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After Midnight (2004)
"Dopo mezzanotte" (original title)

6.9
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Ratings: 6.9/10 from 1,222 users   Metascore: 56/100
Reviews: 9 user | 21 critic | 15 from Metacritic.com

The magical Mole Antonelliana (the cavernous Museum of Cinema in Turin, Italy) is the setting for a very unlikely love story. One fateful evening the museum's timid night watchman, comes to... See full summary »

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Title: After Midnight (2004)

After Midnight (2004) on IMDb 6.9/10

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7 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Martino
...
Amanda
...
The Angel of Falchera
Francesca Picozza ...
Barbara
...
Narrator
Pietro Eandi ...
Martino's Grandfather
Andrea Romero ...
Fast Food Owner
Giampiero Perone ...
Bruno the Night Watchman
Francesco D'Alessio ...
Member of the Falchera's Gang
Gianni Talia ...
Member of the Falchera's Gang
Andrea Moretti ...
Member of the Falchera's Gang
Gianna Cavalla ...
The Car Receiver
Claudio Pagano ...
The Car Receiver's Bodyguard
Maurizio Vaiana ...
Cousin Maurizio
Ladis Zanini ...
The Ballsqueezer
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Storyline

The magical Mole Antonelliana (the cavernous Museum of Cinema in Turin, Italy) is the setting for a very unlikely love story. One fateful evening the museum's timid night watchman, comes to the aid of an enchanting young fast-food cook on the run from the police. The museum's dreamy kingdom of silent movie characters becomes a sanctuary for her as she awaits rescue by her devilish boyfriend. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

23 April 2004 (Italy)  »

Also Known As:

Dopo mezzanotte  »

Filming Locations:


Box Office

Opening Weekend:

$7,634 (USA) (3 December 2004)

Gross:

$20,787 (USA) (17 December 2004)
 »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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User Reviews

 
Love of cinema and love of Love
13 February 2005 | by (United States) – See all my reviews

After Midnight (9 out of 10)

Give me the Italian love of cinema and love of love over the French any day of the week, well, maybe 6 out of 7.

Here we have a movie about movies shot on digital video with a genre plot and some postmodern reflexivism thrown in. In the hands of a certain French New Wave director whose name I refuse to type, who in fact has used all of these devices himself, these tactics would be used at times to alienate, to smirk, to nudge-nudge-wink-wink, and to create narrative distance or irony. Ferrario uses them for all their worth, but with a consistently joyful embrace of both his characters and his audience. It's as if all 95 minutes of Band of Outsiders were running through the Louvre and dancing the Madison.

Any movie that keeps a smile fixed on my face from start to finish deserves a superior mark, even if it doesn't have the depth or reach of other movies I rank as highly.


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