When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first. Written by
Kevin Yang (Canada, Surrey)
When Adele enters the security code at the front door of the apartment, the sound of the numbers pressed results in the first few bars of "Twinkle, Twinkle, Little Star". See more »
When Joey returns home after being shot in the diner, Teresa opens the door to his Mustang and pulls him out. The body of the Mustang is that of a 1967 model, but when the door is open the interior door panels are from a 1968 model. See more »
[while frantically driving]
Come on! Come on, kid! The fuck? Look at me. Fuck! Come on Oleg, stay with me. Come on. Come on! Come on, kid. We're gonna make it.
We're gonna crash!
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I was a big fan of Tarantino after seeing "Resevoir Dogs" and "Pulp Fiction". "Running Scared" is certainly in that same vein, and it also reminds me of John Woo's "The Killer". But where this film lacks the dialog of a Tarantino film, it is a lot more visually stylish than anything QT has ever done. There are great transitions, effective dynamic time warping (speed up or slow down a shot, like a bullet flying through the air), and if you thought Maynard, Zed, and the Gimp were bizarre in "Pulp Fiction", wait until you meet the creepy married couple who through their sick hobby make every other evil character in this film look like Buddhist Monks. It's a fast, furiously-paced film, certainly aptly titled. A great cast, beginning with Paul Walker and Vera Farmiga. And certainly the main kids stand their ground, especially Cameron Bright. Also worth mentioning is the end title sequence animated by Gary Hebert. Bottom line, if you were disappointed by films like "Kill Bill" and "Sin City", films you really wanted to like but found them too cartoonishly clichéd, you'll be more than satisfied with "Running Scared". It's sharp and engaging.
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