The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.

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Nominated for 3 Oscars. Another 18 wins & 52 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sheila
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Helen Carey ...
Jean
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Slutty Kay
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Theresa
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Storyline

Echoes of "Madame Bovary" in the American suburbs. Sarah's in a loveless marriage to an advertising executive, long days with her young daughter at the park and the pool, wanting more. Brad is an immature househusband, married to a flinty documentary filmmaker. Ronnie is just out of prison - two years for indecent exposure to a minor - living with his elderly mother, May; Larry is a retired cop, fixated on driving Ronnie away. Sarah and Brad connect, a respite of adult companionship at the pool. Ronnie and Larry have their demons. Brad should be studying for the bar; Larry misses his job; Ronnie's mom thinks he needs a girlfriend. Sarah longs to refuse to be trapped in an unhappy life. Where can these tangled paths lead? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality and nudity, language and some disturbing content | See all certifications »

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Details

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Release Date:

9 February 2007 (USA)  »

Also Known As:

Secretos íntimos  »

Filming Locations:

 »

Box Office

Budget:

$26,000,000 (estimated)

Opening Weekend:

$97,953 (USA) (6 October 2006)

Gross:

$5,459,824 (USA) (6 April 2007)
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Company Credits

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Technical Specs

Runtime:

| (DVD)

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Color:

(DuArt)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jackie Earle Haley's first movie in 13 years. See more »

Goofs

When Sarah is running out of the park calling Lucy's name, her cardigan is barely falling off of her shoulders. When she stops and screams Lucy's name, she is shown to her chest and no cardigan is seen. Next shot, she's running to Lucy wearing her cardigan again. See more »

Quotes

[first lines]
Lucy Pierce: Want to take a walk with me?
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Connections

Featured in The 79th Annual Academy Awards (2007) See more »

Soundtracks

Battlefield Glory
Written by Tom Hedden
Performed by Tom Hedden
Courtesy of NFL Films
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User Reviews

 
Evokes genuine interest
17 November 2006 | by (Sweden) – See all my reviews

Relationship drama is on the menu and Todd Field is the waiter, with expert skill and neat presentation. 'Little Children' zooms in on suburbia, navigating the world of desperate housewives and husbands. The dish proves a pleasant diversion, with crisp performances and a tasty centre.

So tasty, in fact, that Little Children is one of the most interesting films of recent years. It is far from the greatest, and is not devoid of faults, but a genuine evocation of interest should be attributed to Field's story. Every character unflinchingly demands our attention. We want to know more about precisely everyone in the community. In the front row for fascination sits Ronnie, the resident child molestor, who pends between likable and freak. He is the overriding nominator for 'Little Children' – and his presence greatly upsets the parents.

Yet most salience is given to Kate Winslet and Patrick Wilson as Sarah and Pierce – two lonely, bored and desperate housespouses who, in the midst of having nothing to do, innocently begin an extramarital affair with each other. Through calm narration, the film introduces Sarah as an anthropologist and remarks how she is different from the contingent of housemoms. However it becomes apparent that the director is the anthropologist and not Sarah. Indeed Field studies human relationships accordingly, interweaving loneliness, desperation, jealousy, lust and betrayal. Sarah, in fact, loses her 'objective' stance and melts in with the rest as she indulges in her passion with Brad.

It needs to be said that 'Little Children' often tips over into comedy and it is this refreshing edge that bumps it up to 8/10 on my scale. It treats serious subjects, such as pedophilia, infidelity and loneliness – but it does so with the spark in the eye. A consistent cloud of laughter seemed to hover in the air of my theatre at the Stockholm Film Festival and Kate Winslet was undoubtedly the catalyst. She gives a fine performance with excellent emotional transparency, layered skill and above all with an inherent funny bone that translates to a goofy woman. The humour is surprisingly in-tune even with the other characters with all their quirks and afflictions, such as child-molestation and online pornography.

Toward the end, 'Little Children' patiently crafts a sense of impending doom that deserves much credit. Nevertheless, the ending isn't the best imaginable. The film could benefit from being slightly shorter. Lastly the use of cute kids as tearjerkers is a disappointing cheap-shot used a little too often, and seems mostly a tiresome American phenomenon. Yet as a whole entity Little Children is a very interesting film that makes the best possible use of characters, relationships and suburban drama. Throw in a few exceptionally neat steadicam shots – Scorsese-style – and the experience is complete.

8 out of 10


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