As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trail begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true. Written by
There were two dolls constructed for this film. The first was where Emily Rose would lock her limbs. The other was during the dorm scene where she is on the floor in a twisted position. The director ultimately never used a doll in the dorm room scene because he found out that Jennifer Carpenter is double jointed, and decided that the positions she was able to contort herself into were more unsettling than what could be accomplished with the dummy. When Emily starts to bend over backwards in the church, Carpenter wore a harness to make the effect more inhuman. See more »
When Erin Bruner is awakened at 3 am by the exorcism tape playing, she goes to push stop. But when the tape player is actually seen, the reels are not turning, therefore when she presses the stop button, the reels remain unchanged. See more »
That girl was not schizophrenic, she was not epileptic, or any combination of the two. I've seen hundreds of people with those problems. They have terrible afflictions, of course, but they don't scare me.
But what you saw in Emily that night? It scared you?
God, if I'd known, I never would have been there. I examined that girl before I drove back to the city. She was lucid and completely aware of the separate entity inside her. When she wasn't in its grasp, she was totally herself and ...
[...] See more »
Opening statement: This film is based on a true story. See more »
Excellent on so many levels; a lesson in mainstream film-making
Wonderful, wonderful movie. A lesson in film-making. I know a lot of people won't be able to see it for what it is because of the supernatural/horror elements (which are usually a turn-off for film snobs), but the movie is just extremely well-made.
Consider the fact that Linney's character's true conflict is not winning the trial, but a satisfyingly complex internal struggle which I will not name so as not to spoil the movie. Or the plethora of food for thought that the movie offers, regarding existentialist issues of perception vs. objective truth, and social issues of liability and responsibility.
Some very interesting scenes that find ways to express things in subtle and creative ways without spelling them out. And an incredible and ballsy performance by Jennifer Carpenter, which takes Linda Blair's possession to a whole new level. Also, notice how a key dramatic monologue is presented, contrary to what we might expect, with no sentimental music in the background. The cinematography is also great. I was reminded of Dario Argento's vivid colors in Suspiria on more than one occasion.
Although it's not the focus of the film, the movie also offers a few very cool scare moments, and seeing Emily possessed is terrifying.
This is my favorite "underdog" movie of the year so far.
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