After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things go wrong for Joey after a neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find that kid and the gun before the police and the mob do. Written by
Kevin Yang (Canada, Surrey)
When Edele enters the security code at the front door of the apartment, the sound of the numbers pressed results in the first few bars of "Twinkle, Twinkle, Little Star". See more »
In the hockey rink when Oleg is pointing the gun at the man about to kill Joey with the shotgun, the camera shot from the front has him holding the gun with one hand and the rear camera shot has him holding the gun with two hands. See more »
[while frantically driving]
Come on! Come on, kid! The fuck? Look at me. Fuck! Come on Oleg, stay with me. Come on. Come on! Come on, kid. We're gonna make it.
We're gonna crash!
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The director wishes to dedicate the film to Sam Peckinpah, Brian De Palma and Walter Hill See more »
The gangster Joey Gazelle (Paul Walker) is in charge of getting rid of the guns that killed dirty cops in a transaction of drugs between Italian mobsters and Afro-Americans. However, Joey hides the guns in the basement of his house instead of throwing in the river, and his ten years old son Nicky (Alex Neuberger) and his best friend Oleg Yugorsky (Cameron Bright) witness Joey hiding the gun. When Oleg's abusive stepfather Anzor Yugorsky (Karel Roden) beats his mother Mila (Ivana Milicevic), Oleg steals the weapon from the basement and shoots Anzor, running away home with the gun. Along the night, Joey, the Russian and the Italian mobster and the dirty cops chase the little boy trying to retrieve the gun and disclose who ordered the boy to shoot his stepfather.
"Running Scared" is a great surprise and pure action, recalling the style of "Pulp Fiction" and "Reservoir Dogs". The camera work is stylish and amazing, and the gore story in spite of having many clichés is engaging with great lines. Paul Walker is excellent in this type of role, and I particularly loved the scene of Teresa Gazelle (Vera Farmiga) with the two pornographers, when she calls 911. My vote is eight.
Title (Brazil): "No Rastro da Bala" ("In the Tail of the Bullet")
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