A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trail begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true. Written by
There were two dolls constructed for this film. The first was where Emily Rose would lock her limbs. The other was during the dorm scene where she is on the floor in a twisted position. The director ultimately never used a doll in the dorm room scene because he found out that Jennifer Carpenter is double jointed, and decided that the positions she was able to contort herself into were more unsettling than what could be accomplished with the dummy. When Emily starts to bend over backwards in the church, Carpenter wore a harness to make the effect more inhuman. See more »
When Erin turns her alarm clock around the first time her hairstyle and color are completely different. See more »
Excellent on so many levels; a lesson in mainstream film-making
Wonderful, wonderful movie. A lesson in film-making. I know a lot of people won't be able to see it for what it is because of the supernatural/horror elements (which are usually a turn-off for film snobs), but the movie is just extremely well-made.
Consider the fact that Linney's character's true conflict is not winning the trial, but a satisfyingly complex internal struggle which I will not name so as not to spoil the movie. Or the plethora of food for thought that the movie offers, regarding existentialist issues of perception vs. objective truth, and social issues of liability and responsibility.
Some very interesting scenes that find ways to express things in subtle and creative ways without spelling them out. And an incredible and ballsy performance by Jennifer Carpenter, which takes Linda Blair's possession to a whole new level. Also, notice how a key dramatic monologue is presented, contrary to what we might expect, with no sentimental music in the background. The cinematography is also great. I was reminded of Dario Argento's vivid colors in Suspiria on more than one occasion.
Although it's not the focus of the film, the movie also offers a few very cool scare moments, and seeing Emily possessed is terrifying.
This is my favorite "underdog" movie of the year so far.
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