This second volume in the series, whose only relationship to the title and academia come via stock footage of the cities of Cambridge and Oxford during the opening credits, has a weak cast and rather boring generic sex scenes. For wall-wall sex addicts it's passable, but fails within its chosen jail-bait genre.
I bought two copies of it via US-released DVD, and did an A/B comparison. The original "London's" title version was released Stateside in 2002 by VCA Pictures and runs 114 minutes, while Black Widow Prods. reissued it in a 105-minute cut under the "UK Student" moniker.
4-vignette structure is the same, with a pair of joggers, little (but busty) Kylie Baby and Johnny Sins-lookalike J.J. O'Neil, chatting about the doings at the sorority house. Problem is that no hint of campus or school is developed, and even the inevitable joggers' humping scene takes place elsewhere, not at the titular house.
Lara Latex is an imposing figure, imported from the fetish world, to be the mean house mistress, whose idea of fun is to force the girls staying there to have sex as punishment. Not that they feel punished, as everybody enjoys gonzo sex & plenty of it in this mythical porn world.
First story related by Baby is that of blonde Debby Tomlin forced to pose for naughty pictures from a pair of photographers, but instead the Black studs (one resembling Denzel W. and the other Byron Long) double- team the girl with plenty of d.p. action in a very lengthy (pun intended) sequence. It runs five minutes longer in the VCA version, but is boring anyway you slice it, as cast goes through their bareback paces listlessly, marking time until the paymaster shows up.
On that note, next flashback has Lara forcing Faye Rampton and Sandie Caine into prostitution, as they service Ian Tate and Alan Nielson in a foursome with partner trading included. D.p.'s remain actress-turned director Georgette Neal's main emphasis. Apparently the original materials were tampered with by both U.S. distributors, as this scene from VCA and Black Widow has various cuts by both of them, ultimately running a couple of minutes longer in the VCA version.
The joggers get home and hump in the kitchen, with Baby's natural breasts, pigtails and pleasant demeanor a film highlight. Unfortunately, the untalented J.J. is a victim of premature ejaculation (rarely included in released Adult Cinema, but this is a cheapie & a junker where doing a scene over is probably prohibitive). After the blow-job intro, he ejaculates onto Baby's face just a few seconds after she mount him on a chair, but after the spunk is released, these troupers carry on for another 20 minutes or so, resulting after standard positions to them back on the chair and a second facial delivered. For no good reason, the Black Widow reissues runs half a minute longer than the VCA version.
Finale is back at the house, with Latex finally joining in and doing a fine job as she supervises humping of Brit Porn stalwart Lee Henshaw, doing him on the stairway and then heading upstairs to wake up Donna Marie for a threesome.
Nothing to write home (to England?) about, unless one is addicted to Lara Latex, an unusual and talented performer.
I bought two copies of it via US-released DVD, and did an A/B comparison. The original "London's" title version was released Stateside in 2002 by VCA Pictures and runs 114 minutes, while Black Widow Prods. reissued it in a 105-minute cut under the "UK Student" moniker.
4-vignette structure is the same, with a pair of joggers, little (but busty) Kylie Baby and Johnny Sins-lookalike J.J. O'Neil, chatting about the doings at the sorority house. Problem is that no hint of campus or school is developed, and even the inevitable joggers' humping scene takes place elsewhere, not at the titular house.
Lara Latex is an imposing figure, imported from the fetish world, to be the mean house mistress, whose idea of fun is to force the girls staying there to have sex as punishment. Not that they feel punished, as everybody enjoys gonzo sex & plenty of it in this mythical porn world.
First story related by Baby is that of blonde Debby Tomlin forced to pose for naughty pictures from a pair of photographers, but instead the Black studs (one resembling Denzel W. and the other Byron Long) double- team the girl with plenty of d.p. action in a very lengthy (pun intended) sequence. It runs five minutes longer in the VCA version, but is boring anyway you slice it, as cast goes through their bareback paces listlessly, marking time until the paymaster shows up.
On that note, next flashback has Lara forcing Faye Rampton and Sandie Caine into prostitution, as they service Ian Tate and Alan Nielson in a foursome with partner trading included. D.p.'s remain actress-turned director Georgette Neal's main emphasis. Apparently the original materials were tampered with by both U.S. distributors, as this scene from VCA and Black Widow has various cuts by both of them, ultimately running a couple of minutes longer in the VCA version.
The joggers get home and hump in the kitchen, with Baby's natural breasts, pigtails and pleasant demeanor a film highlight. Unfortunately, the untalented J.J. is a victim of premature ejaculation (rarely included in released Adult Cinema, but this is a cheapie & a junker where doing a scene over is probably prohibitive). After the blow-job intro, he ejaculates onto Baby's face just a few seconds after she mount him on a chair, but after the spunk is released, these troupers carry on for another 20 minutes or so, resulting after standard positions to them back on the chair and a second facial delivered. For no good reason, the Black Widow reissues runs half a minute longer than the VCA version.
Finale is back at the house, with Latex finally joining in and doing a fine job as she supervises humping of Brit Porn stalwart Lee Henshaw, doing him on the stairway and then heading upstairs to wake up Donna Marie for a threesome.
Nothing to write home (to England?) about, unless one is addicted to Lara Latex, an unusual and talented performer.