fans are familiar with this and the director likely inserted the number as homage to the band.

Goofs:

Revealing mistakes: After the car breaks down on the freeway, they cut to a scene where the car is facing backwards on a flatbed tow truck. If the car was picked up on the freeway, it would be facing forward unless the tow truck picked up the car from the rear which on the freeway would be highly unlikely.

Quotes:

[first lines]
Freck: [on the phone] I looked them up. They're aphids. They're in my hair, on my skin, in my lungs. And the pain, Barris, it's unreasonable. They're all over the place. Oh, they've completely gotten Millie too.

Movie Connections:

Referenced in Be My Oswald (2006)

Soundtrack:

Amazing Sounds of Orgy

Radiohead fans will love this movie.

For some reason I can't get separate the way I feel about Radiohead's Kid A and Amnesiac albums from the way I feel about this movie. If you love adult sci-fi that is complex and strangely moving then this is a must see movie. This captures Philip K. Dick's spirit better than any movie since BLADERUNNER and is even more difficult to pin a reaction on. SCANNER is a more intimate film. Anybody who has seen Richard Linklater's mind boggling WAKING LIFE will be instantly familiar (and comfortable) with the way SCANNER looks. The rotoscoping technique doesn't seem that much further evolved from WAKING except for the scrambler suit whose effect is a continuous wonder to behold. The look beautifully suits the story because they both speak to the large disconnect that has happened in our society via technology. Interpersonal and immediately accessible intercommunication devices have allowed us to avoid real communication and immediate interaction with our surroundings and the people who inhabit them at any moment on a grander scale than ever before. I find it rather depressing and annoying when my current reality in interrupted by a bloody cell phone (unless, of course, it is mine that is ringing). Dick's work often addressed alienation and sinking so far into your own that reality became a liquid element usually washing us up onto the shores paranoia and madness. SCANNER evokes this strangeness in a way few movies ever have.