| Kate Greenhouse | ... | Dr. Samantha Goodman | |
| Bruce McFee | ... | Donald Wegman | |
| Jeff Seymour | ... | Radiologist | |
| David Calderisi | ... | Dr. Lew Lanigan | |
| Trevor Hayes | ... | Doctor | |
| Gordon Currie | ... | David Goodman | |
| Kathryn Haggis | ... | Waitress | |
| Iris Graham | ... | Melody | |
| Dov Tiefenbach | ... | Adrian | |
| Aidan Devine | ... | Harlan Pyne |
Directed by | |||
| Paul Fox | |||
Writing credits | ||
| Wil Zmak | (written by) | |
Produced by | |||
| Brent Barclay | .... | producer | |
Original Music by | |||
| E.C. Woodley | |||
Cinematography by | |||
| Steve Cosens | |||
Film Editing by | |||
| Marlo Miazga | |||
Casting by | |||
| Robin D. Cook | |||
| Sara Kay | |||
Production Design by | |||
| Aidan Leroux | |||
Set Decoration by | |||
| Karen Justl | |||
| Sue Yuzwak | |||
Costume Design by | |||
| Joanna Syrokomla | |||
Makeup Department | |||
| Sandy Sokolowski | .... | hair stylist | |
| Arthur Spiggot | .... | makeup artist | |
Production Management | |||
| James Mou | .... | production manager | |
| Justine Whyte | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Vicki Henton | .... | third assistant director | |
| George Jeffery | .... | first assistant director | |
| David Manion | .... | first assistant director | |
| J. Elizabeth Marsh | .... | trainee assistant director | |
| Neil Winemaker | .... | second assistant director | |
Art Department | |||
| Stephen Appleby-Barr | .... | illustrator | |
| Heidi Böhme | .... | set dresser | |
| Tori Ellis | .... | property master | |
| Habib Hooshiarian | .... | art department apprentice | |
| Rhona Kellman | .... | art department production assistant | |
| Martha Sparrow | .... | assistant art director | |
| Jack St. John | .... | head carpenter | |
| Paul Vernon | .... | construction coordinator | |
| Paul Vernon | .... | on-set props | |
| Farrah Yip | .... | set dresser | |
Sound Department | |||
| Eric Apps | .... | adr mixer | |
| Fred Brennan | .... | dialogue and adr editor | |
| Stefan Fraticelli | .... | foley artist | |
| Mark Gingras | .... | sound effects editor | |
| Matthew Hussey | .... | first assistant sound editor | |
| Michael Kearns | .... | boom operator | |
| Rudy Michael | .... | re-recording assistant | |
| Brian Newby | .... | sound mixer | |
| Daniel Pellerin | .... | sound designer | |
| James Mark Stewart | .... | sound designer | |
Special Effects by | |||
| Paul Jones | .... | special makeup effects designer | |
| John LaForet | .... | special effects coordinator | |
Stunts | |||
| Alison Reid | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mara Ambrose | .... | still photographer | |
| John Atkinson | .... | generator operator | |
| Blayne Badge | .... | electrician | |
| Terry Banting | .... | gaffer | |
| David Bradshaw | .... | best boy grip | |
| Mark Cassidy | .... | grip | |
| Steve Cosens | .... | camera operator | |
| Guy Godfree | .... | first assistant camera: "b" camera | |
| Andy Gondek | .... | best boy electric | |
| Adrian Hodgson | .... | best boy grip | |
| Jacob Jackson | .... | camera trainee | |
| Michael LeBlanc | .... | second assistant camera | |
| Kaelin McCowan | .... | first assistant camera | |
| Roger Noke | .... | swing grip | |
| Carol Racicot | .... | still photographer | |
| Kiarash Sadigh | .... | camera trainee | |
| Jason Sissons | .... | key grip | |
| Ralph Swaby | .... | electrician | |
| Peter Wong | .... | second assistant camera | |
Casting Department | |||
| Krista Fraser | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kelsey Hart | .... | wardrobe mistress | |
Editorial Department | |||
| Louis Casado | .... | film timer | |
| Jessica Joy Wise | .... | assistant editor | |
Music Department | |||
| John Rowley | .... | music consultant | |
| E.C. Woodley | .... | music score producer | |
| E.C. Woodley | .... | orchestrator | |
Transportation Department | |||
| John G. Jinks | .... | driver | |
| Mark Scanlon | .... | transportation coordinator | |
| Minon White | .... | driver | |
Other crew | |||
| Chad Barclay | .... | location manager | |
| Anuta Bondarenko | .... | script supervisor | |
| Erin Burke | .... | project manager | |
| Adam Cassidy | .... | location production assistant | |
| Suzanne Cheriton | .... | publicist | |
| Kristal Cooper | .... | administrative coordinator | |
| Peter Edmonds | .... | gun wrangler | |
| Earl Fligg | .... | security officer | |
| Nicholas Haraszty | .... | food stylist | |
| Zara Hemmings | .... | production assistant | |
| Susan R. Jones | .... | production coordinator | |
| McAuley Kahlen | .... | production assistant (as Kathleen McAuley) | |
| Stephen Le Trung | .... | location production assistant | |
| Mary Robbie | .... | assistant accountant | |
| David Roberson | .... | publicist | |
| Mike van Beurden | .... | production assistant | |
| Madeleine Wazana | .... | accountant | |
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| Eyes Wide Shut | Bad Timing: A Sensual Obsession | Asylum | The English Patient | Fierce People |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
The Dark Hours is an unbelievably brisk psychological scary movie that packs a lot of thrills into it's 80 minute running time. Although it's not generally the type of horror movie I like, it requires the audience to think a bit about what is going on, something which I'd rather not do in movies like this) Dark Hours is great because the lead actress, Kate Greenhouse, is great as the doctor who gets more then she bargained for when she makes a surprise visit to her ex and her sister. An ex-patient of hers also pays a visit, and he decides they're going to play some mind games, just like he endured in the clinic which he came from. Only the games have slightly sinister overtones..
All the acting is very good here. What a pleasure to see Dov Tiefenbach again. Loved him in The Delicate Art of Parking, so it was quite a surprise to see him play something nastier in this movie. Again Greenhouse is great, and all the cast pull together to make this movie a dynamite sit through.