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IMDb > Boginya: kak ya polyubila (2004)

Boginya: kak ya polyubila (2004) More at IMDbPro »


Overview

User Rating:
6.4/10   277 votes
MOVIEmeter: ?
Down 23% in popularity this week. See rank & trends on IMDbPro.
Director:
Renata Litvinova
Writer:
Renata Litvinova (writer)
Contact:
View company contact information for The Goddess on IMDbPro.
Release Date:
30 September 2004 (Russia) more
Genre:
Drama
Awards:
1 nomination more
User Comments:
hyper-artsy, yet positive and touching more

Cast

  (Cast overview, first billed only)
Renata Litvinova ... Faina
Maksim Sukhanov ... Professor Mikhail Konstantinovich
Svetlana Svetlichnaya ... Mom the ghost
Viktor Sukhorukov ... Viktor Iliazarovich
Kseniya Kachalina ... Hunchback Klavdiya
Dmitri Ulyanov ... Investigator Nikolai
Konstantin Murzenko ... Yegorov-Yaruarov
Yelena Rufanova ... Doctor Yelena
Andrei Krasko ... Doctor Pavel
Konstantin Khabenskiy ... Polosuyev
Vasili Gorchakov ... Investigator Rakitin
Olga Lapshina ... Alya
Vera Storozheva ... Barmaid Kilya
Svetlana Timkina ... Botya
Roza Rafikova ... Lora from cafe
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Additional Details

Also Known As:
Богиня: как я полюбила (Russia)
The Goddess (International: English title)
The Goddess: How I Fell in Love (International: English title) (informal literal title)
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Country:
Russia
Language:
Russian
Color:
Color
Sound Mix:
Dolby Digital
Company:
Bogvud Kino more

Fun Stuff

Movie Connections:
Spoofs Nochnoy dozor (2004) more

FAQ

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11 out of 16 people found the following comment useful:-
hyper-artsy, yet positive and touching, 29 November 2004
10/10
Author: int32 from Copenhagen,Denmark

This movie left me in a strangely positive feeling, strangely because I'm used to the (usually) cold intellectual trend of 'artsy' movies. The movie seemed to me over-artsy, even somewhat kitchy, which is typical to Litvinova and her teacher Kira Muratova; usually their movies, although pleasing, seldom leave lasting memories, but rather are of a shrug'n'forget type. What is also untypical of this mostly marginal style of modern Russian film-making, the obvious team work, instead of an intellectual exercise of a crazy director/writer. The operator work is interesting here, editing style keeps the moments up quite OK, and the sound track is very innovative ( at least to me, I'm absolutely not into the lounge or dj kind of music ). CG effects sucked though, and the crow vortex and ink cartoons were shamelessly copycat'ed from "Nochnoj Dozor" of this year's dubious fame.

Overall, this is a decent movie, but it is still an artsy one and is probably won't be recommended to majority of film fans. Otherwise, if "Nebo Samolet Devushka", "Tri Istorii", "Pro Urodov I Ludej", are your cup of tea, if you don't mind the author's childish recurrent obsession of death, then you should probably check this movie also.

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