Captain Smith is spared his mutinous hanging sentence after captain Newport's ship arrives in 1607 to found Jamestown, an English colony in Virginia. The initially friendly natives, who have no personal property concept, turn hostile after a 'theft' is 'punished' violently on the spot. During an armed exploration, Smith is captured, but spared when the chief's favorite daughter Pocahontas pleads for the stranger who soon becomes her lover and learns to love their naive 'savage' way of harmonious life. Ultimately he returns to the grim fort, which would starve hadn't she arranged for Indian generosity. Alas, each side soon brands their own lover a traitor, so she is banished and he flogged as introduction to slavish toiling. Changes turn again, leading Smith to accept a northern-more mission and anglicized Pocahontas, believing him dead, becoming the mother of aristocratic new lover John Rolfe's son. They'll meet again for a finale in England. Written by
Before the start of the shoot, director Terrence Malick and cinematographer Emmanuel Lubezki devised a series of photography rules that were to be used during filming. They were:
1) No artificial lights. Everything is shot in natural light.
2) No crane or dolly shots, just handheld or Steadicam shots.
3) Everything is shot in the subjective view.
4) All shots must be deep-focus, that is, everything (foreground and background) is visible and focused.
5) You (the camera crew) are encouraged to go and shoot unexpected things that might happen in accident or if your instinct tells you so.
6) Selective shots: any shot that does not have visual strength is not used.
According to Lubezki, many of these rules ended up being broken. Artificial light was used (see above), as were shallow-focus shots. See more »
Whilst walking around the ornamental gardens in wonder, the Native American walks along a path with cast iron bollards. Though the movie was set in the 1600s these where probably made during the industrial revolution some 150 years later. See more »
Come, spirit, help us sing the story of our land. You are our mother. We, your field of corn. We rise from out of the soul of you.
See more »
This was incredible. I'm living at the moment in the awful urban sprawl of Dublin , Ireland and took myself right into the inner city to see this and, to my surprise, found myself being transported not only to another land but also to another time. When I came out, I was in a trance for the rest of the day, pining for a land and society that is no more and dreaming sweet dreams of angelic Pocahontas, gentle John Rolfe and ruggedly genuine John Smith. All three of course excellently played by Q'uiranka (is that right), Christian and even Colin who, though the accent may have been shaky, captured perfectly what it would have been to be in John Smith's situation. Mallick, of course, is a genius and when his films are this good they're well worth the decade or so of waiting. Also, I don't know who the director of photography was but what a job they did, possibly the most beautiful film ever put on screen. All in all, a masterpiece which I'll carry with me every step I take in this ofttimes sorry world.
160 of 258 people found this review helpful.
Was this review helpful to you?