A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trail begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true. Written by
Since this film's release, a persistent urban legend has sprung up amongst students at the University of Minnesota. According to the legend, Pioneer Hall, an allegedly haunted dormitory, was where Emily Rose was first "possessed," as seen in the film. However, as Emily Rose is a fictional version of Anneliese Michel, a German woman who never attended the U of M, this legend is obviously false. See more »
When Erin Bruner is awakened at 3 am by the exorcism tape playing, she goes to push stop. But when the tape player is actually seen, the reels are not turning, therefore when she presses the stop button, the reels remain unchanged. See more »
[Father Moore begins the exorcism of Emily Rose]
It has begun. Let us pray.
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Opening statement: This film is based on a true story. See more »
Excellent on so many levels; a lesson in mainstream film-making
Wonderful, wonderful movie. A lesson in film-making. I know a lot of people won't be able to see it for what it is because of the supernatural/horror elements (which are usually a turn-off for film snobs), but the movie is just extremely well-made.
Consider the fact that Linney's character's true conflict is not winning the trial, but a satisfyingly complex internal struggle which I will not name so as not to spoil the movie. Or the plethora of food for thought that the movie offers, regarding existentialist issues of perception vs. objective truth, and social issues of liability and responsibility.
Some very interesting scenes that find ways to express things in subtle and creative ways without spelling them out. And an incredible and ballsy performance by Jennifer Carpenter, which takes Linda Blair's possession to a whole new level. Also, notice how a key dramatic monologue is presented, contrary to what we might expect, with no sentimental music in the background. The cinematography is also great. I was reminded of Dario Argento's vivid colors in Suspiria on more than one occasion.
Although it's not the focus of the film, the movie also offers a few very cool scare moments, and seeing Emily possessed is terrifying.
This is my favorite "underdog" movie of the year so far.
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