| David Suchet | ... | Hercule Poirot | |
| Elisabeth Dermot Walsh | ... | Elinor Carlisle | |
| Rupert Penry-Jones | ... | Roddy Winter | |
| Kelly Reilly | ... | Mary Gerrard | |
| Paul McGann | ... | Dr. Peter Lord | |
| Phyllis Logan | ... | Nurse Hopkins | |
| Marion O'Dwyer | ... | Nurse O'Brien | |
| Diana Quick | ... | Mrs. Welman | |
| Stuart Laing | ... | Ted Horlick | |
| Jack Galloway | ... | Marsden | |
| Geoffrey Beevers | ... | Seddon | |
| Alistair Findlay | ... | Prosecuting Counsel | |
| Linda Spurrier | ... | Mrs. Bishop | |
| Ian Taylor | ... | Shopkeeper | |
| Timothy Carlton | ... | Judge | |
| Louise Callaghan | ... | Hunterbury Maid |
| Episode Crew |
Directed by | |||
| David Moore | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| David Pirie | (screenplay) | |
Produced by | |||
| Michele Buck | .... | executive producer | |
| Phil Clymer | .... | executive producer: Chorion plc | |
| Delia Fine | .... | executive producer: for A&E Television Networks | |
| Leila Kirkpatrick | .... | line producer | |
| Margaret Mitchell | .... | producer | |
| Emilio Nunez | .... | supervising producer: for A&E Television Networks | |
| David Suchet | .... | associate producer | |
| Damien Timmer | .... | executive producer | |
Original Music by | |||
| Christopher Gunning | |||
Cinematography by | |||
| Martin Fuhrer | (director of photography) | ||
Film Editing by | |||
| Melanie Viner-Cuneo | |||
Production Design by | |||
| Michael Pickwoad | |||
Art Direction by | |||
| Malcolm Stone | |||
Set Decoration by | |||
| Mark Rimmell | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Carol Cooper | .... | makeup designer | |
| Rupert Simon | .... | makeup artist | |
| Sian Turner | .... | makeup artist | |
Production Management | |||
| Fiona McGuire | .... | executive in charge of production | |
| Kate Stannard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Terry Bamber | .... | first assistant director | |
| David Cain | .... | second assistant director | |
| Jessica Hurles-Laws | .... | third assistant director (uncredited) | |
Art Department | |||
| Mike Fowlie | .... | prop master | |
| Kenneth Hambling | .... | construction manager (as Ken Hambling) | |
| Dougie Lankston | .... | dressing props (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Tony Jackson | .... | sound recordist | |
| Billy Mahoney | .... | dubbing mixer | |
| Sarah Morton | .... | dialogue editor (as Sarah Morten) | |
| Mike Reardon | .... | sound maintenance | |
| Mike Reardon | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | visual effects | |
| Simon Giles | .... | visual effects | |
Stunts | |||
| Ray Donn | .... | stunt double: David Suchet (uncredited) | |
| Jason White | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Jim Boorer | .... | grip | |
| Michael Green | .... | focus puller (as Mike Green) | |
| Mike Miller | .... | camera operator | |
| Phil Penfold | .... | best boy (as Philip Penfold) | |
| Larry S. Prinz | .... | lighting gaffer (as Larry Prinz) | |
| Luan Hall | .... | assistant camera (uncredited) | |
| Rab Harling | .... | clapper loader (uncredited) | |
| John Hurley | .... | clapper loader (uncredited) | |
Casting Department | |||
| Maureen Duff | .... | casting | |
| Claire Saunders | .... | casting assistant | |
| Gail Stevens | .... | casting | |
Costume and Wardrobe Department | |||
| Tamar Zaig | .... | assistant costume designer | |
| Jason Gill | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Anya Dillon | .... | assistant editor | |
| Lee Twohey | .... | telecine colourist | |
Other crew | |||
| Nuala Alen-Buckley | .... | production accountant | |
| Diane Chittell | .... | production coordinator | |
| Alan Church | .... | titles | |
| Simon Giles | .... | titles | |
| Mariette Masters | .... | publicist | |
| Phoebe Masters | .... | assistant coordinator | |
| Gina Nocero | .... | senior publicist: A & E | |
| Caroline O'Reilly | .... | script supervisor | |
| Patrick Smith | .... | picture publicist | |
| Karen Thrussell | .... | script editor | |
| Peter Tullo | .... | location manager | |
| Derek Wax | .... | script executive | |
| Emily Chittell | .... | production assistant (uncredited) | |
| Elton Farla | .... | medic (uncredited) | |
| Lawrence Stevens | .... | floor runner (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Sound Department | |||
| Lionel Strutt | .... | adr mixer | |
Other crew | |||
| Mark Albela | .... | location manager | |
| Daren Thomas | .... | location runner | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb UK section |
Poirot: Sad Cypress maintains the usual high quality that any adaptation with David Suchet has. Elinor Carlisle receives an anonymous letter advising her to visit her sick aunt or risk being cut out of the will by the enormous and negative influence someone recently acquired over the old lady. Elinor along with her fiancé Roddy although not believing the letter decide to do as it says in an attempt to discover what is really going on. By the advice of a friend they give Poirot the letter and it is clear to the Belgian detective that evil will soon take his victim. I wont say any more about the story not to ruin it for you but it has plenty of mystery as always and a few twists you wont expect. I was literally falling off the couch in the last minutes as the truth was about to be revealed as it is not easy to take a pick as to whom the killer is despite the opening shot that shows us Elinor being prosecuted for two murders and her off voice proclaiming that she has no remorse about it. We stay in doubt as to if that truly is the case or if maybe she actually is innocent. Of course that is a job for Hercule Poirot.
David Suchet is again perfect in his role. I love his work. I worship his portrayal of Poirot. Unfortunately time goes by and Suchet is not in his best shape and at times seems rather tired. Still he is the best Poirot there is and ever will be. Sad Cypress does loose a lot for not having its main character on screen much time. An hour had passed and we had seen Poirot in only a few scenes. While the story may justify this in a way it still is a disappointment to wait so long to see him in action.
The other actors all do a fantastic job with Elisabeth Dermot-Walsh taking the spotlight. She is amazingly beautiful and mysterious. What an absolutely gorgeous woman.
Sad Cypress is recommended to Agatha Christie's fans and to anyone who enjoys a good mystery. Still it is somewhat disappointing due to a little too far fetched explanation and a sometimes absent Poirot performed by an aging Suchet that while still possessing great skill is bellow his best. And of course there's no Captain Hastings, Miss Lemon or Chief Inspector Japp. Its always more fun when the whole gang is present.
A wonderful effort that could maybe be better but still proves an absolute pleasure to watch.