Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Introspective artist Blake is buckling under the weight of fame, professional obligations and a mounting feeling of isolation. Dwarfed by towering trees, Blake slowly makes his way through dense woods. He scrambles down an embankment to a fresh spring and undresses for a short swim. The next morning he returns to his house, an elegant, if neglected, stone mansion. Many people are looking for Blake--his friends, his managers and record label, even a private detective--but he does not want to be found. In the haze of his final hours, Blake will spend most his time by himself. He avoids the people who are living in his house, who approach him only when they want something, be it money or help with a song. He hides from one concerned friend and turns away another. He visits politely with a stranger from the Yellow Pages sales department, and he ducks into an underground rock club. He wanders through the woods and he plays a new song, one last rock and roll blowout. Finally, alone in the ... Written by
Sujit R. Varma
Seven years before production, 14-year-old Holger Thaarup of Denmark was originally cast as the lead, Blake. He didn't speak any English and Gus Van Sant intended the role to be silent; Van Sant then met 17-year-old Michael Pitt and cast him instead. See more »
One of the LDS missionaries that visits the house is wearing a light blue shirt. LDS missionaries are only permitted to wear non-decorative white shirts with dark pants/suits, and a conservative tie. The missionaries also carried no pamphlets, visual aids, appointment books, or their own complete sets of scriptures, which is highly unlikely for door-to-door proselytizing. See more »
You know, it's kinda like... Success is subjective, you know. It could be an opinion.
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Last days This is the final instalment of Gus van sant's trilogy of the disenfranchised and the alienated human condition. It began with 'Gerry' dealing with two guys trapped in a desert with no way of finding civilisation again and continued with 'elephant' dealing loosely with the columbine school killings. Last days is loosely based on the life of Kurt Cobain the late nirvana singer. Last days is really gelephant a mix of the first two films. Similar themes like repetition and the same story told from different characters perspectives are lifted straight out of elephant and the endless, hopeless tracking shots of despair are taken out of Gerry. Here the main character Blake is lost, unlike the two central characters in Gerry who are lost in the desert without hope, Blake is lost in his own head seemingly without hope. We meet Blake in the title of the film, his last days, being destroyed by drugs (although we never see him take anything harder than a cigarette) and emotional vampires who pretend to be his friends sucking the life out of him coupled with the pressure of fame and impending 86 date tours, Blake is quite simply falling apart. Here though it is a beautifully subtle take on madness, gone are the visions you see in films like 'Jacobs ladder' replaced with a clever underscore of sounds of doors opening and closing and mutterings and oddities. It's as if as you travel round with Blake you too can here the doors of insanity opening in his head, you too struggle to make out all the sounds. It's gently handled but eerily effective in linking you in with Blake's mindset. Elsewhere he stumbles and crawls round trying to function in the face of increasing paranoia and his drug addled inability to perform even the simplest of tasks. With record executives, band members, his manager and a private investigator all on his trail doing little for his state of mind Blake only seems comfortable when making music. This is also the only thing he can do with any sense of achievement, this could be down to the fact that it is second nature or the fact that he is a musical genius. The film also has an amazing sense of space, the landscapes around the mansion, the emptiness of its rooms and the vacuous nature of the hangers on to Blake's coat tails. With some amazing scenes, look out for the Venus in furs scene and the amazingly shot and framed acoustic song performed by Blake in the studio with probably one of the best little pieces of improvisation I've ever seen, this is a brilliant and touching portrayal of a great man left to fall to pieces by those who should have helped him stay together. Although different in its approach it deals with madness in a way not seen since Polanski's 'repulsion' and ultimately it is a film that stays with you long after the final chilling shot.
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