Night Watch
(2004)
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Night Watch
(2004)
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Konstantin Khabenskiy | ... | ||
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Vladimir Menshov | ... | |
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Valeriy Zolotukhin | ... | |
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Mariya Poroshina | ... | |
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Galina Tyunina | ... |
Olga
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Yuriy Kutsenko | ... |
Ignat
(as Gosha Kutsenko)
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Aleksey Chadov | ... | |
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Zhanna Friske | ... | |
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Ilya Lagutenko | ... |
Andrey
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Viktor Verzhbitskiy | ... | |
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Rimma Markova | ... | |
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Mariya Mironova | ... |
Mat Egora
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Aleksey Maklakov | ... | |
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Aleksandr Samoylenko | ... |
Medved
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Dmitriy Martynov | ... |
Egor
(as Dima Martynov)
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Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day Moscow the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, the movie's protagonist, try to control them and limit their outrage. Written by Armin Ortmann {armin@sfb288.math.tu-berlin.de}
I enjoyed this movie quite a lot; if you are into Jeunet-type fantasy, I would recommend that you see it. Overall, I would give it a rating of 7 out of 10. The reason for the Jeunet comparison (e.g. Delicatessen, City of Lost Children) is that it has the same dark antiutopian/surrealistic ambiance to it, and is very imaginative. It is also very elaborate in its style, which lends most of the appeal to the movie. This being said, the biggest disappointment of the movie is the plot, which is overly straightforward and simple-minded, but at least it does not devolve into some technical meaningless psycho-babble as many Hollywood fantasy movies do, and maintains its fairy-tale quality.
It is unfortunate that modern Russian cinematography seems to be chasing the success of Hollywood (which is ironic, given the country's negative attitude towards US in general and Hollywood in particular), but this movie benefits from Hollywood-style special effects, and is free of annoying clichés (unlike the atrociously pretentious "Barber of Siberia" - another recent style-heavy Russian blockbuster; sorry Mikhalkov).
To sum up, this movie is quite original, imaginative, stylish and at times visually stunning, which in my book constitutes success, but don't expect any depth of ideas.