In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
In a totalitarian society in a near future, the undercover detective Bob Arctor is working with a small time group of drug users trying to reach the big distributors of a brain-damaging drug called Substance D. His assignment is promoted by the recovery center New Path Corporation, and when Bob begins to lose his own identity and have schizophrenic behavior, he is submitted to tests to check his mental conditions. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the conversation in the tow truck between Barris and Arctor, visible landmarks switch between Irvine, CA (on the Tustin border) when the camera is on Barris, and Orange, CA (on the border of Anaheim) when the camera is on Arctor. In addition, the same exterior shots from Interstate 5 of the Irvine Technology Center business park are passed several times in the same scene. See more »
[on the phone]
I looked them up. They're aphids. They're in my hair, on my skin, in my lungs. And the pain, Barris, it's unreasonable. They're all over the place. Oh, they've completely gotten Millie too.
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The "Phil" mentioned in the "in memoriam" list as having permanent pancreatic damage is Philip K. Dick himself. See more »
extraordinary and faithful adaptation of one of PK Dick's most personal
When someone on a trip starts to wig out, you take them someplace quiet and talk soothingly and assure them that everything's going to be OK. But as the tagline of this film makes clear, for these characters everything is most definitely NOT going to be OK.
For those who haven't read the book, it's important to know what you're getting into. PK Dick wrote this novel as a way of telling the story of how he and his friends in the early '70s damaged and destroyed themselves with drugs. He tells this story within the framework of a surreal science fiction thriller, but many of the scenes are straight from his own experiences with the unpleasant consequences of people using drugs and disintegrating mentally.
This film does an amazing job of capturing the feel and tone of the book as well as the paranoia, perceptual distortions, and chaos of hallucinogenic overindulgence. Add to that a story that only gradually emerges from the madness, but by the end brings in a lot of heavy ideas such as the existence of free will, whether ends justify means, etc. There is a sense of consequence to what happens in the film, a sense of despair at what has been lost. So this story of drug-addled losers becomes the story of the human struggle for identity and meaning.
I have a couple of minor quibbles regarding scenes from the book that only partially made the cut (no explanation for the significance of "If I'd known it was harmless I would have killed it myself, no little kid to explain how 6 and 3 gears means 18 speeds). Still, most adaptations of PK Dick stories take a few basic ideas and try to shape them into more conventional films that fit into established genres. Even when it works, such as with Blade Runner or Total Recall, it's not really PK Dick. Not so this film. This is PK in all his dark and perverse and deeply thoughtful glory.
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