Little Children (2006)

Director:

Todd Field

Writers (WGA):

Todd Field (screenplay) &
Tom Perrotta (screenplay) ...

Release Date:

3 November 2006 (USA)

Genre:

Drama | Romance

Plot:

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

Plot Keywords:

Young Parent | Female Breadwinner | News Report | Book Group | Heart Attack

Awards:

Nominated for 3 Oscars. Another 12 wins & 24 nominations

US TV Schedule:

Thur. July 31

12:50 AM

HBO

Cast

Kate Winslet	...	Sarah Pierce
Patrick Wilson	...	Brad Adamson
Jennifer Connelly	...	Kathy Adamson
Gregg Edelman	...	Richard Pierce
Sadie Goldstein	...	Lucy Pierce
Ty Simpkins	...	Aaron Adamson
Noah Emmerich	...	Larry Hedges
Jackie Earle Haley	...	Ronnie J. McGorvey
Phyllis Somerville	...	May McGorvey
Helen Carey	...	Jean
Catherine Wolf	...	Marjorie
Mary B. McCann	...	Mary Ann
Trini Alvarado	...	Theresa
Marsha Dietlein	...	Cheryl (as Marsha Dietlein Bennett)
Jane Adams	...	Sheila

MPAA:

Rated R for strong sexuality and nudity, language and some disturbing content.

Runtime:

130 min

Country:

USA

Language:

English

Color:

Color (DuArt)

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

Greece:K-13 | Singapore:M18 | USA:R | Canada:18A (British Columbia) | Brazil:16 | Argentina:16 | Germany:16 | Sweden:11 | Switzerland:14 (canton of Geneva) | Philippines:R-18 | Finland:K-15 | South Korea:18 | UK:15 | Japan:R-15 | Australia:MA | Malaysia:(Banned) | Portugal:M/16 | New Zealand:R16 | Switzerland:14 (canton of Vaud) | Netherlands:12 | Ireland:16 | Chile:14

Filming Locations:

Boothbay Harbor, Maine, USA

Company:

New Line Cinema

Trivia:

In the novel, the character Ronnie bears very little physical resemblance to Jackie Earle Haley, being an overweight, balding chain-smoker who wears glasses. The novel makes the character even less likable and is a little clearer on whether he actually was involved in the little girl's disappearance.

Goofs:

Continuity: The handwriting on the envelope when Ronnie's Mum is writing her dying note to him differs (twice) from the original shot. It is seen three times: first when she is writing it (the N's are quite distinctive), second when he discovers the note in the case (it is clearly different) and thirdly after he has washed up and sits down to read it (it is different yet again). Also the handwriting on the envelope that Brad writes to Kathy differs between its two appearances. The first shot shows all capitals ("KATHY") while the second shot does not ("Kathy").

Quotes:

[first lines]
Lucy Pierce: Want to take a walk with me?

Movie Connections:

Features "All in the Family" (1971)

Soundtrack:

Fly Me to the Moon (In Other Words)

Superb

I had the pleasure of seeing the premiere of "Little Children" at Telluride. The incomprable Mr.Feild hid behind the curtain near the concession at the back of the Nugget Theater wringing his hands, looking a wee bit nauseous. It was all very endearing. The film is superb. Amongst the American fare it tops my list of films fromTelluride, next to the incomprable 'Day Night Day Night' directed by Julia Loktev.

For me, it was all about Jackie Earle Haley. Haley sneaks onto the screen 45 minutes into the narrative bursting the happy bubble of familiar ups and downs of married with children life. The result unnerving edgy tension that could be cut with a knife. Haley's performance is vulnerable, awkward and possibly the strongest male role to light up the screen this year. Haley deserves accolades, praise and loads of attention. He's been a favorite darling of mine for ages...something I had the good fortune of recounting to Feild after the screening.

Feild provides many questions and very few answers. Haley's character may have been released from jail for indecent exposure to a minor, yet Feild does a delicate balancing act without faltering on the side of "good guy/ bad guy". This is NOT a film about pedophiles. This is a film about faults, judgments, weaknesses that consume, chew one up and spits you out again. And in the end the entire paradigm of suburban life has been twisted, shaken, pushed and pulled.

There is tragedy, openness, shifts, that do not add up to ultimate conclusions. This complex tale weaves passion, disillusionment, love, lust, desire, ambivalence. But most importantly, the tender web of Mother-Child relations, WITHOUT ever vilifying Mother. Feild breaks from this poisonous, obsessive, castrating, oedipal mother-subject paradigm and addresses the people who float in and out of crisis above and beyond being tied to their social roles and traditional moral codes.

Winslet encapsulates the awkward intellectual mom, who loves her daughter, but has very very human ambivalence towards this 24/7 duty of unconditional love/acceptance and never ending giving. Finally, she decides to give something back to herself, by playing out a torrid love affair with the Prom King (Patrick Wilson) another character ripe with flaws and exudes humanness.

This should win many many many accolades for 2006, it's a rare stand out. A powerful disturbingly familiar tale played out eloquently, and held at benign distance via the brilliant use of odd narration. It's a strange convention, but Feild masters this as he skewers and satirizes and describes it's subjects with authority. The narration was pleasantly reminiscent of "Fishing with John", often obvious, but nicely pushing the plot along with often more than a hint of humor. The serious tone of the narrator serves to punctuate the utter ridiculous paradox of the banalities of being 'married with children' and having a flashy adventurous love affair in and around the locations of everyday stay at home summer existence; the park, the pool, the evening football game.

The Affair never reveals itself as the be-all-and-end-all, answer to disillusionment and sadness of suburban middle class marriage. Nor, the cause-effect that sets the plot in motion. Even more satisfyingly, the affair does not legitimate the happy normative narrative ending.