As youths in Azusa, Vinnie, Carter, and Rosie pull off a racing scam, substituting winners for plodders and winning big bucks on long odds. When an official uncovers the scam, they set him ... See full summary »
Pablo blends documentary and animation elements to tell the saga of "famous unknown" Pablo Ferro, a man with a personal journey that spans from Havana, during the pre-Cuban revolution to ... See full summary »
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
Story of a man Bill Januson whose pride in being the head of his family won't let him accept help from his sick daughters doctor. He has to prove to his kids that even with the death of his... See full summary »
Idealistic 15-year old Owen gets the chance of a lifetime to be the youth spokesman for U.S. Senate Candidate Lawrence Connor, only to be exploited in a fierce campaign of TV and radio ads,... See full summary »
Lucas Elliot Eberl
Alex D. Linz
Andy Sargentee is a decent guy and the town's favorite failure: an unemployable dreamer whose ex's husband's wealth intimidates Andy to such an extent he does little with his teen son. Andy's new idea is for Butterface Fields to be the first town to band together to make the first full-length feature amateur adult film. He recruits five regulars at Floyd's Bar to contribute $2000 each. They get the kid at the video store, whose camcorder is constantly on, to be the cinematographer. The pal they all call "Some Idiot" volunteers to be writer-director. Otis becomes producer. Now, can they find actors, and especially, women? Can a pornography project give Andy self-respect? Written by
I'm in. Except for no money, it's a no-brainer for me. First off, making a stag film *has* to be a good time. Number two, my hat's off to you. Good job. We can do this. Wha-what are we talking about here? Making a dirty movie - film, whatever, whatever. What does that require? Pointing a camera at a he and a she... he'in and a-she'in.
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During the beginning of the real end credits you can see a piece of film of our gang fishing. At the end of the names, the film starts to burn. The rest of the credits follow on a black screen. See more »
I have never laughed so hard in a movie as I did Sunday night in Santa Barbara. I have known characters like these all my life who continue to try and succeed in life to win the respect and love of family e.g. Bridges's son. The main motive in life should not be monetary gain but being loved by those who love you. This is the moral of this wonderful movie which made my eyes misty at the end when Bridges kept replaying his son's voice mail,"....I love you Dad!" and then put the new sheets on his son's bed. The characters all mirror Bridges's desire to succeed at something in life. Bridges is like a pied piper in uniting the cast to follow his lead. Danson is a riot. Pantoliano is absolutely terrific. I have never seen him before in such a subdued hilariously funny role. Run! Don't walk to this very wonderful movie. Adding to the foregoing comment which was written over a year ago, I saw the re-cut version of the film last night(4/22/06) and wondered why many of the scenes of the funny grumpy old guy, (Clara's man) were cut, particularly the part near the end when he drives away in a new car with a wide smile after he had been frowning during the whole film. The re-cut version is a tighter film which focuses almost completely on the main characters at the expense of the peripheral characters. However, it is still a terrific film.
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