IMDb > Last Days (2005)
Last Days
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Last Days (2005) More at IMDbPro »

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Overview

User Rating:
5.7/10   17,682 votes »
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Director:
Writer (WGA):
Gus Van Sant (written by)
Contact:
View company contact information for Last Days on IMDbPro.
Release Date:
13 May 2005 (France) See more »
Genre:
Tagline:
Rock and roll will never die.
Plot:
A Seattle-set rock & roll drama about a musician whose life and career is reminiscent of Kurt Cobain's. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win & 3 nominations See more »
User Reviews:
Silent and surprisingly dull See more (265 total) »

Cast

  (in credits order) (complete, awaiting verification)

Michael Pitt ... Blake

Lukas Haas ... Luke

Asia Argento ... Asia
Scott Patrick Green ... Scott (as Scott Green)

Nicole Vicius ... Nicole

Ricky Jay ... Detective
Ryan Orion ... Donovan

Harmony Korine ... Guy in Club

Rodrigo Lopresti ... Band in Club (as The Hermitt)

Kim Gordon ... Record Executive
Adam Friberg ... Elder Friberg #1
Andy Friberg ... Elder Friberg #2

Thadeus A. Thomas ... Yellow Book Salesman
Chip Marks ... Tree Trimmer

Kurt Loder ... TV Voiceover (voice)
Michael Azerrad ... TV Voiceover (voice)
Chris Monlux ... Phone Voice (voice)
Jack Gibson ... Phone Voice (voice)

Gus Van Sant ... Phone Voice (voice)
Dawnn Pavlonnis ... Phone Voice (voice)
rest of cast listed alphabetically:
Tyler Fenio ... Himself (uncredited)

Riley G. Matthews Jr. ... Coroner's Attendant (uncredited)
Giovanni Morassutti ... Band Fun (uncredited)

Ari Tomais ... Detective (uncredited)

Directed by
Gus Van Sant 
 
Writing credits
(WGA)
Gus Van Sant (written by)

Produced by
Jay Hernandez .... associate producer
Dany Wolf .... producer
 
Original Music by
Rodrigo Lopresti 
 
Cinematography by
Harris Savides 
 
Film Editing by
Gus Van Sant 
 
Casting by
Mali Finn 
 
Art Direction by
Tim Grimes 
 
Set Decoration by
Sarah E. McMillan 
 
Costume Design by
Michelle Matland 
 
Makeup Department
Cassandra Saulter .... makeup artist
Cassandra Saulter .... makeup department head
 
Production Management
Greg Spence .... post-production supervisor
Jen Wall .... production supervisor
Dany Wolf .... unit production manager
 
Second Unit Director or Assistant Director
Jennifer Truelove .... second assistant director
Dany Wolf .... first assistant director
 
Art Department
Karen Cinorre .... props
Leslie Salter .... lead scenic (as Leslie Salter-Yacuk)
Greg Sullivan .... scenic
 
Sound Department
Felix Andrew .... sound mixer
Matt Dubin .... mixing recordist
Marshall Garlington .... sound re-recording mixer
Shawn Kennelly .... foley mixer
Laura Macias .... foley artist
Vince Nicastro .... foley artist
Neil Riha .... second sound mixer
Leslie Shatz .... sound designer
Lisa Varetakis .... supervising foley editor
 
Visual Effects by
Mitch Paulson .... digital preview colorist
 
Stunts
Riley G. Matthews Jr. .... stunts
 
Camera and Electrical Department
Christopher Blauvelt .... assistant camera (as Chris Blauvelt)
James P. Dolan .... gaffer (as James Dolan)
John Flanagan .... electrician
Scott Patrick Green .... still photographer
Thomas Jirgal .... best boy grip
Patrick Lowry .... grip
Stephen MacDougall .... camera loader
Jason McCormick .... second assistant camera
Peter McEntyre .... best boy electric
Matías Mesa .... Steadicam operator
 
Casting Department
Sharon Blythe .... casting assistant
Lori Eastside .... additional casting
Jonathan Leeder .... casting associate
David Rapaport .... casting associate
 
Costume and Wardrobe Department
Ghilaine Bouadana .... wardrobe production assistant
Amy Roth .... costume supervisor
Jonathan Schwartz .... wardrobe assistant
 
Editorial Department
Bruce Bolden .... colorist
John Dowdell .... video colorist
Helen Hand .... first assistant editor
Eric Hill .... apprentice editor
Mato .... color timer
Josh Olive .... colorist: dailies
Beatrice Sisul .... assistant editor
 
Music Department
Ray Espinola Jr. .... music coordinator
Thurston Moore .... music consultant
 
Transportation Department
Kenny Gaskins .... transportation captain
 
Other crew
Maxwell Anderson .... production assistant
Kari A. Coleman .... post-production office manager
Charlie Dibe .... production assistant
Lindsay Feldman .... assistant production office coordinator
Heather Gauntt .... assistant location manager
Joe Guest .... location manager
Mark J. Levenstein .... production executive
Randy Manion .... location scout
Rachel Neave .... story contributor
Ben Ruggiero .... production assistant
Maurice Sessoms .... additional production assistant
Beatrice Sisul .... dailies
Michele Soddano .... assistant accountant
Amy Teitter .... production assistant
Rebecca Thornell .... clearance
Derek Yip .... post-production accountant
Derek Yip .... production accountant
 
Thanks
Francesco Clemente .... special thanks
Kurt Cobain .... dedicatee
Roger D. Faires .... special thanks
Kurt Loder .... special thanks
Chip Marks .... special thanks
Ann Roth .... special thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
MPAA:
Rated R for language and some sexual content
Runtime:
97 min | Argentina:97 min (Buenos Aires Festival Internacional de Cine Independiente)
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Brazil:12 | Canada:14A (Alberta/Manitoba/Ontario) | Canada:PG (British Columbia/Nova Scotia) | Canada:G (Quebec) | Finland:K-7 | Germany:12 | Ireland:15A | Portugal:M/16 | Singapore:M18 | South Korea:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R
Filming Locations:
Company:

Did You Know?

Trivia:
Thadeus A. Thomas was a real Yellow Pages salesman who wandered onto the set one day and tried to sell the cast and crew Yellow Page ad space. Gus Van Sant was so intrigued by him he asked him to appear in the film.See more »
Goofs:
Factual errors: One of the LDS missionaries that visits the house is wearing a light blue shirt. LDS missionaries are only permitted to wear non-decorative white shirts with dark pants/suits, and a conservative tie. The missionaries also carried no pamphlets, visual aids, appointment books, or their own complete sets of scriptures, which is highly unlikely for door-to-door proselytizing.See more »
Quotes:
Record Executive:Have you uh, talked to your daughter? Hmm.
Blake:Hmm. Yeah I've been talking to her on the phone.
Record Executive:What do you say to her?
Blake:Hmm-mm. I do the voices she likes. I don't know. I tell her I miss her.
See more »
Movie Connections:
Soundtrack:
Death to BirthSee more »

FAQ

This FAQ is empty. Add the first question.
8 out of 9 people found the following review useful.
Silent and surprisingly dull, 7 November 2006
Author: bob the moo from United Kingdom

Nirvana were big around about the time I was in my teens so I do have a certain amount of cultural involvement in his suicide. By this I'm not claiming anything special, just saying that it was an event I remember from the time rather than since. As such I was quite interested in seeing this film although I did think it would be detailed than it was. Instead it is literally "Blake's" last days in a remote house with a group of friends. We see him in a state of isolation, falling deeper into whatever it is that is eating at him from the inside out. Van Sant has drawn this fall out over 90 minutes where, lets be honest, not a great deal actually happens.

To some viewers this has given the film a tragic and haunting quality that has produced a lot of insight into the man Blake. I am not one of those viewers. It wasn't that I was waiting for the film to do a lot of work for me or spoon-feed me emotions, but I did need more than what was delivered and I confess that the film bored me intensely at some points. Van Sant has written these last days and based them on Kurt Cobain but I would have liked him to have imagined a bit more detail in his character and perhaps done more than delivered some stroppy teenager silently moping around the place until the inevitable happens (and even that is done in a very low key way). It is hard to fault the intimate nature of Van Sant's filming but this is very different from getting into the character and actually benefiting from this degree of perceived intimacy.

Pitt does as he is told and spends most of the film looking through his hair in a sort of creative and tragic way. Without any dialogue to speak of (sorry) this is all he can really do and I found it totally unconvincing and uninteresting – which is a pretty big failing given that he is supposed to be the heart of the film and the reason we have all come along. The rest of the cast are fairly unimportant and it says a lot that the only one that held my interest was Ricky Jay – but that was only because he was Ricky Jay.

Perhaps this will really touch major fans of Cobain but it did nothing for me at all. Silent and surprisingly dull, this badly needed depth and insight as well as a serious and respectful tone.

Was the above review useful to you?
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Message Boards

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WAS KURT MURDERED? flashbaxx
Piece of art Bagatta
Makin' Mac + Cheese! novatom
what happened at the end? bassguitarman
was kurt cobain THAT screwed up right before he died?? SpinCT
The shot of the bush? kyle_reid1
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