A DEA agent provides former Marine Tim Kearney with a way out of his prison sentence: impersonate Bobby Z, a recently deceased drug dealer, in a hostage switch with a crime lord. When the ... See full summary »
Luke McNamara, a college senior from a working class background joins a secret elitist college fraternity organization called "The Skulls", in hope of gaining acceptance into Harvard Law ... See full summary »
Rock star from the late 60's assumed dead in a car wreck, returns from the grave to promote a new band, the members of Cutting Edge, who have been lured to the rock star's Gothic mansion ... See full summary »
After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first. Written by
Kevin Yang (Canada, Surrey)
When Oleg says he listens to "Kvasha", this is a direct reference to not only the music type, but also Oleg Kvasha who first played for the NHL team Florida Panthers back in 1996. The first name "Oleg" also happens to be Cameron Bright's character's first-name: Oleg Yugorsky. See more »
In the opening scene, the first Jamaican drug dealer is killed during a slow motion shotgun blast. In the shot, the shell is being ejected immediately as the shotgun is fired, which should not be the case as the hijackers were carrying pump action shotguns whereby the shell is ejected upon pumping, not firing. See more »
[while frantically driving]
Come on! Come on, kid! The fuck? Look at me. Fuck! Come on Oleg, stay with me. Come on. Come on! Come on, kid. We're gonna make it.
We're gonna crash!
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Written by Anthony B. Ramirez, Ricardo Avalos, Pablo Murillo, Adrian Tapia and Peter Reyes
Performed by El Nuevo Xol
Courtesy of Creamworks-SlamJamz
By Arrangement with Music for the Masses
Published by Sonically Unico See more »
I was a big fan of Tarantino after seeing "Resevoir Dogs" and "Pulp Fiction". "Running Scared" is certainly in that same vein, and it also reminds me of John Woo's "The Killer". But where this film lacks the dialog of a Tarantino film, it is a lot more visually stylish than anything QT has ever done. There are great transitions, effective dynamic time warping (speed up or slow down a shot, like a bullet flying through the air), and if you thought Maynard, Zed, and the Gimp were bizarre in "Pulp Fiction", wait until you meet the creepy married couple who through their sick hobby make every other evil character in this film look like Buddhist Monks. It's a fast, furiously-paced film, certainly aptly titled. A great cast, beginning with Paul Walker and Vera Farmiga. And certainly the main kids stand their ground, especially Cameron Bright. Also worth mentioning is the end title sequence animated by Gary Hebert. Bottom line, if you were disappointed by films like "Kill Bill" and "Sin City", films you really wanted to like but found them too cartoonishly clichéd, you'll be more than satisfied with "Running Scared". It's sharp and engaging.
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