A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
In this visual essay style documentary, intimate audio of journalist Michael Azerrad's interviews with Kurt Cobain is played over more recently photographed footage of Cobain's Washington state homes and haunts.
Introspective artist Blake is buckling under the weight of fame, professional obligations and a mounting feeling of isolation. Dwarfed by towering trees, Blake slowly makes his way through dense woods. He scrambles down an embankment to a fresh spring and undresses for a short swim. The next morning he returns to his house, an elegant, if neglected, stone mansion. Many people are looking for Blake--his friends, his managers and record label, even a private detective--but he does not want to be found. In the haze of his final hours, Blake will spend most his time by himself. He avoids the people who are living in his house, who approach him only when they want something, be it money or help with a song. He hides from one concerned friend and turns away another. He visits politely with a stranger from the Yellow Pages sales department, and he ducks into an underground rock club. He wanders through the woods and he plays a new song, one last rock and roll blowout. Finally, alone in the ... Written by
Sujit R. Varma
The "long dolly shot" in which the camera slowly pulls away from the window while Blake plays inside took seven takes to successfully complete. As the crew only had three pieces of dolly track, crew members had to take track from the front and run it around to the back while the dolly moved backward. See more »
Throughout the film Blake plays guitar both left handed and right handed. (Kurt Cobain - on whom Blake is reportedly based - played left handed.) See more »
Then one day he thought the way to make money there are a lot of people who had exotic backgrounds in vaudeville. There was a Chinese magician named Ching Ling Foo who was doing really well. So Billy Robinson sort of disappeared and he resurfaced as a Chinese magician named Chung Ling Soo. He had his hair cut off and made into a queue you know, one of those long queues at the back of his neck. And he had himself made up look like a Celestial. And he became incredibly well-known performing in ...
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I'm here to defend this brilliant film from those who have labelled it a bad watch. It's true that last Days isn't a film for everyone, nirvana fans are best to stay well away as the sight of their icon in a dress might send a shiver down their spines, but those who are willing to simply be with the character of Blake, body and mind, for 90 mins are in for something special. I've never been a big fan of Gus Van Sant's and this looked like his most pretentious project yet, but beyond the events the films based on and all the conspiracy theories that come with it Van Sant has chosen to just tell a story of a lonely isolated man. As Blake, Michael Pitt is fantastic, with little or nothing to say he has to rely on his mannerisms and facial expressions throughout most of the film and he does so with ease and brilliance. The stand out moment has to be 'Death To Birth'. Pitt's great song fits so well into the film you would think he wrote it about Cobain, (and he probably did) it's a scene you'll wanna watch over and you'll find yourself singing the song when the movie's finished. So not for everyone but a spiritual journey none the less, make sure it's late and your alone, put it on, you know your right.
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