Captain Smith is spared his mutinous hanging sentence after captain Newport's ship arrives in 1607 to found Jamestown, an English colony in Virginia. The initially friendly natives, who have no personal property concept, turn hostile after a 'theft' is 'punished' violently on the spot. During an armed exploration, Smith is captured, but spared when the chief's favorite daughter Pocahontas pleads for the stranger who soon becomes her lover and learns to love their naive 'savage' way of harmonious life. Ultimately he returns to the grim fort, which would starve hadn't she arranged for Indian generosity. Alas, each side soon brands their own lover a traitor, so she is banished and he flogged as introduction to slavish toiling. Changes turn again, leading Smith to accept a northern-more mission and anglicized Pocahontas, believing him dead, becoming the mother of aristocratic new lover John Rolfe's son. They'll meet again for a finale in England. Written by
To increase the light available in interior shots, candles were cast with 4 wicks each. See more »
In the film John Smith is seen wearing tattoos. The film is set in the early 1600s. The practice of tattooing was abandoned in Europe at that time and was not readopted until the late 18th century. See more »
Come, spirit, help us sing the story of our land. You are our mother. We, your field of corn. We rise from out of the soul of you.
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This was incredible. I'm living at the moment in the awful urban sprawl of Dublin , Ireland and took myself right into the inner city to see this and, to my surprise, found myself being transported not only to another land but also to another time. When I came out, I was in a trance for the rest of the day, pining for a land and society that is no more and dreaming sweet dreams of angelic Pocahontas, gentle John Rolfe and ruggedly genuine John Smith. All three of course excellently played by Q'uiranka (is that right), Christian and even Colin who, though the accent may have been shaky, captured perfectly what it would have been to be in John Smith's situation. Mallick, of course, is a genius and when his films are this good they're well worth the decade or so of waiting. Also, I don't know who the director of photography was but what a job they did, possibly the most beautiful film ever put on screen. All in all, a masterpiece which I'll carry with me every step I take in this ofttimes sorry world.
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