As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trail begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true. Written by
There were two dolls constructed for this film. The first was where Emily Rose would lock her limbs. The other was during the dorm scene where she is on the floor in a twisted position. The director ultimately never used a doll in the dorm room scene because he found out that Jennifer Carpenter is double jointed, and decided that the positions she was able to contort herself into were more unsettling than what could be accomplished with the dummy. When Emily starts to bend over backwards in the church, Carpenter wore a harness to make the effect more inhuman. See more »
When Erin turns her alarm clock around the first time her hairstyle and color are completely different. See more »
I'm looking at your list of published articles, doctor. You've been quite busy, prolific. So, based on your time spent with holy rollers, snake handlers, voodoo priestesses and Indians tripping on peyote buds, based on observing these bizarre individuals, you've concluded that possession is a basic typical human experience?
I must say, counselor, that's quite a laundry list of disdain and one that thoroughly mischaracterizes my research.
See more »
Opening statement: This film is based on a true story. See more »
Very thrilling, but the ending leaves you longing for more
Yes, I know, we've seen too many mediocre horror movies in the past few years. Yes, I'm fed up with horror stories that are "based on true events", too, but don't write this movie off too soon. If you ignore the assertion that this has all happened in reality and just accept that you're in for a supernatural movie, you'll have a gay ol' time with "The Exorcism Of The Emily Rose".
The first thing to mention is that there has never been a combination of horror movie and courtroom drama before, and while some reviewers have stated that the two genres don't go together well, I have to disagree. The courtroom setting added a lot of suspense to the story and horror movies always work best when there is suspense added to the spooky and creepy elements. And boy, does this movie have some creepy scenes.
The four main actors do a fine job and the restrained direction is pretty atmospheric too, except for some minor fashionable shots that are probably not going to age very well (for example, one time Scott Derrickson reverts to Darren Aronofsky-cam, which is already getting old). Anyway, the main attraction is the story itself, and as I've said, it's fast paced and exciting - at least until the third act. Up until that point it's hard to watch the screen at times because Derrickson uses his shock scenes so effectively and steers clear of any jump-clichés. Then a certain climax is reached, the movie reduces its supernatural elements and relies maybe a bit too much on the courtroom drama aspect. On the plus side Derrickson avoids going over the top like so many other horror movies do including embarrassing CGI-orgies in their showdowns. On the other hand, it is exactly that relatively quiet ending that prevents "The Exorcism Of Emily Rose" from becoming a real classic. One just has the feeling that the priest and the trial made a whole lot of fuss about nothing, because there's no real solution in the end.
"The Exorcism Of Emily Rose" has enough chilling moments not to be overshadowed by "The Exorcist", the big Kahuna of the exorcism genre, but it's not going to be remembered as a cornerstone of the horror genre. In 2005 you couldn't find a lot of spooky movies that were better than this one, though.
53 of 64 people found this review helpful.
Was this review helpful to you?