Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
An elderly couple wish their children to care for them in their old age. But their children see and treat them as a burden, and they must struggle to regain their worth and dignity to themselves and others.
Raj and Priya come from two different strata of society. While Raj owns a small-time transport business and belongs to the economically middle class section of society, Priya belongs to the... See full summary »
An unemployed Manoj (alias Manu) is told by his mother that they need some money for his sister's forthcoming marriage, and he sets out to find some. For this purpose, he visits his former Calcutta-based girlfriend, Neerj alias Neeru, whom he was to marry, but who preferred to marry someone wealthier, in Calcutta. He rings the doorbell, and the door is answered by Neerja herself, and he is invited inside. They talk and update each other on their lives. Neerja puts on Manoj's raincoat, so she could go out and buy something to cook for him. She warns him not to open the door nor let anyone in. After Neerja leaves a man knocks on the door, and requests entry into the house to use the toilet. Manoj opens the door and lets the male use the facilities. When this male finishes his business, he refuses to leave, and sits and talks with Manoj. It is during this conversation that Manoj finds out the stark truth behind Neerja, her husband, and their married life. Written by
The shooting of this movie started a day in advance on Monday 16 February 2004. There was a costume rehearsal scheduled for the Monday, but since the whole unit was ready, they began shooting. A puja was performed at the NTII studio before the first take. See more »
Oh, what a wonderful wonderful film! This is why I love movies. Raincoat is undoubtedly the best film of 2004. Along with three brilliant performances by Aishwarya Rai, Ajay Devgan and Annu Kapoor this film excels in many other departments as well. Aishwarya looks divine. She has acted with magnificence, her best performance yet. Rituparno Ghosh directs this gem of a movie and also writes an excellent screenplay with intricacies and subtleties seldom found in Indian cinema. He is probably one of the best working directors in our country today who surely knows how to adapt a novel or a short story. He creates a dark and eerie world for the two characters a perfect setting for the both of them to TALK.
Actually that is what happens in almost the entire movie which is its strong point, if nothing more. It's a story of forbidden love of Neeru (Aishwarya Rai) and Mannu (Ajay Devgan). Not a love story with all the mush-mush and bollywood style ridiculousness. They were in love but couldn't marry due to some reasons which are not told directly and that's where your brain has to do the working. Watch the film with patience and full attention and you'll notice everything.
So what does a Raincoat have to do with two people who couldn't marry and meet again after a few years? Well, I'm not gonna tell you that. Watch this film and be amazed. I was befuddled when it started, I couldn't believe it was happening. This was movie magic!
The cinematography is beautiful and the sets and the costumes are fabulous. The editing is fast paced and carefully handled. And I haven't gotten to the music yet. So wait. The music is fan-frickin-tastic. Shubha Mudgal lends her voice to create some very beautiful Radha-Krishna renditions which complement the film and further add to the greatness of the movie. 'Akele Hum Nadiya Kinare' 'Mathura Nagrapati' 'Raha Dekhe' and 'Piya Tora Kaisa Abhiman' (also sung by Hariharan) are all awesome. The ending is perfect. Spot on!
But I don't call this an ART FILM. In fact, I don't believe any movie can be categorized as an art film. Call it a sensible film and ill give you a pat on the back. There is either a good film or a bad film (plus the superlatives). And this is an excellent film. As I said, this is why I love movies.
Rating: **** (A modern cinematic masterpiece) (It would be criminal if I didn't add that)
P.S. Those who prefer to watch only mindless comedy or romantic flicks, ill just tell you this STAY AWAY! (Cause you think that movies are only made to make you laugh which shows what an awful person you are, no offense)
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