A DEA agent provides former Marine Tim Kearney with a way out of his prison sentence: impersonate Bobby Z, a recently deceased drug dealer, in a hostage switch with a crime lord. When the ... See full summary »
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Luke McNamara, a college senior from a working class background joins a secret elitist college fraternity organization called "The Skulls", in hope of gaining acceptance into Harvard Law ... See full summary »
After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first. Written by
Kevin Yang (Canada, Surrey)
The medicine bottle that Oleg uses to find the address of Dez and Adele's apartment is a prescription for Zovirax, a medication used to treat Cold Sores. See more »
In the shootout at the beginning, Joey takes cover behind a mattress that has obviously taken a couple of blasts. In later shots, the mattress is fully intact. See more »
[while frantically driving]
Come on! Come on, kid! The fuck? Look at me. Fuck! Come on Oleg, stay with me. Come on. Come on! Come on, kid. We're gonna make it.
We're gonna crash!
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This I$ Hip Hop
Written by David Hilker, John Costello, Tone Brown and Jeffrey A. Freundlich
Performed by Tone Brown & Marcus L. Scott
Courtesy of Wild Whirled Music
Published by Music Whirled Publishing See more »
Those who dismiss this classic film, and it really is destined to be a cult classic are perhaps properly outraged by the characters that Wayne Kramer populates this film with. Drug addicts, hookers, mobsters, wife beaters, pedophiles, crooked cops and pimps cross the path of Oleg and Joey as they run through the city looking to stay alive. Tarantino comparisons will abound as with any clever and violent film these days, but Wayne Kramer imprints Running Scared with his own wonderful style. I watched Richard Roeper give this a thumbs down by saying that Kramer throws in everything but the kitchen sink, I wholeheartedly agree but consider that a compliment. The climactic finale that takes place in a hockey rink starts off reminding me of one of my favorite scenes from another cult classic Philip Kaufman's "The Wanderers" which was derived from "The Hustler", but it only starts off there, and then it becomes perhaps the best all out violent mess that has ever been filmed.
I can't say enough about this film. I even thought Paul Walker was terrific. He shows promise that he has never shown before by eschewing the pretty boy shtick.
I just watched the film a second time upon it's DVD release which is something I seldom do, and I realized that Kramer views the film as a fairy tale. The evil characters are so over the top. They are the creatures of the night that populate our nightmares as opposed to the evil actually populating the streets. The film is about legends and myth. If the bad guys are the ones portrayed in the film, the good guys are John Wayne. If this sounds a little strange just watch the ending credits carefully.
People will discover this film. It is pure testosterone. But it sure kicks ass. I liked Wayne Kramer's the Cooler a lot as a simple character piece. I also enjoyed Mindhunters more than most, but now I anxiously await his next film. I think Wayne Kramer is going to create a great body of work over the next few years.
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