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|Index||13 reviews in total|
I also got to see the movie at Sitges and I am perplexed. I agree with my Italian counterpart on the "love or hate" stance but I believe that the movie still has to grow on us all. The tempo is awkward but it's compensated by the brilliant sound and camera movements that keep us inside the movie's technique, something I believe Eugenio Mira intended for when he made the movie. I would say once again that it is too soon to judge "The Birthday" when, for now, it is heading to be a cult movie, indeed similar to Donnie Darko (my all time favorite), that has still to be seen and compared to similar movies that are trying to grasp a new style of cinema that young filmmakers are trying to institute in the new millennium. Last but not least, I want to point out that the actors are great specially taking into account the fact that the movie was made on a low budget in Spain. Corey Feldman makes me wonder why he disappeared for a decade from mainstream movies ( "The Birthday" looks like one of them, anyway...) but I believe that with this movie he has a made a great comeback playing a role that suits him well and that probable only he could represent. Check it out dudes! THE cult movie of the year (and it's only just started!)
I saw the movie at the SITGES FILM FESTIVAL 2004 in Spain (if you
notice some noisy mistakes I really sorry
but I'm an Italian guy!!!)
and I'm afraid this movie is not gonna be very successful at the box
mainly because of his WILD NATURE!!!
I mean, I don't know how the guys who made such a THING like this are gonna sell it but I'm afraid is not an easy task. THE BIRTHDAY is the kind of movie that you LOVE or you HATE!!! And that's great, from my point of view.
Leet's see. You can like it or not, but this movie is EVERYTHING but disappointing. You can't expect what's gonna happen, and I'm not talking about the plot it's more about the APPROACHING. Actually, If you read the synopsis, you think you're gonna see a straight to video flick (specially when you discover that COREY FELDMAN is in it!!!) but, man THE BIRTHDAY is a UNIQUE cinematic experience. I'm serious!!! I'm not a film geek!! It's incredible how fast you forget you're supposed to be seeing a "genre movie". The characters (Corey Feldman is GREAT in this one!!!), the length of the shots (the movie follows the real time policy), the sound design (oh my GOD!! You really have to HEAR the last 20 minutes of the movie!!) everything is different. Specially in the first half, where NOTHING IS WHAT YOU EXPECT. We exclusively see just what Corey's character sees but, besides that, we agree or not with his decisions. And that's the most exciting thing about this movie.
THE BIRTHDAY starts with a "PeterSelleresque" Corey that stumbles with everything and everybody he finds across his path and at the end of the movie, he's a HERO. But you don't notice this evolution. It's like when you're living with your parents at home for years: you don't realize they are getting older until you take a look to some pictures of the family album because you've been growing with them. That's the magic of this movie, from my point of view. The real time policy never goes against the movie. Man, we all spend a lot of time watching BIG BROTHER on TV and I can assure you that THE BIRTHDAY delivers a more intense and thought provoking experience, at least.
I must say that sometimes is hard to follow, and I understand that some people get lost, specially with the speed the different dramatic tones change. Sometimes you think you are seeing a black comedy some other times you'd swear Corey Feldman is the guest star in a TWIN PEAKS episode and some other times it smells like a JOHN CARPENTER movie!!! It's weird and exhausting. The atmosphere of the movie owes his flavor to David Lynch (The girl in the movie has a lot to do with Laura Palmer), the Coen Brothers (It's easy to think in BARTON FINK'S hotel) and, Paul Thomas Anderson (specially PUNCH DRUNK LOVE, with a very similar main character).
I think I have a better example: The best and the worst you can say about this movie is that it could be a Brian De Palma movie, with outstanding scenes driven by a "bigger than life" cinematic passion but weirdly disturbing as a whole. RAISING CAIN, SNAKE EYES & FEMME FATALE are good examples. That kind of De Palma movie, where the director explores his obsessions with TOO MUCH passion forgetting he has to deliver a "movie". A good one. But I'd never say THE BIRTHDAY is not a good movie it's a TERRIFIC experience. My opinion.
Well, I don't know what to say. There's something about this movie, no doubt about it. I don't know what's gonna happen, but I hope to see this one in a big screen soon. Happy Birthday!!!
I had the opportunity to see this wonderful film at last Sitges Film
Festival. It is not an easy film, in fact, it is dammed to be
misunderstood by the big crowds and the old fashion film reviewers.
This movie is something really weird in the Spanish cinema, you can
tell by seeing 2 seconds of it, that its director knows about cinema,
he knows how and where put the camera and fills the screen with lots of
One of the things that I loved the most from it was all the homages to the biggest 80s classic films (Gremlins, Back to the future,etc.)
The birthday, besides its multiple good things, its far from perfect, it is way too long (almost two hours)and one of the main characters in the second half is really disturbing and was near of taking me out of the movie.
Eugenio Mira is a filmmaker to keep an eye on, he just made the geek film of the 2005 (Donnie Darko is one of the films that comes to my mind when thinking about The birthday).
If you are able to check out this film in a festival, don't miss it, you won't be disappointed!
This is one of my new favorites. This is my first review of a movie at
IMDb, which I am compelled to write after seeing The Birthday at the
first annual Fantastic Fest Film Festival in Austin, Texas. It was the
U.S. debut of the film and the director was even in attendance, but the
theater wasn't even particularly packed. It makes me sad that this
amazing film may never get even a proper art house run in the United
This film is quirky, campy, unique, super-fun, with a hypnotic and seriously creepy atmosphere. If you're used to traditional Hollywood fare, you might find it a bit puzzling, but give it a shot anyway. I've seen tons of genre films, and The Birthday is one of the most UTTERLY UNIQUE and refreshingly inventive films I have ever seen. It's unpredictable and keeps you guessing, the casting is inspired (the believability Corey Feldman brings to his peculiar but lovable character amazed me), and it uses the perfect mix of horror and comedy. This is a crowd pleaser, and some of the most fun I've had in years. I don't know how many times the audience broke into wild applause, and I nearly went deaf when the entire theater went nuts for the ending.
I should say that I saw the edited version of this film. It's intended to be a real-time 117 minutes, but they cut out 20 minutes of less intensive material, which made me feel a little cheated. I guess there's always the DVD. In sum, this is one hell of a fun movie, and I would highly recommend giving it a chance.
Please don't listen to people that cannot appreciate "self-indulgent
cinema" Yes, people sometimes make movies for themselves, and the
people that happens to be like them (i.e.: me!) will enjoy those
ultra-personal productions to a higher level.
This movie takes you away from the very beginning, it IS a surrealistic Lovecraftian tale and to see Corey Feldman in a new, refreshing role was a bit awkward, which only added to everything else.
I saw this at the Fantasia festival in Montreal and was flabbergasted, on the edge of my seat, smiling or mouth wide open until the end where I burst into applause.
Watch out for the "deaf" scene: it's pure sonhorrific genius!
First: I'm sorry for my English. I've seen this movie at the Sitges Cinema Festival, it was included at the Official Section. Filmed in Barcelona in English language, this Spanish production have only one set: a claustrophobic hotel that reminds me Barton Fink or David Lynch murky world. This is a very low budget film but the production effort it's a truly work in progress. Weirdy tale with a weird star: Corey Feldman, the wonder (and forgotten) boy starring The Goonies, Stand By me, etc..., it's here a truly one man show. The action is set in Baltimore, and tells a story about an eerie hotel, a crazy birthday and a satanic sect (in H.P. Lovecraft way) purchasing the arrival of the beast. Despite its frenetic tempo (think of Scorsese After Hours), this movie is very boring. The story is poor, the screenplay bad, and the result is awful. The acting is good but no one has a really good play. Only the setting is fine, also the cinematography and the sound effects. Not much, as you see. The footage, almost 2 hours, is excessive and the film conclusion is very disappointing. Eugenio Mira, the young director, could have told us this story in a very short film. It's a waste about this movie. A good idea, a freaky show, but an awful movie. 2/10
*** This review may contain spoilers ***
A Spanish produced English language movie filmed in a Baltimore hotel
set created in Barcelona, there is nothing conventional about
extraordinary film The Birthday directed by Eugenio Mira and staring
Norman goes to meet his girlfriends parents for the first time at her father's birthday party, finding out only after he arrives that nobody other than his sweetheart Alison is expecting him, on top of which there are some very strange goings on indeed with the waiting staff and another party of Norman's old school pal that's going on upstairs.
Norman is forced to choose between being a bystander or a hero as he tries to impress Alison's parents, find time to give her a present to confirm their commitment and prevent the birth of a cult God.
While the premise is great the storyline of The Birthday is frustratingly hard to make sense of or understand and to some extent it lacks a satisfying conclusion but there are so many great things about this film that it's hard to be upset by that fact.
Shot beautifully in a purpose built stylistically designed and moodily lit set, we got to experience the full depth of colours as the festival screened the original 35mm print rather than a digital copy. The film plays out in real time as we follow Norman about the hotel, witnessing events unfold peripherally as he does and the technique works brilliantly putting the viewer right in there in the midst of the discoveries in a very experiential way.
Corey Feldman is wonderful as Norman creating a surreal character who becomes more and more believable within the escalating bizarreness of events. It takes a lot of craft to pull that off as an actor and Corey flawlessly inhabits his character's skin. The sound design was particularly stunning and affecting too and that alone is worth the trip to the cinema.
Corey Feldman was there at the screening I saw at the Raindance Film Festival 2008. He gave a long talk and Q&A earlier in the day about his extensive film career and growing up as one of the most well known faces of the 80's and he talked before and stayed after the film screening to answer questions about it and meet those who came to see it. Director Eugenio Mira was also there talking enthusiastically about his aims and process in making this film happen and his ongoing push to get it seen as widely as possible. I can see why these guys are so warm and enthusiastic about their film and so appreciative of the people who came to see it. Few first time indie film debuts stretch these kinds of film-making boundaries and The Birthday, though it doesn't hit all marks, is certainly worth experiencing and enjoying for the very fun and unique premise and piece of film-making that it is.
*** This review may contain spoilers ***
If you love David Lynch's Blue Velvet, DePalma's Body Double, Dante's Blurbs and all the Spielberg (or Amblin) stuff, this is you movie. This is a movie who takes on Norman, a boy on an incredible situation. This movie is well directed, beautifully photographied and it has something captivating inside: it's a journey that has the best of Lynch, DePalma, Spielberg and even the fantastique of Argento. There are a lot of long shots that define the aesthetic of this movie. If you're a lover of the Hudsuckey Proxy, this is a nervous comedy with an extraordinary story that it must be remembered as the Spanish Barton Fink. It's something unpredictable, with a Woody-Allen-like Corey Feldman and all it feels like Shaun Of The Dead.
*** This review may contain spoilers ***
I got this imported from Germany and my wife and i watched it together. It is a very weird little film. The feeling and style is very much of a David Lynch movie mixed with the Shining, and I'm not not comparing it to the these 2 classics just its look and style. The film is about Norman who goes to meet his Girlfriend at her fathers Birthday at a hotel. He has some friends on the upper floor who are all having a party. He does not have the strongest relationship with his girlfriend and she is very controlling. She sends him to the party on his own, nobody knows him at all. It feels very awkward even with his girlfriend finally coming down. Its about 40 mins in when the film really kicks into gear with a very over the top waiter saves Norman and advises him that a demon is going to be born in the hotel in the body of someone who will die at the party. His friends on the top floor are sacrifices. I wont go onto ruin the rest but a lot more happens and is brilliant. Corey Feldman broke away from his child actor persona here. He is in every scene the other actors are really just there but all play there parts. I can see why Corey is proud of this film, he really does shine. I cant actually believe with all the crap that is released today not one studio picked this up and released it. It would not have a problem gaining a cult audience at all. I am glad i picked this up and when i ordered it i thought its cool we will watch it and ill sell it and get my money back. The Birthday has taken its rightful place on my DVD shelf. If you want to check something out a little different from mainstream, and get the feel back of those old 70s and 80's horror films you once watched buy this. My rating is a worthy 8/10
Let me preface this brief review by saying that I have been waiting 4
years to see this and I finally came across a copy to watch.
This is quite a strange movie. I didn't know what to expect going in. It starts off with Norman (Feldman) going to a birthday party for his girlfriend's father in a hotel their family owns, which is to be demolished shortly after. The only guests in the hotel are the group for the birthday party and a group of young men who work for a pharmaceutical company partying upstairs at a different location.
The movie starts to transcend into a sci-fi/thriller/horror movie short after. Strange things start to occur. It is told to us through several characters that there is a religious sect in the building who are there to facilitate the birth of a god in their beliefs.
Norman is met by a group of men who are trying to stop the sect from letting the god be born and destroy the world. They try to enlist them into their cause by giving him information that will help stop it and team up to find out how and where it is going to happen.
What starts out as a normal story descends into cult territory. Without giving up any second half plot points, I'd have to say its a very fun journey to the end of the film.
The only actor I know in this film is Feldman, who gives one of his best performances to date. He uses a higher pitch to his voice and sounds like a cross between Peter Falk and Woody Allen as far as accents go. At first it is distracting, but you get used to it and I actually found myself liking that aspect of his character. He has great comedic timing and made me actually care about his character.
Although this does not have any distribution in the US (the only version commercially available is from Germany (no idea why), I think this would make a great addition to any cult collection.
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