Captain Smith is spared his mutinous hanging sentence after captain Newport's ship arrives in 1607 to found Jamestown, an English colony in Virginia. The initially friendly natives, who have no personal property concept, turn hostile after a 'theft' is 'punished' violently on the spot. During an armed exploration, Smith is captured, but spared when the chief's favorite daughter Pocahontas pleads for the stranger who soon becomes her lover and learns to love their naive 'savage' way of harmonious life. Ultimately he returns to the grim fort, which would starve hadn't she arranged for Indian generosity. Alas, each side soon brands their own lover a traitor, so she is banished and he flogged as introduction to slavish toiling. Changes turn again, leading Smith to accept a northern-more mission and anglicized Pocahontas, believing him dead, becoming the mother of aristocratic new lover John Rolfe's son. They'll meet again for a finale in England. Written by
Shot almost entirely with available light. Only the scenes shot in the Hampton Court Palace interiors were supplemented with artificial light coming through the windows. See more »
In the early portion of the movie, the natives are shown harvesting corn (Zea maize), the ears of which are far larger than a human hand. At the time of the Jamestown colony, native corn was typically the size of a human thumb, rarely ever bigger. Large corn, such as pictured in the movie, is a product of seed selection and genetic research, mostly done since the 1860s. See more »
Come, spirit, help us sing the story of our land. You are our mother. We, your field of corn. We rise from out of the soul of you.
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A quite-literally breathtaking 120 minute montage of sights and sounds evoking the first British contact with North America. The narrative is minimal, even inconsequential, as perhaps it should be in a story that is predominantly about the human need to communicate even when language is a barrier rather than a vehicle to understanding. The performances are universally outstanding, the cinematography and editing award worthy, and the use of 'Das Rheingold' the most inspired use of Wagner ever in a movie. 'The New World' is a genuinely poetic, lyrical, visually stunning and heartbreaking movie. About as flawless as cinema gets. For those still unsure of my feelings, I loved this movie.
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