| Junior Singo | ... | Madiba | |
| Dana de Agrella | ... | Estelle | |
| Innocent Msimango | ... | Sipho | |
| Lisa Petersen | ... | Louise | |
| Nicholas Jara | ... | Benny | |
| Lynita Crofford | ... | TV Reporter | |
| Nomhlé Nkyonyeni | ... | Servant (as Nomhle Nkonyeni) | |
| Thembi Mtshali | ... | Madiba's Mother | |
| Jean-Pierre Cassel | ... | Mr. Shawn | |
| Fats Bookholane | ... | Madiba's Father | |
| Bo Petersen | ... | Estelle's Mother | |
| Andre Jacobs | ... | Estelle's Father |
Directed by | |||
| Ntshaveni Wa Luruli | |||
Writing credits(in alphabetical order) | ||
| Yves Buclet | written by | |
| Peter Speyer | ||
Produced by | |||
| Olivier Delahaye | .... | producer | |
| Richard Green | .... | co-producer | |
| Ben Woolford | .... | co-producer | |
Original Music by | |||
| Phil Sawyer | |||
Cinematography by | |||
| Gordon Spooner | |||
Film Editing by | |||
| Kako Kelber | |||
Casting by | |||
| Nathalie Cheron | |||
| Moonyeenn Lee | |||
Production Design by | |||
| Jean-Vincent Puzos | |||
Art Direction by | |||
| Heather Cameron | |||
Set Decoration by | |||
| Michael Freeman | (as Mike Freeman) | ||
Costume Design by | |||
| Leigh Bishop | |||
Makeup Department | |||
| Kathi Bullard | .... | hair stylist | |
| Kathi Bullard | .... | makeup artist | |
Production Management | |||
| Marie Roney | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Abby Malamba | .... | second assistant director | |
| Grant Nale | .... | first assistant director | |
Art Department | |||
| Hazel Crampton | .... | storyboard artist | |
| Cuan Eveleigh | .... | stand-by props | |
| Michael Freeman | .... | set dresser (as Mike Freeman) | |
| Gary Smith | .... | property master | |
Sound Department | |||
| Hervé Buirette | .... | sound designer | |
| Anneline De Kock | .... | boom operator | |
| Thomas Desjonquères | .... | sound editor | |
| Séverin Favriau | .... | assistant sound editor | |
| Eric Ferret | .... | foley recordist | |
| Gareth Llewellyn | .... | assistant dubbing mixer | |
| Pascal Mazière | .... | foley artist | |
| James Seddon | .... | dolby consultant | |
| Matthew Skelding | .... | sound re-recording mixer (as Matt Skelding) | |
Special Effects by | |||
| Daniel Pereira de Abreu | .... | special optical effects | |
Stunts | |||
| Cecil Carter | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kenny Fisher | .... | gaffer | |
| Gijs Ten Haaft | .... | key grip | |
| Jacob Mafolo | .... | best boy grip | |
| Tony Rhode | .... | generator operator | |
| Justin Sholk | .... | still photographer | |
Costume and Wardrobe Department | |||
| Nanette Catherine | .... | key costumer | |
Editorial Department | |||
| Graham Nutter | .... | assistant editor | |
| Stéphanie Pedelacq | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
Transportation Department | |||
| Laurie Dunn | .... | unit and transport manager | |
Other crew | |||
| Cecile Defosse | .... | script supervisor | |
| Tishna Molla | .... | production coordinator: UK | |
| Heather Sisson | .... | production accountant | |
| Addie Vigario | .... | production coordinator | |
| Recent Posts (updated daily) | User |
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| what happened??? | sonodaj |
| tech question | salcast82 |
| buy the movie | nimmerfors |
| amazing | findmac |
| Beautiful | Prometheus_Class |
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| Full cast and crew | Company credits | External reviews |
| IMDb Family section | IMDb France section |
This film is amazing, while not perfect by Hollywood standards it encompasses a gentle look at the wide divide between rich and poor, black and white that is true in many parts of the world. It handles the audience with kid gloves while delivering a truthful look at societal problems. The children are beautiful, take special note of the young man who plays Sipho. The friendships that develop are universally true, anyone can relate to the choices these young people have to make. The influence of adults is interesting - it appears to be taken from real life experiences as there are snip-its of conversations and interactions-much like a child would remember experiencing. I would highly recommend this film.