The men who surround and torment the young protagonist (demanding teacher, owner of the company that rapes his own daughter, despotic and uncompromising father) are opposed to women (victims of men) as embodiment of salvation.
(Japanese with English subtitles) Widowed woodblock artist Hokusai meets Onao and falls madly in love with her, but she disappears suddenly. One day, his daughter brings home a young girl ... See full summary »
Tamiko is a divorced mother with a seriously ill son, struggling to save him and give both a sense of their existence. She lives with her mother and brother, but will marry a man older than... See full summary »
Shusei Tokuda's starkly realistic novel about a poor girl pressed into becoming a geisha was forcefully adapted by Kaneto Shindo (Onibaba). When Ginko (Nobuko Otowa, Shindo's wife) falls in... See full summary »
A near-masterpiece that should be as well known as any of Kaneto Shindo's other films
Fantastic! A crew of four on a small fishing vessel get stranded after their ship is destroyed in a storm. They have a small supply of food and water, and soon the tensions are rising. This is just a beautifully shot (in that glorious black and white widescreen that Japan of the 60s excelled at) and directed film. Shindo's use of space is outstanding. Taiji Tonoyama plays the captain, a man who lived through the starvation of the war. Kei Yamamoto plays Tonyama's young nephew. Kei Sato and Nobuko Otowa play the other two crew members, and the ones who decide that they no longer want to follow the captain's orders. This is nearly a masterpiece, but there are a couple of plot developments toward the end that feel a bit too pat. The title translates to A Man, The Man or just Human (which is the translation my subtitles settled on).
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