| Reggie Bannister | ... | Belmont | |
| Peter Stickles | ... | Hunter Belmont | |
| Aime Wolf | ... | Dr. Christine Kollar | |
| Nicole DuPort | ... | Kym | |
| Kristin Novak | ... | August | |
| Ky Evans | ... | Tony | |
| John Thomas | ... | Enrique | |
| Chris Finch | ... | Matt | |
| Karol Garrison | ... | Earl Martin | |
| Bill Lloyd | ... | John Martin | |
| Greg McDonald | ... | Ben (as G. Scott McDonald) | |
| Stephen Van Dorn | ... | Alex | |
| Howard Berger | ... | Stoner Dude Doug | |
| Gregory Nicotero | ... | Stoner Dude Michael | |
| Aristide Sumatra | ... | Ed the Fisherman | |
| Brad Carlson | ... | Brad | |
| rest of cast listed alphabetically: | |||
| Damian Lea | ... | Dale Martin | |
| Anna Mercedes Morris | ... | Bicyclist (as Michelle Diamond) | |
Directed by | |||
| Roy Knyrim | |||
Writing credits(in alphabetical order) | ||
| Pat Coburn | story | |
| Brian Patrick O'Toole | writer | |
| J. Victor Renaud | story | |
Produced by | |||
| David E. Allen | .... | producer | |
| Harmon Kaslow | .... | executive producer | |
| Brian Patrick O'Toole | .... | co-producer | |
| Paul Salamoff | .... | co-producer | |
| Dennis Sugasawara | .... | line producer | |
Original Music by | |||
| Ben Cooper | |||
Cinematography by | |||
| Steve Adcock | |||
Film Editing by | |||
| Christopher Roth | |||
Casting by | |||
| Hillary Kaye | |||
Production Design by | |||
| Mark Richardson | |||
Art Direction by | |||
| Patrick Tantalo | |||
Costume Design by | |||
| Elizabeth Meredith | |||
| Isabelle Stead | |||
Makeup Department | |||
| Robert Giddens | .... | special makeup effects artist | |
| Heather Mages | .... | key makeup artist | |
| Jayne Marie | .... | assistant makeup artist | |
| Jackie Mgido | .... | key hair stylist | |
| Mark Villalobos | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| J.J. Dalton | .... | second second assistant director | |
| Mike Greene | .... | first assistant director | |
| Shelly Heyward | .... | additional second second assistant director | |
| Jon Recher | .... | first assistant director: second unit | |
| Danny Wayne | .... | second unit director (as Danny W. Stallcup) | |
Art Department | |||
| Nikki Giovacchini | .... | props | |
| Jacob Hair | .... | storyboard artist | |
| Mike Manasewitsch | .... | swing crew | |
| Patrick Tantalo | .... | construction coordinator (as Patrick A. Tantalo) | |
Sound Department | |||
| Sarah F. Badiee | .... | sound effects editor | |
| Steve Bartlett | .... | post-production sound | |
| Ben Cooper | .... | sound designer | |
| Andrew Ing | .... | sound effects editor | |
| J.M. Logan | .... | sound designer | |
| John Sanacore | .... | sound recordist | |
| Alex Ullrich | .... | foley artist | |
Special Effects by | |||
| Ron Karkoska | .... | special effects coordinator | |
| Patrick Tantalo | .... | special effects coordinator | |
| Patrick Tantalo | .... | special effects supervisor | |
Stunts | |||
| Chris Lawrence | .... | stunts | |
| Anna Mercedes Morris | .... | stunts | |
| H. Charles Parrish | .... | stunt coordinator | |
| Darrell Lee Stallcup | .... | stunt performer | |
| Lee Whittaker | .... | stunt double | |
Camera and Electrical Department | |||
| Richard Brush | .... | grip | |
| Danielle C. Carroll | .... | film loader | |
| Alfredo Denila | .... | key grip | |
| Owen Foye | .... | electrician | |
| Erik Gonzales | .... | best boy electric | |
| Danny Gonzalez | .... | electrician | |
| Joshua Lee Huber | .... | electrician | |
| J. Steven Matzinger | .... | director of photography: second unit | |
| Sean P. Neelon | .... | electrician | |
| Vern Nobles | .... | director of photography: second unit | |
| Teruhisa Yoshida | .... | electrician | |
Costume and Wardrobe Department | |||
| Sara Walbridge | .... | set costumer | |
Editorial Department | |||
| Matt Small | .... | assistant on-line editor | |
Other crew | |||
| Sam Childs | .... | production accountant | |
| Crystal Connell | .... | craft service | |
| Sherry Gunderman | .... | script supervisor | |
| Sybille Herwig | .... | production coordinator | |
| Lindsay Hudson | .... | set medic | |
| Eric McElveen | .... | assistant production office coordinator | |
| Gigi Fast Elk Porter | .... | assistant: Reggie Bannister | |
| Greg Saraceno | .... | production assistant | |
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| Frankenstein | The Fly | I Am Legend | X-Men Origins: Wolverine | Bride of Frankenstein |
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Environmental wackos release a giant, genetically-enhanced Tasmanian Devil in this would-be comedy horror film. I think the filmmakers were trying to make the next "Army of Darkness" or "Shaun of the Dead," but the humor wasn't strong enough to compensate for the implausible and coincidence-ridden story. I might be giving the plot more consideration than the filmmakers themselves, but isn't it a little far-fetched that the monster would be stolen from the laboratory and released at a cemetery where the son of mad scientist who created it was filming a low budget horror film? And that the son considered the monster his pet until it killed his mother. At least the scientist father is played by Reggie Bannister. His presence gave the film a touch of class. The film also suffers from the fact that the vast majority of victims had no bearing on the plot whatsoever. They were just passerbys. I did enjoy the bit were the new agers take drugs to call forth a spirit animal, only to see the monster as an animation. The Hillbillies, however, were so over the top that they made the cast of "Two Thousand Maniacs" seem restrained by comparison. The main problem, however, is the monster itself. I know this film was essentially a comedy, but the monster was ridiculous -- especially in long shots where it was obviously a man in a suit walking on all fours. The monster was about as scary as the shrews in "The Killer Shrews." Along those same lines, some of the gore effects were good, but it obvious the monster isn't really digging into the people when it is clawing them. I'd take the Tasmanian Devil in the Warner Brothers cartoons over this thing any day.