6.6/10
211
3 user 6 critic

The Fifth Empire (2004)

O Quinto Império - Ontem Como Hoje (original title)

Director:

Writers:

(novel), (scenario, dialogue and adaptation)
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Ricardo Trêpa ...
Luís Miguel Cintra ...
Simão, Sapateiro Santo
Glória de Matos ...
Miguel Guilherme ...
Truões
David Almeida ...
Truões
Ruy de Carvalho ...
Conselheiros
José Manuel Mendes ...
Conselheiros
Luís Lima Barreto ...
Conselheiros
...
D. Sancho I
José Wallenstein ...
Filipe Cochofel ...
Nuno Cardoso ...
Noble
Carlos Gomes ...
Ramón Martinez ...
Noble
John Jesus Romão ...
Moços de Câmara
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Storyline

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Plot Keywords:

king | based on novel | See All (2) »

Genres:

Drama | History

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Details

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Release Date:

27 January 2005 (Portugal)  »

Also Known As:

The Fifth Empire  »

Box Office

Budget:

€7,500,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Connections

Featured in O Velho do Restelo (2014) See more »

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User Reviews

 
Theatrical, dialog-intensive, and long
10 November 2004 | by (Berlin &S.Paulo) – See all my reviews

The above said, the film is typical of its director late in his career. The 96 year old Portuguese master, said to be the oldest major director still working, is known for the above traits in most, if not all, his films in the past decade.

While that style worked for me in 5 or 6 of his last 9 films I've seen, I expected more from a film billed as a historical epic. In my view, the film did little to advance my knowledge about this legendary Portuguese king, Sebastian. The synopsis read prior to my viewing gave me all the insight I still have.

I learned next to nothing about this king in the 2 hours plus (seems like 3 hours) duration of the movie. The script certainly did very little to explain why he is an enigmatic legend. In fact, there is only vague reference to his upcoming battle against the heathen Muslims, the main theme the director wanted to explore in the film according to his interviews.

That relevance to today's "battle" between the Christian Western World and the Muslim World is indeed timely. However, unless one is told in advance by a film festival catalog, a review, or the director's own comments, one would probably not notice this supposed statement at all. But knowing in advance, I looked for this relevant message, this connection between the sixteenth century and today in the most subtle ways. I just could not find it. I hope other users can see more in this film than I did. And if they do, please write about it.


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