| Jimmy Carter | ... | Himself (archive footage) | |
| James Cason | ... | Himself (archive footage) | |
| Fidel Castro | ... | Himself | |
| Ernesto 'Che' Guevara | ... | Himself (archive footage) | |
| Miriam Laeba | ... | Herself | |
| Claudia Marquez Linares | ... | Herself | |
| Osvaldo Payá | ... | Himself | |
| Blanca Reyes | ... | Herself | |
| Vladimiro Roca | ... | Himself | |
| Filipe Perez Roque | ... | Himself (archive footage) | |
| Elizardo Sanchez | ... | Himself | |
| Oliver Stone | ... | Himself | |
| Juanita Vera | ... | Herself (Castro's Interpreter) |
| Episode Crew |
Directed by | |||
| Oliver Stone | |||
Writing credits(in alphabetical order) | ||
| Oliver Stone | narration | |
Produced by | |||
| Nancy Abraham | .... | supervising producer | |
| Pilar Benito | .... | associate producer | |
| Juan Gordon | .... | associate producer | |
| José Ibáñez | .... | associate producer | |
| Vincent Joliet | .... | line producer | |
| Álvaro Longoria | .... | executive producer | |
| Álvaro Longoria | .... | producer | |
| Sheila Nevins | .... | executive producer | |
| Carla Pagi | .... | producer | |
| Alessandra Pasquino | .... | associate producer | |
| Fernando Sulichin | .... | executive producer | |
| Fernando Sulichin | .... | producer | |
| Cristina Zumárraga | .... | line producer (as Christina Zumárraga) | |
Original Music by | |||
| Scott Avid | |||
| David Garcia | |||
| Nacho Mastretta | (as Mastretta) | ||
Cinematography by | |||
| Carlos Marcovich | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Alex Marquez | |||
| Langdon Page | (as Langdon F. Page) | ||
Production Management | |||
| Marian Briozzo | .... | post-production supervisor | |
Sound Department | |||
| Yves Coméliau | .... | sound mixer | |
| Mitch Dorf | .... | sound mixer | |
| Carlos Schmukler | .... | sound: Spanish version | |
| Sean Wiedeman | .... | assistant sound mixer | |
Visual Effects by | |||
| Elliott Jobe | .... | Fire/Inferno artist | |
| Matt McFarland | .... | digital imaging supervisor | |
Camera and Electrical Department | |||
| Jean-Luc Perréard | .... | camera operator | |
| Rose Serra | .... | still photographer | |
Editorial Department | |||
| Dave M. Barnett | .... | assistant editor | |
| Lara de Gracia | .... | post-production coordinator | |
| Laure Joliet | .... | post-production coordinator | |
| Sarah Metcalfe | .... | editorial trainee | |
| Shawn P. Mitchell | .... | assistant editor | |
| Clark Muller | .... | colorist | |
| Craig Price | .... | editor: Henry | |
Music Department | |||
| Ricardo Morena | .... | musician: percussion | |
| Pablo Novea | .... | musician: guitars | |
| Patricia Vizcaino | .... | music clearance | |
Other crew | |||
| Laure Bourron | .... | archivist | |
| Ralph P. Brescia | .... | legal counsel | |
| Malu Carmona | .... | assistant to producer: Morena Films | |
| Angel E. Chevrest | .... | translator | |
| Almudena Apron de Mendibil | .... | legal counsel | |
| Fernando Fernández Aransay | .... | legal counsel | |
| Ricardo Fernández-Deu | .... | production assistant | |
| Elena Ferraris | .... | translator | |
| Gema Fouz | .... | producer secretary: Morena Films | |
| Silvia Herreros de Tejada | .... | translator | |
| Catherine Laferriere | .... | archivist | |
| Alicia Losada | .... | translator | |
| Beatriz Mayo | .... | production accountant: Morena Films | |
| Luis Notario | .... | archivist | |
| Lina Nuñez | .... | assistant to producer: Morena Films | |
| Jorge Quintas | .... | production accountant: Morena Films | |
| Roberto González Ramos | .... | translator | |
| Steven Rivers | .... | publicist | |
| Agustin Román | .... | translator | |
| Claude Serra | .... | legal counsel | |
Thanks | |||
| Andrés Pastrana Arango | .... | special thanks (as Andrés Pastrana) | |
| Jacob A. Bloom | .... | special thanks (as Jake Bloom) | |
| Roberto Chile | .... | special thanks | |
| Gustavo Fernández | .... | special thanks | |
| Omar González Jimenez | .... | special thanks | |
| Carl Lobel | .... | special thanks | |
| Jorges Moragas | .... | special thanks | |
| Luis Notario | .... | special thanks | |
| Emmanuel Nuñez | .... | special thanks (as Emmanuel Nuñez) | |
| Steve Pines | .... | special thanks | |
| Roberto Romey | .... | special thanks | |
| Carlos Valenciaga | .... | special thanks | |
| Juanita Vera | .... | special thanks | |
| Camilo Vives | .... | special thanks | |
| Rob Wilson | .... | special thanks | |
| Series Crew These people are regular crew members. Were they in this episode? |
Directed by | |||
| Jon Alpert | (episode "Lock-Up: The Prisoners of Rikers Island") (episode "One Year in a Life of Crime") (episode "Life of Crime 2") (episode "Latin Kings: A Street Gang Story") | ||
| Fenton Bailey | (episode "Juror #5") (episode "Shock Video 2002") (episode "Monica in Black and White") | ||
| Randy Barbato | (episode "Juror #5") (episode "Monica in Black and White") | ||
| Joe Berlinger | (episode "Judgment Day: Should the Guilty Go Free") (episode "Paradise Lost: The Child Murders at Robin Hood Hills") (episode "Paradise Lost 2: Revelations") | ||
| Jay Blumenfield | (episode "Small Town Ecstasy") | ||
| Nick Broomfield | (episode "Aileen: Life and Death of a Serial Killer") (episode "Fetishes") | ||
| Joan Churchill | (episode "Aileen: Life and Death of a Serial Killer") | ||
| Shari Cookson | (episode "Living Dolls: The Making of a Child Beauty Queen") | ||
| Kate Davis | (episode "Southern Comfort") (episode "Jockey") | ||
| Maryann DeLeo | (episode "Chernobyl Heart") | ||
| Kirby Dick | (episode "Showgirls: Glitz & Angst") | ||
| Deborah Dickson | (episode "LaLee's Kin: The Legacy of Cotton") | ||
| Vince DiPersio | (episode "Fatal Twisters: A Season Of Fury") (episode "5 American Kids - 5 American Handguns") | ||
| Susan Frömke | (episode "LaLee's Kin: The Legacy of Cotton") | ||
| Liz Garbus | (episode "Execution of Wanda Jean, The") | ||
| Arthur Ginsberg | (episode "Autopsy 7: Dead Men Talking") (episode "Autopsy 8: Dead Giveaway") (episode "The Iceman Confesses: Secrets of a Mafia Hitman") (episode "Iceman and the Psychiatrist, The") | ||
| Daniel B. Gold | (episode "Blue Vinyl") | ||
| Judith Helfand | (episode "Blue Vinyl") | ||
| John Hyams | (episode "Smashing Machine: The Life and Times of Mark Kerr, The") | ||
| Lisa F. Jackson | (episode "Life Afterlife") | ||
| Kristi Jacobson | (episode "American Standoff") | ||
| Jamie Johnson | (episode "Born Rich") | ||
| Patti Kaplan | (episode "Cathouse") (episode "Cathouse 2: Back in the Saddle") | ||
| Jonathan Karsh | (episode "My Flesh and Blood") | ||
| Rory Kennedy | (episode "A Boy's Life") (episode "Indian Point: Imagining the Unimaginable") (episode "American Hollow") | ||
| Marc Levin | (episode "Soldiers in the Army of God") (episode "Thug Life in D.C.") (episode "Back In the Hood: Gang War 2") | ||
| Albert Maysles | (episode "LaLee's Kin: The Legacy of Cotton") | ||
| Ivy Meeropol | (episode "Heir to an Execution") | ||
| James Miller | (episode "Death in Gaza") | ||
| Steven Okazaki | (episode "Black Tar Heroin: The Dark End Of the Street") | ||
| Linda Otto | (episode "Living Dolls: The Making of a Child Beauty Queen") | ||
| Brent Owens | (episode "Hookers at the Point") (episode "Hookers & Johns: Trick or Treat") (episode "Atlantic City Hookers: It Ain't E-Z Being a Ho") (episode "Hookers at the Point: Five Years Later") (episode "Hookers at the Point: Going Out Again") (episode "Pimp's Up, Ho's Down") | ||
| Alexandra Pelosi | (episode "Diary of a Political Tourist") (episode "Journeys with George") | ||
| Daphne Pinkerson | (episode "Soldiers in the Army of God") | ||
| Thom Powers | (episode "Private Dicks: Men Exposed") | ||
| Dan Reed | (episode "Terror in Moscow") | ||
| Nina Rosenblum | (episode "Lock-Up: The Prisoners of Rikers Island") | ||
| Bruce Sinofsky | (episode "Paradise Lost: The Child Murders at Robin Hood Hills") (episode "Paradise Lost 2: Revelations") | ||
| Meema Spadola | (episode "Private Dicks: Men Exposed") | ||
| Antony Thomas | (episode "Celibacy") | ||
| Cynthia Wade | (episode "Shelter Dogs") | ||
| James Ronald Whitney | (episode "Just, Melvin: Just Evil") (episode "Telling Nicholas") | ||
| Gerardine Wurzburg | (episode "Graduating Peter") | ||
| Eames Yeates | (episode "Crank: Made in America") | ||
Writing credits(in alphabetical order) | ||
| Vince DiPersio | (episode "Fatal Twisters: A Season Of Fury") (episode "5 American Kids - 5 American Handguns") | |
| Brent Owens | (episode "Hookers at the Point") (episode "Hookers & Johns: Trick or Treat") (episode "Atlantic City Hookers: It Ain't E-Z Being a Ho") | |
| Brent Owens | (episode "Hookers at the Point: Going Out Again") | |
Produced by | |||
| Brent Owens | .... | producer (episode "Atlantic City Hookers: It Ain't E-Z Being a Ho") (episode "Hookers & Johns: Trick or Treat") (episode "Hookers at the Point") | |
| Recent Posts (updated daily) | User |
|---|---|
| kinds of camera | MrBojangles41 |
| Really no comments on this Docu. yet? | tripleo |
| Looking for Silvia Herreros de Tejada | robc-16 |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | News articles |
| IMDb TV section | IMDb Documentary section | IMDb USA section |
You'll know what I mean once you've seen the doc. The level of professionalism is ratcheted up to something akin to 60 Minutes over, say, typical documentary fare like Hidden in Plain Sight, which I have reviewed. There is no narration, although factoids appear a few times. And the interpreter is fairly impressive. I think I'd like the DVD if it had additional footage, which is inevitable here I think. If you have seen Buena Vista Social Club, you already have a feel for Cuba, which many Americans may not. I already knew that, for instance, Cuba's literacy rate is one of the best in the world. They generally do not suffer for lack of food either. The film makes references to the Cuban 5 and the Cuban international trade scenario. I suppose I will research further because the intent is to focus on Fidel here and it does that admirably. I felt like it dragged a little about 3o-45 minutes in, but Fidel's passion and struggle in having to face compromises in his wish to hold to certain revolutionary principles is more than charming. Small states are traditionally virtuous because they are weaker, and vice versa for big states, a point Castro manages to put in context without using it as a crutch. Watch for the shot of Che at the end, a startling likeness to Benicio Del Toro, who has looked like many.