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A Scanner Darkly (2006)

7.1
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Ratings: 7.1/10 from 77,976 users   Metascore: 73/100
Reviews: 289 user | 224 critic | 33 from Metacritic.com

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

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Title: A Scanner Darkly (2006)

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5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Brown Bear Lodge Host
...
Sean Allen ...
Additional Fred Scramble Suit Voice (voice)
Cliff Haby ...
...
Cop
...
Natasha Valdez ...
Mark Turner ...
Additional Hank Scramble Suit Voice (voice)
...
...
Medical Deputy #2
...
Medical Deputy #1
...
Arctor's Daughter #1
Sarah Menchaca ...
Arctor's Daughter #2
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Storyline

In a totalitarian society in a near future, the undercover detective Bob Arctor is working with a small time group of drug users trying to reach the big distributors of a brain-damaging drug called Substance D. His assignment is promoted by the recovery center New Path Corporation, and when Bob begins to lose his own identity and have schizophrenic behavior, he is submitted to tests to check his mental conditions. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Everything Is Not Going To Be OK See more »


Motion Picture Rating (MPAA)

Rated R for drug and sexual content, language and a brief violent image | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 August 2006 (UK)  »

Also Known As:

Una mirada a la oscuridad  »

Filming Locations:

 »

Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend:

£242,990 (UK) (18 August 2006)

Gross:

$5,480,996 (USA) (6 October 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The brand on James' wrist calculator reads »Philip«. See more »

Goofs

(at around 35 mins) During the conversation in the tow truck between Barris and Arctor, visible landmarks switch between Irvine, CA (on the Tustin border) when the camera is on Barris, and Orange, CA (on the border of Anaheim) when the camera is on Arctor. In addition, the same exterior shots from Interstate 5 of the Irvine Technology Center business park are passed several times in the same scene. See more »

Quotes

[first lines]
Freck: [on the phone] I looked them up. They're aphids. They're in my hair, on my skin, in my lungs. And the pain, Barris, it's unreasonable. They're all over the place. Oh, they've completely gotten Millie too.
See more »

Crazy Credits

At the start of the ending credits, the following text appears: This has been a story about people who were punished entirely too much for what they did. I loved them all. Here is a list, to whom I dedicate my love: To Gaylene, deceased To Ray, deceased To Francy, permanent psychosis To Kathy, permanent brain damage To Jim, deceased To Val, massive permanent brain damage To Nancy, permanent psychosis To Joanne, permanent brain damage To Maren, deceased To Nick, deceased To Terry, deceased To Dennis, deceased To Phil, permanent pancreatic damage To Sue, permanent vascular damage To Jerri, permanent psychosis and vascular damage ...and so forth In memoriam. These were comrades whom I had; There are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them play again, in some other way, and let them be happy. Philip K. Dick See more »

Connections

Featured in The Weight of the Line: Animation Tales (2006) See more »

Soundtracks

Strawberry Pie
(uncredited)
Performed by Graham Reynolds feat. The Golden Arm Trio
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Radiohead fans will love this movie.
22 July 2006 | by (United States) – See all my reviews

For some reason I can't get separate the way I feel about Radiohead's Kid A and Amnesiac albums from the way I feel about this movie. If you love adult sci-fi that is complex and strangely moving then this is a must see movie. This captures Philip K. Dick's spirit better than any movie since BLADERUNNER and is even more difficult to pin a reaction on. SCANNER is a more intimate film. Anybody who has seen Richard Linklater's mind boggling WAKING LIFE will be instantly familiar (and comfortable) with the way SCANNER looks. The rotoscoping technique doesn't seem that much further evolved from WAKING except for the scrambler suit whose effect is a continuous wonder to behold. The look beautifully suits the story because they both speak to the large disconnect that has happened in our society via technology. Interpersonal and immediately accessible intercommunication devices have allowed us to avoid real communication and immediate interaction with our surroundings and the people who inhabit them at any moment on a grander scale than ever before. I find it rather depressing and annoying when my current reality in interrupted by a bloody cell phone (unless, of course, it is mine that is ringing). Dick's work often addressed alienation and sinking so far into your own that reality became a liquid element usually washing us up onto the shores paranoia and madness. SCANNER evokes this strangeness in a way few movies ever have.


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