| Photos (See all 28 | slideshow) | Videos (see all 3) |
| Hringur Ingvarsson | ... | Young Grendel | |
| Spencer Wilding | ... | Grendel's Father | |
| Stellan Skarsgård | ... | Hrothgar | |
| Ingvar Eggert Sigurðsson | ... | Grendel (as Ingvar E. Sigurdsson) | |
| Gunnar Eyjólfsson | ... | Aeschere | |
| Gerard Butler | ... | Beowulf | |
| Philip Whitchurch | ... | Fisherman | |
| Ronan Vibert | ... | Thorkel | |
| Rory McCann | ... | Breca | |
| Tony Curran | ... | Hondscioh | |
| Martin Delaney | ... | Thorfinn | |
| Mark Lewis | ... | King Hygelac | |
| Elva Ósk Ólafsdóttir | ... | Sea Hag | |
| Ólafur Darri Ólafsson | ... | Unferth | |
| Steinunn Ólína Þorsteinsdóttir | ... | Wealtheow (as Steinunn Ólína Thorsteinsdóttir) | |
| Sarah Polley | ... | Selma | |
| Eddie Marsan | ... | Father Brendan | |
| Gísli Örn Garðarsson | ... | Erik (as Gísli Örn Gardarsson) | |
| Gunnar Hansson | ... | Grimur | |
| Benedikt Clausen | ... | Selma's Child | |
| Steindór Andersen | ... | Snorri | |
| Matt John Evans | ... | Geat Warrior | |
| Jon Einarsson Gustafsson | ... | Geat Warrior (as Jon Gustafsson) | |
| Þröstur Leó Gunnarsson | ... | Guard (as Thröstur Leó Gunnarsson) | |
| Arnór Hákonarson | ... | Rock Throwing Kid | |
| Þórður Helgi Guðjónsson | ... | Rock Throwing Kid (as Thórdur Helgi Gudjónsson) | |
| Kristín Hrönn Gunnarsdóttir | ... | Dead Woman (as Kristín Gunnarsdóttir) | |
| Daði Freyr Guðjónsson | ... | Woman's Child (as Dadi Freyr Gudjónsson) | |
| Egill Ólafsson | ... | Necrophile (as Ólafur Egill Ólafsson) | |
| Helgi Björnsson | ... | Man | |
| rest of cast listed alphabetically: | |||
| Don Ellione | ... | Dead Guard (uncredited) | |
| Sigurdur Mar Halldorsson | ... | Geat Musician (uncredited) | |
| Helgi Marteinn Ingason | ... | Geat (uncredited) | |
| Tómas Axel Ragnarsson | ... | Geat (uncredited) | |
| Guðmundur Karl Sigurdórsson | ... | Dead Guard (uncredited) | |
| Bárður Smárason | ... | Geat (uncredited) | |
| Bryjar Ágústsson | ... | Geat (uncredited) | |
Directed by | |||
| Sturla Gunnarsson | |||
Writing credits(in alphabetical order) | ||
| Anonymous | epic poem "Beowulf" | |
| Andrew Rai Berzins | ||
Produced by | |||
| Andreas Bajohra | .... | post producer | |
| Andrew Rai Berzins | .... | co-producer | |
| Michael Cowan | .... | producer (as Michael Lionello Cowan) | |
| Friðrik Þór Friðriksson | .... | executive producer (as Fridrik Thor Fridriksson) | |
| Sturla Gunnarsson | .... | producer | |
| Gary Hamilton | .... | producer | |
| Douglas Hansen | .... | associate producer (as Douglar E. Hansen) | |
| Peter James | .... | executive producer | |
| Eric Jordan | .... | producer | |
| Anna María Karlsdóttir | .... | producer | |
| Alex Marshall | .... | executive producer | |
| Jason Piette | .... | producer | |
| James Simpson | .... | executive producer | |
| Paul Stephens | .... | producer | |
| James D. Stern | .... | executive producer | |
| Mark Winemaker | .... | line producer | |
Original Music by | |||
| Hilmar Örn Hilmarsson | |||
Cinematography by | |||
| Jan Kiesser | |||
Film Editing by | |||
| Jeff Warren | |||
Casting by | |||
| Pam Dixon | |||
Production Design by | |||
| Árni Páll Jóhannsson | |||
Costume Design by | |||
| Debra Hanson | |||
Makeup Department | |||
| Nick Dudman | .... | makeup effects designer | |
| Claire Green | .... | assistant foam runner | |
| Chris Lyons | .... | special effects teeth | |
| Daniel Parker | .... | make-up and hair designer | |
| Lesley Smith | .... | key hair stylist | |
| Lesley Smith | .... | key makeup artist | |
| Paul Spateri | .... | sfx make-up supervisor | |
| Jenny Weight | .... | makeup effects coordinator | |
Art Department | |||
| Thorfinnur Karlsson | .... | carpenter | |
| Robert J. Lewis | .... | storyboard artist | |
| Simon Morrissey | .... | property master | |
Sound Department | |||
| Steph Carrier | .... | sound re-recording mixer | |
| Kathy Choi | .... | assistant sound editor | |
| John Elliot | .... | foley assistant | |
| Barry Gilmore | .... | dialogue editor | |
| Ása Björg Ingimarsdóttir | .... | assistant sound | |
| William B. Kaplan | .... | sound mixer | |
| Garrett Kerr | .... | adr editor | |
| Ingvar Lundberg | .... | adr recordist | |
| David McCallum | .... | supervising dialogue & adr editor | |
| Simon Okin | .... | sound | |
| David Rose | .... | sound editor | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Vanesa Lorena Tate | .... | adr supervisor | |
| Jane Tattersall | .... | supervising sound editor | |
| David Yonson | .... | adr mixer | |
Special Effects by | |||
| Barry Best | .... | mold maker | |
| Nick Dudman | .... | creature effects designer | |
| Claire Green | .... | assistant moldmaker | |
| Mark White | .... | floor supervisor | |
Visual Effects by | |||
| Jon Campfens | .... | visual effects supervisor: Switch VFX | |
| Bernadette Couture | .... | dustbuster | |
| Gudrun Heinze | .... | digital compositor | |
| Safiya Ravat | .... | digital compositor | |
| Chris Wallace | .... | DI colourist | |
| Aleksandar Yochkolovski | .... | visual effects supervisor | |
| Motassem Younes | .... | digital opticals | |
Stunts | |||
| Ben Dimmock | .... | stunts | |
| Rick English | .... | stunt double: Gerard Butler | |
| Rick English | .... | stunt performer | |
| Jason Hunjan | .... | stunt performer | |
| Luke Kearney | .... | stunt double | |
| Mike Lambert | .... | stunt performer | |
| Roberto Lopez | .... | stunt performer | |
| Jamie Millington | .... | stunts | |
| Ray Nicholas | .... | assistant stunt coordinator | |
| Peter Pedrero | .... | stunt coordinator | |
| Curtis Rivers | .... | stunt performer | |
Camera and Electrical Department | |||
| Jacob Barrie | .... | second assistant camera: "b" camera | |
| Jason Coop | .... | second assistant camera: "a" camera | |
| Peter Davies | .... | generator operator | |
| Simon De Glanville | .... | camera trainee | |
| Gary Deneault | .... | gaffer | |
| Christian Drennan | .... | key grip | |
| Michael Flood | .... | best boy electric | |
| Michael Flood | .... | rigging gaffer | |
| Asgrimur Gudbjartsson | .... | grip | |
| Goði Már Guðbjörnsson | .... | first assistant camera: "b" camera | |
| Chris Livingstone | .... | best boy grip | |
| Fridrik Orn | .... | still photographer | |
| Gordon Segrove | .... | first assistant camera: "b" camera dailies | |
| Ingvar Stefánsson | .... | electrician | |
| Dean Thompson | .... | first assistant camera: "a" camera | |
| Nick Wall | .... | still photographer | |
Casting Department | |||
| Deirdre Bowen | .... | casting: Canada | |
| Buffy Hall | .... | casting: UK | |
| Vicky Wildman | .... | casting: UK | |
| Sigrún Sól Ólafsdóttir | .... | casting: Iceland | |
Costume and Wardrobe Department | |||
| Brawn Barber | .... | leather work: The Schmitthenner Armory | |
| Robyn Rosenberg | .... | costume set supervisor | |
| Michael Shire | .... | armour costumer: Valentine Armouries | |
| Robert Valentine | .... | armour costumer: Valentine Armouries | |
| Maria Valles | .... | key wardrobe | |
Editorial Department | |||
| Nick Iannelli | .... | digital intermediate producer | |
| Alexandra Kosevic | .... | post-production coordinator | |
| Arthur Montreuil | .... | color timer | |
| Dave Muscat | .... | digital intermediate editorial | |
| Catherine Rankin | .... | negative cutter | |
| Michelle Szemberg | .... | assistant editor | |
| Chris Wallace | .... | digital intermediate colorist | |
Music Department | |||
| Ivana Jeftic | .... | music supervisor | |
| James Shearman | .... | conductor | |
| Hilary Skewes | .... | musician contractor | |
Transportation Department | |||
| Hilmar Thor Arnason | .... | transportation | |
| Erik Hirt | .... | transportation coordinator: Iceland | |
Other crew | |||
| Cynthia Amsden | .... | unit publicist | |
| Kim Ballard | .... | head of production finance | |
| Shirine Best | .... | development assistant | |
| Mel Churcher | .... | dialogue coach | |
| Linda Gibson | .... | script supervisor | |
| Osk Gunnlaugsdottir | .... | assistant to director | |
| Jon Einarsson Gustafsson | .... | epk director | |
| Jon Einarsson Gustafsson | .... | web director | |
| Mel Hider | .... | assistant: Mr. Cowan and Mr. Piette | |
| Susan R. Jones | .... | production coordinator | |
| Emily Kyriakides | .... | assistant to producer: UK | |
| Marcia Leeder | .... | assistant production coordinator | |
| Elena Miles | .... | personal assistant to producer: Spice Factory | |
| Lucy Shuttleworth | .... | development executive | |
| Arnþruður Dögg Sigurðardóttir | .... | locations department | |
| Sigrún Sól Ólafsdóttir | .... | cast coordinator | |
| Guðmundur Karl Sigurdórsson | .... | adr voice (uncredited) | |
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| Beowulf | Conan the Barbarian | The Lord of the Rings: The Return of the King | DragonHeart | Conan the Barbarian |
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| Full cast and crew | Company credits | External reviews |
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Bear with me while I transpose my thoughts from my tangential, blonde head and hopefully it will be worth your read.
Let me first say that Grendel engaged me throughout the movie. There were good performances by many of the cast (Butler's conflicted hero, Skarsgard's noble-but-not-so-noble king) , but Ingvar Sigurdsson owned it as Grendel. Was it the skill of the writer and director in making Grendel a vulnerable human(?) and victim (drawing a sympathy vote from the audience)? Was it Ingvar Sigurdsson's acting skills to express intense emotions and engage the audience despite virtually any words in the script and enough prosthetic make-up to impede facial expressions? All I know is that I connected with Grendel's pain. And isn't that the point?
Another prominent character was the weather. It wasn't on the casting list, but it showed up nonetheless and fought for top billing. It helped to draw you into the ruggedness of the times and the story, but I also found it distracting. Perhaps it's my own distractibility, but for whatever reason, the scenery and weather engaged me more than the story a few times.
The soundtrack was indeed beautiful, but personally, I don't think it fit. To me, the campfire-to-mead-hall timeless folktale would have been better served by a more primitive collection of instruments rather than the majestic orchestra suited to an epic. But that's just my taste.
My main criticism is that to me, the film seemed choppy. I felt like I missed out on some important parts. (I didn't take any washroom breaks, did I?) It may have been the editing. There are others who enjoyed the film much better at the second viewing, so maybe it's all there in the movie beyond my distraction by the scenery and Gerard Butler's rugged good looks. Maybe the movie did its job; after all I'm still chewing on it 2 weeks later. Who knows? I did, however, catch the humor in the film. Andrew Rai Berzins' sharp wit and humor came to the rescue and drew me back in when distractions prevailed.
I'd really like to see it a second time now that my giddiness is over. I was anticipating this movie from the time filming began, and what film can live up to a year's worth of my ruminations and expectations? Now, don't ask me to rate the film with a number. I hate numbers. They don't mean anything. You should never see a movie based on numbers. See it because you want to.
and if my review left you with more questions than answers, then I've done my job, because that's where the movie left me. Now go see the movie and find your own questions and answers.