Aan honest cop named Sadhu Agashe makes a name for himself by killing criminals in sting operations instead of locking them up in prison. The film follows his method of working, gives an ...
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Home Minister Janardhan Jagirdarand chief Minister Anna Saheb are much concerned over the criminal activities of underworld dons Rawal and Rauf Lala. Rawal is operating from Bangkok while ... See full summary »
A slumdog named Chandu teams up with Malik, a low-level enforcer for a criminal syndicate. Together they eliminate all their enemies, becoming the most feared gangsters in Mumbai before jealousy and anger turn them against each other.
A young man named Satya (J.D Chakravarthy) comes to Mumbai from South India in search of a job. Jailed for something he did not do, the once-honest young man meets an underworld boss, Bhiku... See full summary »
Aan honest cop named Sadhu Agashe makes a name for himself by killing criminals in sting operations instead of locking them up in prison. The film follows his method of working, gives an insight into the Mumbai Police Crime Branch, and Agashe's alleged connection with the underworld. Written by
In India, an "encounter" is a shootout between the police and criminals. The term gained notoriety when the country implemented its controversial "encounter specialist" branch. These specialists are trained to engage in gang-like, urban warfare and virtually have an unchecked license to kill. Their primary objective isn't to apprehend, it's to engage and kill. See more »
"Hum sab system ka hissa hain. System decide karta hai. Apun follow karta hai."
I still remember watching Satya for the first time. I was completely blown away. Here was a movie that was very different so from the other Gangster films that I had seen. So realistic, so Mumbaiyya and so believable. Despite "Company" (which was a very good effort) and "Vaastav" (more focused on the journey of the protagonist) which came close, no underworld movie could ever live up to Satya.
When I watched Ab Tak 56 for the first time, I said to myself "Indian Cops have their own 'Satya' now". The quote by Nietzsche in the beginning itself tells you that this is no ordinary film. What strikes you about the "encounter" at the start of the film is the relaxed manner in which it is carried out. There is a cold and scary feel to it cos you realize that it is part of their routine.
Ab Tak 56 is not the story of an honest cop or a corrupt cop but of a cop who is ready to do what it takes to get rid of the criminals when all lawful means are exhausted. With simple shots and camera angles, director Shimit Amin manages to capture the essence of the characters and gives a realistic and rough feel to the movie. Editing seems non-existent and hence effective. The music is also impressive and haunting and stays with you long after you've left the movie hall.
But for me, what really takes the cake are the dialogues and the superlative acting from each and every character. Sandeep Srivastava has done a brilliant job as the dialogue writer. If I start listing my favourite dialogues, I'm afraid I'll end up re-writing the entire script of the movie.
The movie boasts of some stellar performances. Yashpal Sharma is detestable as Sub-Inspector Imtiaz Siddiqui and so is Jeeva as Joint Commissioner Suchak. Revathi, Hrishita Bhatt, Mohan Agashe and Kunal Vijaykar have small roles which they play to perfection. Nakul Vaid as the rookie Jatin Shukla was a revelation. The scene where he has to hesitantly shoot the wounded gangster Oh My God! He learns under the tutelage of Sadhu Aghashe and firmly believes in him.
Prasad Purandhare as Zameer Zafar is impressive. His conversations with Sadhu are real jewels of dialogue writing. Never before in Indian cinema has any film brought out such a beautiful relation between a cop and a gangster.
Not that I have not been a fan of Nana Patekar before this film but this film pushed me from a fan to a devotee. Nana as Inspector Sadhu Agashe gives the performance of a lifetime and one of the best I've ever seen in Hindi cinema. From the way he talks to his expressions, from the way he taps his cigarette to the way sips his tea it's almost as if Nana can do no wrong. He is at his best in each and every scene especially when he's teaching Jatin about how the police force functions. His cool and composed manner of doing things is scary at times. His dialogue delivery and body language had me convinced that he is one of the finest actors in the country. It's a shame that he did not win any popular awards for this one.
Last but in no way the least, Shimit Amin does a brilliant job of bringing all this talent together and exploiting them to the fullest to come up with a modern masterpiece of Indian cinema. In an industry that is sickeningly accustomed to lifting stories from here and there, Amin takes an original script and brings it to life with a beautiful treatment. I just hope that he continues the great work and doesn't give in to Bollywood-isation! If he can do that, I'm sure he'll be a force to reckon with in the coming years.
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