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Million Dollar Baby (2004)

PG-13 | | Drama, Sport | 28 January 2005 (USA)
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A determined woman works with a hardened boxing trainer to become a professional.

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(screenplay), (stories)
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746 ( 155)
Top Rated Movies #196 | Won 4 Oscars. Another 60 wins & 81 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lucia Rijker ...
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Father Horvak (as Brían O'Byrne)
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David Powledge ...
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Cut Man (as Joe d'Angerio)
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Storyline

Wanting to learn from the best, aspiring boxer Maggie Fitzgerald wants Frankie Dunn to train her. At the outset he flatly refuses saying he has no interest in training a girl. Frankie leads a lonely existence, alienated from his only daughter and having few friends. Maggie's rough around the edges but shows a lot of grit in the ring and he eventually relents. Maggie not only proves to be the boxer he always dreamed of having under his wing but a friend who fills the great void he's had in his life. Maggie's career skyrockets but an accident in the ring leads her to ask Frankie for one last favor. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Beyond his silence, there is a past. Beyond her dreams, there is a feeling. Beyond hope, there is a memory. Beyond their journey, there is a love.

Genres:

Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for violence, some disturbing images, thematic material and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

28 January 2005 (USA)  »

Also Known As:

Rope Burns  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$179,953 (USA) (17 December 2004)

Gross:

$100,422,786 (USA) (3 June 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Of the three Best Picture Oscar winners featuring Morgan Freeman, this is the only one where he also won the Oscar for Best Supporting Actor. He was nominated for Best Supporting Actor in Driving Miss Daisy (1989). See more »

Goofs

Eddie Dupris claims that a knockout is caused when the neck turns a certain degree after which the human body takes over and shuts itself down for safety reasons. While generally unknown, it is widely believed that a knockout is actually caused by the rattling of the brain against the skull causing severe trauma resulting in a concussion. See more »

Quotes

[first lines]
Eddie Scrap-Iron Dupris: [Narrating] Only ever met one man I wouldn't wanna fight. When I met him he was already the best cut man in the business. Started training and managing in the sixties, but never lost his gift.
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Crazy Credits

There are no opening credits after the title is shown. See more »

Connections

Referenced in The O.C.: The Return of the Nana (2005) See more »

Soundtracks

Blue Morgan
Composed by Clint Eastwood
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Frequently Asked Questions

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User Reviews

Sure to be a contender for the Academy's Best Picture of the Year
16 December 2004 | by (Kearny, NJ) – See all my reviews

Saw "Million Dollar Baby" in Manhattan last night. Clint Eastwood, one of the all-time most famous actors -- and directors -- has more than enough money where he could choose to pull the strings on block-buster, mindless action pictures, ala Jerry Bruckheimer, or comic books. Or, hell, in his twilight years he could just lay back and enjoy his millions. But no. He has chosen instead to make quieter, lower-budget, heart-felt, character driven films like "The Unforgiven" "True Crime" "Mystic River" and now Million Dollar Baby. And the world is a better place for it. Eastwood uses his multiple talents to make films that have something valuable to say. In the emotionally powerful, Million Dollar Baby, he tells an allegorical tale of boxing to subtly express themes of hope, redemption, sacrifice, persistence, and belief in one's self. The movie emphasizes that failure is a more honorable and personally fulfilling trait than never having tried, while also frowning upon laziness and leeching off others. But see the movie and judge for yourself. I personally consider great films as the ones where I leave the theater with a better understanding of human nature, or a desire to improve the world by even a little bit. Eastwood's latest more than succeeds on those counts.


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