| Photos (See all 55 | slideshow) | Videos (see all 9) |
| Laura Linney | ... | Erin Bruner | |
| Tom Wilkinson | ... | Father Moore | |
| Campbell Scott | ... | Ethan Thomas | |
| Jennifer Carpenter | ... | Emily Rose | |
| Colm Feore | ... | Karl Gunderson | |
| Joshua Close | ... | Jason | |
| Kenneth Welsh | ... | Dr. Mueller | |
| Duncan Fraser | ... | Dr. Cartwright | |
| JR Bourne | ... | Ray | |
| Mary Beth Hurt | ... | Judge Brewster | |
| Henry Czerny | ... | Dr. Briggs | |
| Shohreh Aghdashloo | ... | Dr. Adani | |
| Steve Archer | ... | Guy in Bar | |
| Arlene Belcastro | ... | Praying Woman #2 | |
| David Berner | ... | Karl's Crony #1 | |
| Mary Black | ... | Dr. Vogel | |
| Julian Christopher | ... | District Attorney | |
| Aaron Douglas | ... | Asst. DA #1 | |
| Lorena Gale | ... | Jury Foreman | |
| George Gordon | ... | Karl's Crony #2 | |
| Iris Graham | ... | Emily's Sister #2 | |
| Taylor Hill | ... | Emily's Sister #3 | |
| Chelah Horsdal | ... | Asst. DA #3 | |
| John Innes | ... | University Professor | |
| Jeff Johnson | ... | Umbrella Guy | |
| Michael Jonsson | ... | Deputy #1 | |
| Katie Keating | ... | Alice | |
| Terence Kelly | ... | Medical Examiner | |
| Darrin Maharaj | ... | On-The-Scene Reporter | |
| Ryan McDonald | ... | Student in Classroom | |
| Marilyn Norry | ... | Maria Rose | |
| Joanna Piros | ... | News Anchorperson | |
| Marsha Regis | ... | Asst. DA #2 | |
| Bobby Stewart | ... | Bailiff | |
| Clay St. Thomas | ... | Reporter on TV | |
| Cory Lee | ... | Umbrella Girl (as Corylee Urhahn) | |
| Liduina Vanderspek | ... | Praying Woman #1 | |
| Andrew Wheeler | ... | Nathaniel Rose | |
| rest of cast listed alphabetically: | |||
| Ally Warren | ... | Blond Juror (uncredited) | |
Directed by | |||
| Scott Derrickson | |||
Writing credits(WGA) | ||
| Paul Harris Boardman | (written by) & | |
| Scott Derrickson | (written by) | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Jeff Betancourt | |||
Casting by | |||
| Nancy Nayor | (as Nancy Nayor Battino) | ||
Production Design by | |||
| David Brisbin | |||
Art Direction by | |||
| Sandi Tanaka | |||
Set Decoration by | |||
| Lesley Beale | |||
Costume Design by | |||
| Tish Monaghan | |||
Makeup Department | |||
| Gitte Axen | .... | makeup artist | |
| Ian C. Ballard | .... | first assistant hair stylist: additional photography (as Ian Ballard) | |
| James D. Brown | .... | hair stylist: Laura Linney (as James Brown) | |
| Greg Cannom | .... | makeup effects consultant: Captive Audience Productions | |
| Victoria Down | .... | key makeup artist | |
| Chris Gallaher | .... | special makeup effects artist: Captive Audience Productions (as Christopher Gallaher) | |
| Mindy Hall | .... | makeup artist: Laura Linney | |
| John Kim | .... | makeup production accountant: Captive Audience Productions | |
| Mary Kim | .... | makeup effects producer: Captive Audience Productions | |
| Sherry Linder-Gygli | .... | key hair stylist | |
| Sandy Monesmith | .... | assistant hair stylist | |
| Jeffrey Sacino | .... | key hair stylist: additional photography, Los Angeles | |
| Brian Sipe | .... | makeup effects supervisor: Captive Audience Productions | |
| Keith VanderLaan | .... | makeup effects: Captive Audience Productions | |
| Bev Wright | .... | first assistant makeup artist: additional photography | |
| Wade Ackley | .... | shop coordinator (uncredited) | |
| Martin Astles | .... | makeup effects sculptor (uncredited) | |
| Susan Boyd | .... | hair stylist (uncredited) | |
Art Department | |||
| Alexandria Andross | .... | buyer: additional photography, Los Angeles | |
| Chris Beach | .... | set designer | |
| Madonna Blunt | .... | lead painter | |
| Cynthia Burtinshaw | .... | set decoration buyer | |
| Kevin Clark | .... | best boy greens | |
| Joao Cordeiro | .... | props buyer | |
| Jean-Paul Costaz | .... | paint coordinator (as JP Costaz) | |
| Danny Diamond | .... | art production assistant: additional photography, Los Angeles | |
| David Dowling | .... | props buyer | |
| Laurie Edmundson | .... | lead set dresser (as Laurie E. Edmundson) | |
| Kendelle Elliott | .... | assistant art director (as Kendelle Elliot) | |
| Glenn Foerster | .... | head greens person | |
| Milan Gelon | .... | paint foreman | |
| Colin Gillett | .... | stand-by painter | |
| Doug Hardwick | .... | construction coordinator | |
| Al Holmes | .... | on-set dresser: additional photography | |
| Jan Holmsten | .... | construction buyer | |
| Adrian Hrytzak | .... | art department assistant | |
| Sally Hudson | .... | graphic designer | |
| Michelle Hunter | .... | set supervisor: additional photography | |
| Michael Anthony Jackson | .... | storyboard artist: additional photography, Los Angeles (as Michael Jackson) | |
| Paul Jenkinson | .... | lead set dresser | |
| Loren Lyons | .... | property master: additional photography, Los Angeles | |
| Marta McLaughlin | .... | assistant property master | |
| Wayne McLaughlin | .... | property master | |
| Mike McLeod | .... | construction shop foreman | |
| Matthew Meyers | .... | leadman: additional photography, Los Angeles | |
| Jay Mitchell | .... | set designer | |
| Audra Neil | .... | set decoration buyer | |
| Robert Pratt | .... | storyboard artist (as Rob Pratt) | |
| Mark Prior | .... | dresser | |
| Richard Schultz | .... | stand-by greens (as Rick Schultz) | |
| Macleod Sinclaire | .... | on-set dresser | |
| Mark Stainthorpe | .... | construction shop foreman | |
| Faye Thorp | .... | assistant set decorator | |
| Heather Watson | .... | art department coordinator | |
| Sandra Watson | .... | set supervisor | |
| David Weber | .... | stand-by carpenter | |
| Martine Bilodeau | .... | scenic painter (uncredited) | |
| Warren Dunlop | .... | lead carpenter (uncredited) | |
| Janis Lee | .... | scenic artist (uncredited) | |
| Jim Read | .... | title graphic designer (uncredited) | |
Special Effects by | |||
| Chris Flemington | .... | special effects assistant: additional photography | |
| Graham S. Hollins | .... | special effects assistant: Zircon Enterprises (as Graham Hollins) | |
| William H. Orr | .... | special effects coordinator: Zircon Enterprises (as Bill Orr) | |
| Steve Tressel | .... | special effects assistant: Zircon Enterprises | |
| John Wilkinson | .... | special effects first assistant: Zircon Enterprises | |
| Jonathan Gording | .... | special effects contact lenses (uncredited) | |
| Keith VanderLaan | .... | special effects director (uncredited) | |
Visual Effects by | |||
| Marcus Andexler | .... | systems engineer: Captive Audience Productions (as Marcus E. Andexler) | |
| Jamie Baxter | .... | compositor: Captive Audience Productions | |
| Karen Boyle | .... | digital opticals: : Technicolor Digital Intermediate | |
| Helen Cohen | .... | business manager: Captive Audience Productions | |
| Ben Cooper | .... | assistant systems engineer: Captive Audience Productions (as Benjamin J. Cooper) | |
| Dan Crawley | .... | lab technician: Captive Audience Productions (as Daniel J. Crawley) | |
| John Donahue | .... | conceptual designer: Captive Audience Productions (as John M. Donahue) | |
| Charles Dulin | .... | rotoscoper: Captive Audience Productions | |
| Jeannine Dupuy | .... | visual effects on-set coordinator | |
| Brandon Engstrom | .... | lab technician: Captive Audience Productions (as Brandon S. Engstrom) | |
| Gordon Fales | .... | compositor: Captive Audience Productions (as Gordon D. Fales) | |
| Zack Fox | .... | visual effects production assistant: Captive Audience Productions (as Zachary Fox) | |
| Kelly Golden | .... | lab technician: Captive Audience Productions (as Kelly S. Golden) | |
| Gary J. Gross | .... | production consultant: Captive Audience Productions (as Gary Gross) | |
| Jerry Hall | .... | compositor: Captive Audience Productions | |
| Chris Hampton | .... | lab technician: Captive Audience Productions | |
| Russ Herpich | .... | mechanical engineer: Captive Audience Productions (as Russ W. Herpich) | |
| Chris Hopkins | .... | compositor: Captive Audience Productions | |
| Mark Jacyszyn | .... | production supervisor: Captive Audience Productions | |
| Brian Key | .... | production assistant: Captive Audience Productions | |
| Jim Knell | .... | photographer: Captive Audience Productions (as Jim J Knell) | |
| Brian Krusic | .... | chief technology officer: Captive Audience Productions | |
| Sean C. Lahmeyer | .... | production assistant: Captive Audience Productions | |
| Gail Leach | .... | production assistant: Captive Audience Productions | |
| J.M. Logan | .... | visual effects producer: Captive Audience Productions | |
| Harvey Lowry | .... | operations manager: Captive Audience Productions | |
| Harvey Lowry | .... | silicone technician: Captive Audience Productions | |
| Christopher A. Lozano | .... | photographer: Captive Audience Productions | |
| Daniel Mejia | .... | visual effects intern: Captive Audience Productions | |
| Verena Mercenier | .... | silicone technician: Captive Audience Productions | |
| Mark Nieman | .... | silicone technician: Captive Audience Productions | |
| Alexei O'Brien | .... | lab technician: Captive Audience Productions | |
| Rob Ostir | .... | compositor: Captive Audience Productions (as Robert L. Ostir) | |
| Paul Palmeiri | .... | art department: Captive Audience Productions (as Paul E. Palmeiri) | |
| James Parr | .... | operations: Captive Audience Productions | |
| Gary Pawlowski | .... | lab technician: Captive Audience Productions (as Gary R. Pawlowski) | |
| Art Pimentel | .... | lab technician supervisor: Captive Audience Productions (as Arthur Pimentel) | |
| Drew Redford | .... | compositor: Captive Audience Productions (as Andrew B. Redford) | |
| Mark Sahagun | .... | digital opticals: Technicolor Digital Intermediate | |
| Terry Sandin | .... | mechanical supervisor: Captive Audience Productions (as Terry O. Sandin) | |
| Bob Schneider | .... | digital opticals: Technicolor Digital Intermediate | |
| Michael Shelton | .... | visual effects supervisor | |
| John Stewart | .... | compositor: Captive Audience Productions (as John K. Stewart) | |
| Diana Tauder | .... | visual effects producer | |
| Todd Tucker | .... | art department: Captive Audience Productions | |
| Mike Uguccioni | .... | compositor: Captive Audience Productions | |
| Benjamin Vallery | .... | visual effects production assistant: Captive Audience Productions (as Ben Vallery) | |
| Keith VanderLaan | .... | visual effects | |
| John L. Weckworth | .... | rotoscoper: Captive Audience Productions | |
| Ernie Camacho | .... | digital compositor (uncredited) | |
| Tim Drnec | .... | spydercam coordinator/rigging (uncredited) | |
| Rich Volp | .... | spydercam flight control (uncredited) | |
Stunts | |||
| Dean Choe | .... | stunt coordinator | |
| Caroline Field | .... | stunt player (as Carolyn Field) | |
| J.J. Makaro | .... | stunt coordinator (as JJ Makaro) | |
| Scott Nicholson | .... | stunt player | |
| Darryl Quon | .... | stunt player | |
| Andrew Simpson | .... | stunt player | |
| Heath Stevenson | .... | stunt player | |
| Sharon Simms | .... | stunt player (uncredited) | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Kevin Arens | .... | casting assistant: Canada | |
| Elisa Bayley | .... | casting assistant: Canada | |
| Andrea Brown | .... | extras casting | |
| Sean Cossey | .... | casting: Canada | |
| Bill Dance | .... | extras casting: additional photography, Los Angeles | |
| Barbara Harris | .... | adr voice casting | |
| Christine Simmons | .... | casting assistant: Los Angeles | |
| Kelly Wagner | .... | casting associate: Los Angeles (as Kelly Martin Wagner) | |
| Jennifer Rudolph | .... | casting: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Elaine Arsens | .... | truck costumer | |
| Linda Chow | .... | costume cutter | |
| Alison Fraser | .... | costumer: preparation | |
| Michelle Hunter | .... | costumes: additional photography | |
| Druh Ireland | .... | costume cutter | |
| Karin Nosella | .... | assistant costume designer | |
| Susan Pugh | .... | costume sewer | |
| Susanna Puisto | .... | key costumer: additional photography, Los Angeles | |
| Lee Sollenberger | .... | set costumer (uncredited) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist: Technicolor Digital Intermediate | |
| Karen Boyle | .... | digital conformation: Technicolor Digital Intermediate | |
| Jason Dale | .... | assistant editor | |
| Dylan Firshein | .... | second assistant editor | |
| David Frisk | .... | post-production assistant | |
| Andrew Loschin | .... | first assistant editor | |
| Julia Nessling-Douglas | .... | digital film producer: Technicolor Digital Intermediate (as Julia Douglas) | |
| Mark Sahagun | .... | digital film conformist: Technicolor Digital Intermediate | |
| Bob Schneider | .... | digital film conformist: Technicolor Digital Intermediate | |
| Ron Barr | .... | digital intermediate editor (uncredited) | |
| Mykel Thuncher | .... | video colorist (uncredited) | |
Music Department | |||
| Jim Avakian | .... | synthesizer programmer | |
| Max Blomgren | .... | synthesizer programmer | |
| Robert Fernandez | .... | music mixing engineer | |
| Peter Fuchs | .... | music recording engineer (as Peter Fuch) | |
| Anton Koch | .... | orchestrator | |
| Sean McMahon | .... | orchestrator | |
| Thomas Milano | .... | music editor | |
| Sujin Nam | .... | score coordinator | |
| Sara Niemietz | .... | vocalist | |
| Martin Roller | .... | assistant music recording engineer | |
| Martin St. Pierre | .... | score coordinator | |
| Paul Talkington | .... | music recording coordinator | |
| Allan Wilson | .... | conductor | |
| Christopher Young | .... | orchestrator | |
| Christopher Young | .... | score producer | |
| Kostas Christides | .... | orchestrator (uncredited) | |
| Kory Kruckenberg | .... | assistant score engineer (uncredited) | |
| Pilar McCurry | .... | executive soundtrack producer (uncredited) | |
| Sean McMahon | .... | score coordinator (uncredited) | |
| Flavio Motalla | .... | score producer (uncredited) | |
| Sujin Nam | .... | orchestrator (uncredited) | |
| Michael Pelavin | .... | score coordinator (uncredited) | |
| Robert Puff | .... | additional music preparer (uncredited) | |
| David Sabee | .... | orchestra contractor (uncredited) | |
| Martin St. Pierre | .... | orchestrator (uncredited) | |
| Richard Temple | .... | score coordinator (uncredited) | |
| Daniel Wehr | .... | assistant music recording engineer (uncredited) | |
Transportation Department | |||
| Dave Ash | .... | driver | |
| Al Baxter | .... | driver | |
| Brad Bowe | .... | driver | |
| Murray Brown | .... | construction driver | |
| Jake Callihoo | .... | transportation coordinator | |
| Scott Carpenter | .... | driver: hair/makeup | |
| Kelly Cramb | .... | fuel truck driver (as Kelley Cramb) | |
| Chuck Davis | .... | wardrobe driver | |
| Peter Huff | .... | special effects driver | |
| Norman Hunger | .... | transportation captain | |
| Diana Kilmury | .... | driver: shuttle | |
| Laurie Matheson | .... | driver: cast | |
| Rory Moffatt | .... | electrics driver | |
| Sylvia Nablo | .... | driver: cast | |
| Fred Sherbinin | .... | driver: honeywagon | |
| Rick Tait | .... | head driver | |
| Seann Traviller | .... | driver: cast | |
Other crew | |||
| Nellie Adami | .... | production coordinator: additional photography, Los Angeles | |
| Kirk Adamson | .... | location scout | |
| Teresa Alvis | .... | post-production accountant | |
| Samantha Barker | .... | assistant: Christopher Young | |
| Jasmine Barry | .... | production coordinator | |
| Julie Benson | .... | assistant: Tripp Vinson | |
| Ilsa Berg | .... | assistant: Gary Lucchesi | |
| David J. Bowler | .... | assistant: Tripp Vinson and Paul Harris Boardman (as David Bowler) | |
| Andrew Bronstein | .... | second assistant production coordinator | |
| Stephen Chan | .... | location production assistant | |
| Jason Collier | .... | assistant location manager | |
| Mike Cook | .... | chef: Limelight Catering | |
| Dawn Darfus | .... | production accountant: additional photography, Los Angeles | |
| Gloria Davies | .... | unit publicist | |
| Hans Dayal | .... | assistant location manager | |
| Dana Dubé | .... | animal coordinator (as Dana Dube) | |
| Jason Elsworth | .... | first assistant accountant | |
| Gabi Endicott | .... | script supervisor: additional photography, Los Angeles | |
| Jamie Feldman | .... | production secretary: additional photography, Los Angeles | |
| Lara Fox | .... | script supervisor: additional photography | |
| Felicitas D. Goodman | .... | consultant (as Dr. Felicitas D. Goodman) | |
| Grant Grabowski | .... | assistant: UPM, Los Angeles | |
| Philip Hoang | .... | office assistant: additional photography, Los Angeles | |
| Michelle Hoffman | .... | craft service: additional photography, Los Angeles (as Michele Hoffman) | |
| Spencer Hyde | .... | craft service: additional photography | |
| Spencer Hyde | .... | first aid: additional photography | |
| Faria Khan | .... | location production assistant | |
| Elizabeth Lawrence | .... | assistant: Gary Lucchesi | |
| Adam Loeb | .... | assistant: Andre Lamal | |
| Grant Lutz | .... | location production assistant | |
| Daryl Makortoff | .... | location production assistant | |
| Tal Meirson | .... | vice president production finance: Lakeshore | |
| Barbara Mercer | .... | first assistant accountant | |
| Glenn Mowatt | .... | craft service | |
| Glenn Mowatt | .... | first aid | |
| Don Orlando | .... | production accountant | |
| Rino Pace | .... | location manager | |
| Elle Paterson | .... | stand-in | |
| Tina Perenseff | .... | assistant chef: Shooting Stars | |
| Tony Peterson | .... | chef: Shooting Stars | |
| Penny Rogers | .... | assistant production coordinator | |
| Nicole Rudell | .... | stand-in | |
| Shane Sankey | .... | office assistant: additional photography, Los Angeles | |
| Kate Schriver | .... | assistant: Tom Rosenberg | |
| Andrew Simpson | .... | animal trainer | |
| Jessica Terrowski | .... | accounting clerk (as Jessica Ternowski) | |
| Courtney Tuckwood | .... | assistant chef: Shooting Stars | |
| Trevor Undi | .... | assistant: Scott Derrickson | |
| Ryf Van Rij | .... | stand-in | |
| Campbell Watson | .... | assistant chef: Shooting Stars | |
| Christine Wilson | .... | script supervisor | |
| Kody Zimmermann | .... | office production assistant | |
| Leon Thomas Braun | .... | location production assistant (uncredited) | |
| Jonathan Fox | .... | production assistant (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Jim Knell | .... | assistant to producer (uncredited) | |
| Kimberly MacKenzie | .... | clearance coordinator (uncredited) | |
| Jennifer Sims | .... | stand-in (uncredited) | |
| Josh Skye | .... | caterer (uncredited) | |
| Trevor Undi | .... | script coordinator (uncredited) | |
Thanks | |||
| Richard Beada | .... | the producers wish to thank | |
| Robert L. Benun | .... | the producers wish to thank (as Robert Benun) | |
| Jennifer Brooks | .... | the producers wish to thank | |
| Christine Buckley | .... | the producers wish to thank | |
| John George | .... | the producers wish to thank (as Father John George) | |
| Lynn Hobensack | .... | the producers wish to thank | |
| Mike Lechner | .... | the producers wish to thank | |
| Virginia Longmuir | .... | the producers wish to thank | |
| Renée Mancuso | .... | the producers wish to thank (as Renee Mancuso) | |
| Robert McMinn | .... | the producers wish to thank | |
| Marc Reid | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
For the most part, films which were intended to frighten the viewing audience usually succeed in instead producing involuntary laughs. So it was nice to see a 'horror' film that not only has a brain for a change, but actually succeeds in being frightening. It may help that the film is allegedly based on true events, which gives credibility to the storyline, and prevents the movie from having those annoyingly gaping plot holes. And indeed, the heading "Based on a true story" doesn't come off as a glaring lie. There are indeed events happening in the film which are questionable as to whether they actually occurred in real life, but the beauty of 'Emily Rose' is that most of the film is retold by various characters, so the events described are as the character perceived them. In this way, the film doesn't distance its audience by declaring that "well, demons were in the film which was 'based on a true story', so demons must actually exist".
But in many ways, 'Emily Rose' is different from almost every past horror movie in the sense that it doesn't make really obvious attempts to frighten its audience. Instead, director/co-screenwriter Scott Derickson seems content to make us think. There are several questions raised in the film regarding religious beliefs and the public's general perception of them, but these are all handled in an objective and impartial manner. And as for the scare factor, since the filmmakers aren't overly obvious in trying to scare the audience, the film actually is frightening at several points - again, unusual for a horror film. The frightening events regarding Emily Rose's exorcism are all the more frightening as they don't seem horribly staged and predictable. (although the cheesy demonic animation, as shown in the trailer, could have been done far better) It's true that composer Christopher Young seems unable to resist the horror movie cliché of having horribly over-dramatic music which builds to a climax at the most frightening moment, but for the most part the movie is able to surpass the usual horror clichés.
It helps of course that the cast all deliver quality performances, the obvious standout being Jennifer Carpenter as Emily. Her possession scenes are nothing short of incredible, the sheer torment she seems capable of portraying is utterly captivating. Laura Linney also shines in the lead, giving a powerful and affecting performance as the attorney of the convicted priest who performed Emily Rose's exorcism. As said priest, Tom Wilkinson also manages to impress, delivering a quietly effective and very human performance. My only complaint is that the characters of Campbell Scott and Colm Feore were really badly written, coming off as the typical antagonistic figures, and nothing more. Both give satisfying performances, despite their one dimensional characters, especially Feore, who has always been talented at taking terribly written characters, and giving them life and personality nonetheless.
So The Exorcism of Emily Rose may not quite be the very best of its genre, but it certainly proves to be one of the more intelligently made ones. The director seems to have for once taken that extra step, and put aside the endless thrills and shocks in favor of making us think a bit. There are some cheesy effects, such as the demonic visions, but there are some genuinely frightening parts, especially the actual exorcism scene, mainly due to the chilling and captivating performance from Jennifer Carpenter as the title character. The principle cast members, Laura Linney and Tom Wilkinson also give strong performances, bringing many layers to their characters. Quite the quality piece overall, and one worth seeing.
-8/10