The magical Mole Antonelliana (the cavernous Museum of Cinema in Turin, Italy) is the setting for a very unlikely love story. One fateful evening the museum's timid night watchman, comes to... See full summary »
Horror anthology about a college professor (Zada) teaching a course called "The Psychology of Fear". He brings his students (including psychic McWhirter) to his home, one dark and stormy ... See full summary »
A brilliant recent graduate struggles to find work. After falling into a babysitting job, she is introduced by the child's mother to the world of the international call center, its employees, and the fast pace that drives them.
A bungling bank robber, an uncooperative hostage with a secret, a gay policeman and a situation which rapidly goes from bad to worse are the ingredients to this very funny and unpredictable... See full summary »
Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. ... See full summary »
Walter is 20. He hasn't got a job, a girlfriend or any clear convictions. He rejects conventional values, notably his father's submissive acceptance of a life working in a factory as well ... See full summary »
The magical Mole Antonelliana (the cavernous Museum of Cinema in Turin, Italy) is the setting for a very unlikely love story. One fateful evening the museum's timid night watchman, comes to the aid of an enchanting young fast-food cook on the run from the police. The museum's dreamy kingdom of silent movie characters becomes a sanctuary for her as she awaits rescue by her devilish boyfriend. Written by
Give me the Italian love of cinema and love of love over the French any day of the week, well, maybe 6 out of 7.
Here we have a movie about movies shot on digital video with a genre plot and some postmodern reflexivism thrown in. In the hands of a certain French New Wave director whose name I refuse to type, who in fact has used all of these devices himself, these tactics would be used at times to alienate, to smirk, to nudge-nudge-wink-wink, and to create narrative distance or irony. Ferrario uses them for all their worth, but with a consistently joyful embrace of both his characters and his audience. It's as if all 95 minutes of Band of Outsiders were running through the Louvre and dancing the Madison.
Any movie that keeps a smile fixed on my face from start to finish deserves a superior mark, even if it doesn't have the depth or reach of other movies I rank as highly.
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