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Evil Eyes (2004)

R | | Horror | 4 August 2004 (USA)
A screenwriter is plagued by nightmares as he writes a script about a family that was slaughtered years before. Soon, the grisly murders he's writing about starts to actually happen.

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Cast

Cast overview, first billed only:
...
Jeff Stenn
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Tree Stenn
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...
Peter
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Nina (as Kristen Lorenz)
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Marilyn
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Gramm
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Bryce
...
Mrs. Marsh
Ronald Rezac ...
Mr. Marsh (as Ron Rezac)
...
Claudia
Jason David ...
Greg
...
Sally
Byron James ...
Agent Bob
...
Attendant Judy
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Storyline

A screenwriter is plagued by nightmares as he writes a script about a family that was slaughtered years before. Soon, the grisly murders he's writing about starts to actually happen.

Plot Summary | Add Synopsis

Taglines:

It's watching you

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

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Details

Country:

Language:

Release Date:

4 August 2004 (USA)  »

Also Known As:

El ojo de Lucifer  »

Filming Locations:


Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Color:

(Fujicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

While Ed is examining a piece of cloth with a magnifier, he flips the magnifier over from shot to shot (apparently to create a magnified eyeball in the initial shot). Because the magnifier's case is open on one side, the flipping is quite obvious. See more »

Crazy Credits

"The events, characters and films depicted in this photoplay are fictitious. Really. Any similarity to actually persons, living or dead, or actual events is purely coincidental, and very weird. We suggest moving." See more »

Connections

References Killers 2: The Beast (2002) See more »

Soundtracks

Ave Maria
Composed by Franz Schubert
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User Reviews

 
Almost a Decent Movie. Almost.
24 June 2010 | by (United States) – See all my reviews

EVIL EYES takes a couple of good actors and a decent idea for a plot, then sinks it under an avalanche of bad writing and directing.

Adam Baldwin (not related to Alec and company) plays Jeff, happily married to Tree (I didn't make that up, it's the character's name) and trying to succeed in L. A. as a screenwriter. He gets an offer from George, a producer looking for someone to develop a script about a multiple murder 35 years ago.

It seems that a filmmaker named Gramm went quite mad and slaughtered his family. Jeff visits the house where the murders took place, and soon sets to work. As time passes he realizes that what he writes in the script also happens in real life, and to people he knows.

This is perilously close to Stephen King's short story "Word Processor of the Gods" but this film is obscure enough that King didn't sue.

The film is character driven in that our involvement in the story is proportionate to our involvement in the characters. And that's the sticking point.

The characters are not involving. Jeff and George are played by two competent actors who bring presence to their roles. The other actors range from competent to awful. A "tense" scene in which Tree's parents try to persuade her that Jeff must abandon the screen writing project goes nowhere because all three performers are terrible. It's hard to get the old adrenaline pumping when people are reading crucial dialog as if they were reciting the alphabet.

The direction is unimpressive, and the staging of the climax is done so ineptly that any impact is lost. The "surprises" revealed in the narrative just lie there.

I don't think these are bad actors: they're actors delivering bad performances. The director's mind may have been on delivering shocks and gore and he just didn't worry about the actors.

I've done a little directing and quite a bit of acting (all on stage) and watching this I wish I could have had time to work with the actors to help them find the humanity in their characters and connect with them; can you tell I'm a product of the 1960's and a believer in Stanislavski's theory of Method Acting, the search for "theatrical truth" in which actors look for the motivation and feelings of the characters and try to connect this with experiences from their own lives to help them relate to the characters they are playing?

Visually, it's a mixed bag. Some scenes are atmospheric, using light and shadow effectively. Others aren't.

Still, kudos to The Asylum to making a film that's not a direct rip-off a bigger piece of work.


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