IMDb >
Underworld: Evolution (2006)
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotesOverview
main detailscombined detailsfull cast and crewcompany creditsAwards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage boardPlot & Quotes
plot summarysynopsisplot keywordsmemorable quotesDid You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQOther Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDeskPromotional
taglines trailers and videos posters photo galleryExternal Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clipsUnderworld: Evolution (2006) More at IMDbPro »
| Photos (See all 54 | slideshow) | Videos (see all 5) |
          |
|
Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
2 March 2006 (Germany)
See more »
Tagline:
My God. Brother, what have you done?
Plot:
Picking up directly from the previous film, vampire warrior Selene and the half werewolf Michael hunt for clues to reveal the history of their races and the war between them. Full summary » | Full synopsis »
Awards:
2 wins
&
6 nominations
See more »
NewsDesk:
(289 articles)
Underworld: Evolution Selene Sixth Scale Figure Photos & Release Details
(From DailyDead. 16 May 2016, 9:44 AM, PDT)
Underworld Selene Action Figure Unveiled
(From MovieWeb. 6 May 2016, 2:20 PM, PDT)
*Updated* Daily Dead’s 2015 Halloween Horrors TV Calendar
(From DailyDead. 20 October 2015, 10:12 AM, PDT)
(From DailyDead. 16 May 2016, 9:44 AM, PDT)
Underworld Selene Action Figure Unveiled
(From MovieWeb. 6 May 2016, 2:20 PM, PDT)
*Updated* Daily Dead’s 2015 Halloween Horrors TV Calendar
(From DailyDead. 20 October 2015, 10:12 AM, PDT)
User Reviews:
A Nutshell Review: Underworld: Evolution
See more (500 total) »
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Len Wiseman | |||
Writing credits(WGA) | ||
| Danny McBride | (screenplay) | |
| Len Wiseman | (story) & | |
| Danny McBride | (story) | |
| Kevin Grevioux | (characters) and | |
| Len Wiseman | (characters) & | |
| Danny McBride | (characters) | |
Produced by | |||
| David Coatsworth | .... | producer | |
| Kevin Grevioux | .... | co-producer | |
| Gary Lucchesi | .... | producer | |
| Danny McBride | .... | executive producer | |
| Terry McKay | .... | executive producer (as Terry A. McKay) | |
| James McQuaide | .... | executive producer | |
| Tom Rosenberg | .... | producer | |
| Skip Williamson | .... | executive producer | |
| Henry Winterstern | .... | executive producer | |
| Len Wiseman | .... | executive producer | |
| Richard S. Wright | .... | producer (as Richard Wright) | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Simon Duggan | (director of photography) | ||
Film Editing by | |||
| Nicolas De Toth | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Tricia Wood | |||
Production Design by | |||
| Patrick Tatopoulos | |||
Art Direction by | |||
| Chris August | |||
Set Decoration by | |||
| Lin MacDonald | |||
Costume Design by | |||
| Wendy Partridge | |||
Makeup Department | |||
| Merribelle Anderson | .... | hair stylist: Ms. Beckinsale | |
| Susan Boyd | .... | hair stylist | |
| Rosalina Da Silva | .... | key makeup artist (as Rosalina DaSilva) | |
| Joel Echallier | .... | corpse creation | |
| Mike Fields | .... | special makeup effects artist | |
| Thomas Floutz | .... | makeup effects: Patrick Tatopoulos Designs (as Thom Floutz) | |
| Bruce Spaulding Fuller | .... | makeup effects: Patrick Tatopoulos Designs | |
| Céline Godeau | .... | special makeup effects artist | |
| Brian Hillard | .... | special makeup effects artist: Evolution Effects Studio | |
| Thom MacIntyre | .... | key hair stylist (as Thom McIntyre) | |
| Mike Manzel | .... | special makeup effects | |
| Teresa A. Meyer | .... | makeup artist (as Theresa Meyer) | |
| Holland Miller | .... | special makeup effects artist | |
| Amy Mills | .... | assistant makeup effects designer: insert unit, Evolution Effects Studio (as Amy Peckham Kasunic) | |
| Cristina Patterson | .... | contact lens coordinator/painter | |
| Marcine Peter | .... | contact lens technician | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Geoff Redknap | .... | special makeup effects artist | |
| Gina Sherritt | .... | hair stylist | |
| Adina Shore | .... | key hair stylist: second unit | |
| Vasilios Tanis | .... | makeup artist: Ms. Beckinsale | |
| Monique Venier | .... | special makeup effects artist | |
| Juliana Vit | .... | special makeup effects artist | |
| Stevi Williams | .... | contact lens technician | |
Second Unit Director or Assistant Director | |||
| David R. Baron | .... | second assistant director: second unit (as David Baron) | |
| Misha Bukowski | .... | third assistant director | |
| Michael Collins | .... | third assistant director | |
| Sam Harris | .... | first assistant director | |
| Libby Hodgson | .... | first assistant director: second unit | |
| Shelley Kreutz | .... | third assistant director: second unit | |
| Kevin Leeson | .... | third assistant director: second unit | |
| Brad Martin | .... | second unit director | |
| Shannon Pratt | .... | dgc trainee | |
| Andrew M. Robinson | .... | second assistant director (as Andrew Robinson) | |
| Greg Zenon | .... | first assistant director: second unit | |
Art Department | |||
| Dale Allen | .... | carpenter | |
| Jonathan Bell | .... | tool maintenance | |
| Brent Bennett | .... | set buyer | |
| Wayne Berarducci | .... | laborer | |
| Michael A. Billings | .... | assistant set decorator (as Michael Billings) | |
| John T. Boe | .... | set dresser | |
| Brenda Borrowman | .... | scenic painter | |
| Keith Burk | .... | lead dresser | |
| John Burke | .... | set designer (as John G. Burke) | |
| Charlie Campbell | .... | carpenter | |
| Maureen Carey | .... | construction buyer | |
| Lubor Cencak | .... | scenic painter | |
| Andy Chung | .... | conceptual artist | |
| Vance Conway | .... | lead carpenter | |
| Trevor Curley | .... | laborer | |
| Denis DeChamplain | .... | laborer | |
| Heather Douglas | .... | art department runner | |
| Paul Duffy | .... | scenic paint foreman | |
| Jason Edwards | .... | set dresser | |
| John Fedorek | .... | carpenter | |
| Allan Galajda | .... | set designer | |
| Antonio Germinario | .... | assistant property master (as Tony Germinario) | |
| Kenny Gibbs | .... | property master: second unit (as Kenneth Gibbs) | |
| Dinesh Gill | .... | property buyer | |
| Neall C. Halingten | .... | carpenter (as Neall C. Hallingten) | |
| Jason Hawkins | .... | on-set dresser: second unit | |
| Jason Hawkins | .... | set dresser | |
| Vance Irvine | .... | set dresser | |
| Douglas Jang | .... | construction foreperson (as Doug Jang) | |
| Philip Jean | .... | carpenter | |
| Franziska Keller | .... | art department coordinator | |
| James Kilcher | .... | on-set dresser | |
| James Kilcher | .... | on-set dresser: second unit | |
| Barry Kootchin | .... | charge scenic painter | |
| Ray Lai | .... | graphic artist | |
| Jason B. Landels | .... | property master: second unit (as Jason Landells) | |
| Ed Lee | .... | conceptual artist (as Edward Lee) | |
| Janis Lee | .... | scenic painter | |
| Franklin Leibel | .... | scenic painter | |
| Jaydene Maryk | .... | art department assistant | |
| Max Matsuoka | .... | assistant property master | |
| James Robert McGill | .... | set dresser (as James R. McGill) | |
| Sam McMaster | .... | construction foreperson | |
| Bob Miloglav | .... | laborer | |
| Mark Moretti | .... | storyboard artist | |
| Denyse Nelson | .... | set dresser | |
| Matt O'Donnell | .... | paint laborer | |
| Larry Osland | .... | scenic painter | |
| Reno Pellegrin | .... | set dresser | |
| Peter Prince | .... | carpenter | |
| Tom Robertson | .... | camera scenic artist | |
| Guy Roland | .... | set dresser | |
| Ken Sawatzky | .... | set dresser | |
| Daniel Scarcello | .... | sculptor | |
| Brian Shell | .... | construction coordinator | |
| Valerie Shmakin | .... | scenic painter (as Valeri Shmakin) | |
| Dan Sissons | .... | property master | |
| Valery Sokolovski | .... | sculptor | |
| Wyatt Soutzo | .... | paint laborer | |
| Peter Sysoev | .... | scenic painter | |
| Michael Toby | .... | illustrator | |
| Michael Toby | .... | model maker (as Mike Toby) | |
| Sergei Traschenko | .... | sculptor | |
| Adrien Van Viersen | .... | storyboard artist (as Adrian Van Viersen) | |
| Paolo G. Venturi | .... | assistant art director (as Paolo Venturi) | |
| Paul Wagner | .... | props | |
| Ross Wahl | .... | on-set dresser | |
| Gene Warren III | .... | property master: insert unit | |
| Ken Watson | .... | tool maintenance | |
| Robert White | .... | scenic metal fabricator | |
| Sean Will | .... | scenic painter | |
| Chris Wills | .... | set carpenter | |
| Martin Wing | .... | property assistant | |
| Maurice Woodworth | .... | on-set dresser: second unit | |
| Gary Young | .... | sculptor | |
| Dragan Zaric | .... | scenic painter | |
| Milena Zdravkovic | .... | illustrator | |
Special Effects by | |||
| David Beneke | .... | lab technician: Patrick Tatopoulos Designs | |
| David Beneke | .... | moldmaker: Patrick Tatopoulos Designs | |
| Chris Bignell | .... | special effects technician | |
| Julia Bogdan-Rollo | .... | production accountant: Patrick Tatopoulos Designs | |
| Claude Bouchard | .... | special effects rigger | |
| Marilee Canaga | .... | costumer: Patrick Tatopoulos Designs (as Mariless Canaga) | |
| Marilee Canaga | .... | fabricator: Patrick Tatopoulos Designs (as Mariless Canaga) | |
| A. Robert Capwell | .... | mechanic: Patrick Tatopoulos Designs (as Robert Capwell) | |
| Phillip Carrott | .... | hair technician: Patrick Tatopoulos Designs | |
| Dan Cervin | .... | special effects assistant | |
| Bonnie Chesney | .... | special effects coordinator: insert unit | |
| Diana Choi | .... | hair department: Patrick Tatopoulos Designs (as Diana Yun Soo Yoo) | |
| Jon Dawe | .... | animatronics: Patrick Tatopoulos Designs | |
| Jon Dawe | .... | mechanics: Patrick Tatopoulos Designs | |
| Mike Dobbin | .... | special effects rigger | |
| Bruce Allan Donnellan | .... | special effects technician: insert unit (as Bruce Donnellan) | |
| Robert Falck | .... | special effects fabricator | |
| Bill Fesh | .... | foam department: Patrick Tatopoulos Designs, Inc. (as William Fesh) | |
| Adrian Fisher | .... | special effects assistant | |
| Thomas Floutz | .... | sculptor/painter: Patrick Tatopoulos Designs (as Thom Floutz) | |
| Bruce Spaulding Fuller | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Ryan Garcia | .... | production assistant | |
| Dave Grasso | .... | sculptor/painter: Patrick Tatopoulos Designs (as David Grasso) | |
| Robinson Green | .... | office assistant/runner: Patrick Tatopoulos Designs | |
| Cleve Gunderman | .... | foam department: Patrick Tatopoulos Designs, Inc. | |
| John Halfmann | .... | lab technician: Patrick Tatopoulos Designs | |
| John Halfmann | .... | moldmaker: Patrick Tatopoulos Designs | |
| Garnet Harry | .... | special effects assistant | |
| Moto Hata | .... | sculptor/painter: Patrick Tatopoulos Designs (as Motoyoshi Hata) | |
| Ursula Hawks | .... | hair department: Patrick Tatopoulos Designs | |
| Dar Hicks | .... | special effects assistant | |
| Guy Himber | .... | shop supervisor: Patrick Tatopoulos Designs | |
| Darnell Isom | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Josef Joebstel | .... | miniature helicopter pilot | |
| Carol Jones | .... | costumer: Patrick Tatopoulos Designs | |
| Carol Jones | .... | fabricator: Patrick Tatopoulos Designs | |
| Karen Keener | .... | hair department: Patrick Tatopoulos Designs (as Karen Manzel) | |
| Alistair King | .... | special effects rigger (as Allistair King) | |
| Allison Klein | .... | executive assistant: Patrick Tatopoulos Designs | |
| Audrey Klein | .... | hair department: Patrick Tatopoulos Designs | |
| Junko Komori | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Charles Kuzela | .... | seaming and patching department: Patrick Tatopoulos Designs (as Charles Steven Kuzela) | |
| Dave Lane | .... | special effects rigger (as David Lane) | |
| Don Lanning | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Mike Larivee | .... | special effects assistant (as Mike L'Arrivee) | |
| Don Leask | .... | special effects assistant (as Don B. Leask) | |
| Mi Kyung Lee | .... | costumer: Patrick Tatopoulos Designs (as Mi Kyung 'Vanessa' Lee) | |
| Mi Kyung Lee | .... | fabricator: Patrick Tatopoulos Designs (as Mi Kyung 'Vanessa' Lee) | |
| Eric Lemay | .... | special effects assistant (as Eric LeMay) | |
| Russell Lukich | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Amber Meno | .... | office assistant: Patrick Tatopoulos Designs | |
| Mike Menzel | .... | hair department: Patrick Tatopoulos Designs (as Michael Manzel) | |
| Scott Millenbaugh | .... | mechanical assistant: Patrick Tatopoulos Designs | |
| Eric Milner | .... | special effects technician | |
| Kevin Mohlman | .... | prosthetic effects designer and creator | |
| Bryan Moore | .... | lab technician: Patrick Tatopoulos Designs | |
| Bryan Moore | .... | moldmaker: Patrick Tatopoulos Designs | |
| Sylvia Nava | .... | hair department: Patrick Tatopoulos Designs | |
| Stephane Nicoli | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Ken Niederbaumer | .... | creature effects: foam technician, Patrick Tatopoulos Designs | |
| Phil Notaro | .... | special effects supervisor: insert unit (as Phil Natarro) | |
| Tim Phoenix | .... | foam department: Patrick Tatopoulos Designs, Inc. | |
| Anshuman Prasad | .... | purchasing agent: Patrick Tatopoulos Designs | |
| Brian Rae | .... | lab technician: Patrick Tatopoulos Designs | |
| Brian Rae | .... | moldmaker: Patrick Tatopoulos Designs | |
| Forrest Sandefer | .... | special effects production assistant | |
| Randy Shymkiw | .... | special effects fabricator | |
| David Smith | .... | sculptor/painter: Patrick Tatopoulos Designs | |
| Patrick Tatopoulos | .... | creatures designer and supervisor | |
| Adam Tayler | .... | special effects technician | |
| Laurel Taylor | .... | costumer: Patrick Tatopoulos Designs | |
| Laurel Taylor | .... | fabricator: Patrick Tatopoulos Designs | |
| Corie Tornack | .... | special effects assistant | |
| Scott R. Treliving | .... | special effects rigger | |
| Patricia Urias | .... | seaming and patching department: Patrick Tatopoulos Designs | |
| Attila Vaski | .... | special effects technician | |
| A.J. Venuto | .... | lab technician: Patrick Tatopoulos Designs (as Anthony J. Venuto) | |
| A.J. Venuto | .... | moldmaker: Patrick Tatopoulos Designs, Inc. (as Anthony J. Venuto) | |
| Andrew Verhoeven | .... | special effects fabricator (as Andy Verhooven) | |
| Michael S. Vincent | .... | special effects rigger (as Mike Vincent) | |
| Mark Viniello | .... | foam department: Patrick Tatopoulos Designs | |
| Hill Vinot | .... | mold maker: KNB | |
| Al Waldron | .... | special effects assistant (as Alan Waldron) | |
| Steve Wang | .... | art director: Patrick Tatopoulos Designs | |
| Lynne Watson | .... | hair department: Patrick Tatopoulos Designs (as Lynn Watson) | |
| Joel Whist | .... | special effects coordinator | |
| George Willis | .... | lab technician: Patrick Tatopoulos Designs | |
| George Willis | .... | moldmaker: Patrick Tatopoulos Designs | |
| David Beneke | .... | prosthetic dentures: Patrick Tatopoulos Designs (uncredited) | |
| Dimitri Timohovich | .... | special effects (uncredited) | |
| Rebecca Timohovich | .... | special effects (uncredited) | |
| A.J. Venuto | .... | seamer: Patrick Tatopoulos Designs (uncredited) | |
Visual Effects by | |||
| Erika Abrams | .... | production accountant: Furious FX | |
| Dan Akers | .... | digital compositor: Luma Pictures | |
| Brad Alexander | .... | lighting artist: Luma Pictures (as Bradly Alexander) | |
| Bridget Allen | .... | production assistant: miniature effects, Fantasy II Film Effects | |
| Bridget Allen | .... | visual effects production supervisor | |
| Ted Andre | .... | senior compositor: Furious VFX | |
| Van Andrews | .... | production assistant: nTropic | |
| Jeff Barnes | .... | production executive: CafeFX | |
| Lloyd Lee Barnett | .... | visual effects supervisor: Krypton | |
| Gary E. Beach | .... | lead compositor: Sub/Par Pix | |
| Gary E. Beach | .... | visual effects supervisor | |
| Karel Benes | .... | matchmover | |
| Artaya Boonsoong | .... | senior technical supervisor: Luma Pictures | |
| Kamolrat Boonsoong | .... | finance manager: Luma Pictures | |
| Alex Brownell | .... | visual effects producer: nTropic (as Alexandra Brownell) | |
| Donald Campbell | .... | visual effects artist: nTropic (as Don Campbell IV) | |
| Alexandre Cancado | .... | digital compositor: Luma Pictures | |
| George Carlston | .... | digital compositor: Krypton (as George L. Carlston) | |
| Merlin Carroll | .... | rotoscope and paint artist: Krypton | |
| Andy Chih-Jen Chang | .... | digital compositor: Luma Pictures (as Andy, Chih-Jen Chang) | |
| Andy Chih-Jen Chang | .... | lighting artist: Luma Pictures | |
| Joseph M. Chiechi | .... | digital artist: Sub/Par Pix | |
| Vincent Cirelli | .... | CG supervisor: Luma Pictures | |
| Daniel Clark | .... | compositor: Krypton (as Dan Clark) | |
| Kevin Curtin | .... | production assistant: Luma Pictures (as Kevin Curtain) | |
| Ken Dackermann | .... | compositor: Furious FX | |
| Justin Daneman | .... | digital artist: Sub/Par Pix | |
| Francisco DeLaTorre | .... | visual effects artist: Ntropic (as Francisco 'Drspam' DeLaTorre) | |
| Steve Dellerson | .... | visual effects producer: Cafe FX | |
| Ralph Denson | .... | general manager: Furious FX | |
| Chad Dombrova | .... | lead technical director: lighting and pipeline, Luma Pictures | |
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Robert Duncan | .... | visual effects supervisor: Framestore CFC (as Rob Duncan) | |
| David Ebner | .... | visual effects supervisor: CafeFX | |
| Laura Florence | .... | rotoscope and paint artist: Krypton (as Laura Vaccaro) | |
| Ron Frankel | .... | lead previsualization designer: Proof | |
| Vicki Galloway-Weimer | .... | executive producer: CafeFX (as Vicki Galloway Weimer) | |
| Christopher Grandel | .... | compositor: Krypton (as Christopher Grandell) | |
| Monty Granito | .... | previsualization designer: Proof Inc. | |
| Cameron Gray | .... | animation supervisor: Luma Pictures | |
| Lindsay Hallett | .... | visual effects producer: Luma Pictures (as Lindsay Burnett) | |
| Keith Hamakawa | .... | visual effects production supervisor: green screen unit | |
| H Haden Hammond | .... | compositor: Luma Pictures (as H 'Bomb' Hammond) | |
| H Haden Hammond | .... | lead character animator: Luma Pictures (as H 'Bomb' Hammond) | |
| Pam Hammond | .... | production assistant: Furious FX | |
| Trevor Harder | .... | digital artist: CafeFX, Inc. | |
| Niles Harrison | .... | visual effects coordinator: Luma Pictures | |
| James David Hattin | .... | digital compositor: Luma Pictures (as James Hattin) | |
| John R. Hazzard | .... | character animator: Luma Pictures (as John Hazzard) | |
| David Heinz | .... | visual effects editor | |
| Brent Hensarling | .... | senior system administrator: Luma Pictures | |
| Frederic Heymans | .... | camera tracker: Framestore CFC | |
| Elizabeth Hill | .... | production manager: nTropic | |
| Austin Hiser | .... | rotoscope and paint artist: Luma Pictures | |
| Kara Holmstrom | .... | production manager: nTropic | |
| Leslie Huntley | .... | miniature effects producer | |
| Richard Hurrey | .... | character rigger | |
| Richard Hurrey | .... | character technical director: Luma Pictures (as Rich Hurrey) | |
| Robert Hutchins | .... | miniature pyrotechnician | |
| Cajun Hylton | .... | lead modeler: Luma Pictures | |
| Cajun Hylton | .... | lead texture artist: Luma Pictures | |
| Justin Johnson | .... | compositing supervisor: Luma Pictures | |
| Tim Keene | .... | visual effects producer: Framestore CFC | |
| David Kintner | .... | lead digital compositor: Luma Pictures | |
| David Kintner | .... | lead lighting artist: Luma Pictures | |
| Wendy Klein | .... | matte painter: Luma Pictures | |
| Wendy Klein | .... | texture painter: Luma Pictures | |
| Derek Ledbetter | .... | visual effects | |
| David Lingenfelser | .... | visual effects supervisor: Furious FX | |
| Kevin Lingenfelser | .... | creative supervisor: Furious FX | |
| Lawrence Littleton | .... | digital compositor: Luma Pictures | |
| David Lombardi | .... | digital artist: CafeFX, Inc. | |
| Blaine Lougheed | .... | lead matchmover | |
| David Luong | .... | rotoscope and paint artist: Luma Pictures | |
| Lap Van Luu | .... | IT support: CafeFX | |
| Lap Van Luu | .... | data I/O: CafeFX | |
| Tony Magaletta | .... | first assistant cameraman: miniatures, Fantasy II Film Effects | |
| Tim Matney | .... | matte painter: Luma Pictures | |
| Tim Matney | .... | texture artist: Luma Pictures | |
| Artin Matousian | .... | systems administrator: Luma Pictures | |
| James McQuaide | .... | executive producer: Sub/Par Pix | |
| James McQuaide | .... | visual effects supervisor | |
| Stephen Mitchell | .... | rotoscope and paint artist: Luma Pictures | |
| Oliver Moore | .... | visual effects artist: nTropic | |
| Glenn Morris | .... | rotoscope and paint supervisor: Luma Pictures | |
| Cliff Mueller | .... | visual effects artist: Ntropic (as Cookie St.Jon) | |
| Richard Murken | .... | production manager: Fantasy II Film Effects | |
| Richard Murken | .... | production manager: insert unit, Fantasy II Film Effects | |
| Kyle Muscarella | .... | rotoscope and paint artist: Krypton | |
| Ben Neall | .... | lead modeler: Luma Pictures | |
| Ben Neall | .... | lead texture artist: Luma Pictures | |
| Karl Nettmann | .... | miniature assistant pyrotechnician: Fantasy II Film Effects | |
| Ian Noe | .... | visual effects bid producer: Luma Pictures | |
| Tony Noel | .... | compositor: Krypton | |
| Sean O'Connor | .... | digital compositor: Furious FX | |
| Kim O'Donnell | .... | digital compositor: Furious FX (as Kim Pepe) | |
| Mike Ocoboc | .... | digital compositor: Krypton | |
| Hiroyuki Okubo | .... | lighting artist: Luma Pictures | |
| Gary Oldroyd | .... | digital artist: Sub/Par Pix | |
| Miguel Ortega | .... | modeler: Luma Pictures | |
| Miguel Ortega | .... | texture artist: Luma Pictures | |
| Desi Ortiz | .... | visual effects senior editor: CafeFX | |
| Raphael A. Pimentel | .... | lead character animator: Luma Pictures (as Raphael Pimentel) | |
| Pavel Pranevsky | .... | lead lighting technical director: Luma Pictures | |
| Olivier Pron | .... | matte painter | |
| Kevin Quatman | .... | digital compositor: Luma Pictures | |
| Chris Radcliffe | .... | digital artist: Luma Pictures | |
| Andrew Rawling | .... | CG supervisor: Framestore CFC | |
| Burke Roane | .... | lead character animator: Luma Pictures | |
| Trey Roane | .... | character animator: Luma Pictures | |
| Aaron Robinson | .... | production assistant: nTropic | |
| Nathan Robinson | .... | visual effects artist: nTropic | |
| Nathan Robinson | .... | visual effects supervisor: Ntropic | |
| Michael Roderick | .... | digital compositor | |
| Greg Rodin | .... | lead camera: Pacific Title and Art Studio | |
| Stephanie Rogers | .... | digital compositor: Furious FX | |
| Christopher Sage | .... | matte painting supervisor: Luma Pictures | |
| Christopher Sage | .... | texture supervisor: Luma Pictures | |
| Deb Santosa | .... | visual effects artist: nTropic | |
| Arthur Sarkisian | .... | lighting artist | |
| Jeremy Sawyer | .... | digital paint and roto artist: Framestore CFC | |
| David Schoneveld | .... | lead effects animator: Luma Pictures | |
| Cole Schreiber | .... | visual effects artist: nTropic | |
| Chris Serenil | .... | computer services manager: Furious FX | |
| Ahmed Shehata | .... | character technical director: Luma Pictures | |
| Terry Shigemitsu | .... | CG artist: Furious FX | |
| Mark Shoaf | .... | CG supervisor: Furious FX | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Andrew Shuford | .... | stage manager: UPC Fantasy II Film Effects | |
| Joey Sila | .... | rotoscope and paint artist: Luma Pictures | |
| Andrew Sinagra | .... | visual effects artist: nTropic | |
| Andrew Sinagra | .... | visual effects supervisor: Ntropic | |
| Thanapoom Siripopungul | .... | pipeline supervisor: Luma Pictures | |
| Anthony Smith | .... | digital compositor: Framestore CFC | |
| Tiffany Smith | .... | visual effects producer: Furious FX (as Tiffany A. Smith) | |
| Damon Snyder | .... | visual effects | |
| William Christopher Stephens | .... | production assistant: Furious FX (as William Stephens) | |
| Glen Suhy | .... | 3D artist: Krypton | |
| Daniel Sunwoo | .... | digital compositor: Luma Pictures | |
| Steven Swanson | .... | visual effects supervising producer: Luma Pictures | |
| Bryan Taylor | .... | rotoscope and paint artist: Luma Pictures | |
| Jason Thielen | .... | character animator: Luma Pictures | |
| Ryan Thompson | .... | visual effects producer: Giantsteps | |
| Dana Townsend | .... | executive producer: nTropic | |
| Matthew Tremaglio | .... | visual effects artist: nTropic | |
| Michael Vaglienty | .... | Flame artist | |
| Alexander Vegh | .... | previsualization supervisor (as Alex Vegh) | |
| Alexander Vegh | .... | previsualization supervisor | |
| John Velazquez | .... | character animator: Luma Pictures | |
| Nathan Walker | .... | visual effects artist: nTropic | |
| Gene Warren III | .... | model/set supervisor | |
| Gene Warren Jr. | .... | miniature effects supervisor (as Gene Warren II) | |
| Christopher Warren | .... | miniature director of photography (as Christopher L. Warren) | |
| Neil Weatherley | .... | digital effects artist | |
| Neil Weatherley | .... | technical director: Framestore CFC (as Neil Weatherly) | |
| Susan M. Weeks | .... | digital compositor: Luma Pictures (as Susan Weeks) | |
| Shannon Wegner | .... | digital artist: CafeFX, Inc. | |
| O.D. Welch | .... | production executive: CafeFX | |
| Matt Westrup | .... | digital artist: CafeFX, Inc. | |
| Scott Williston | .... | lead miniature painter | |
| Johnny Wilson | .... | visual effects | |
| Amy W. Wong | .... | digital compositor: Luma Pictures | |
| Chris Wood | .... | compositor | |
| Jason Yanofsky | .... | digital compositor: Luma Pictures | |
| Jason Yanofsky | .... | lighting artist: Luma Pictures | |
| Joshua Zacharias | .... | digital artist: CafeFX, Inc. | |
| Joseph A. Zaki | .... | digital compositor: Luma Pictures (as Joseph Zaki) | |
| Christian Zeh | .... | compositor: Framestore CFC (as Chris Zeh) | |
| Daniel E. Zobrist | .... | lead matchmover: Luma Pictures | |
| Daniel E. Zobrist | .... | lighting artist: Luma Pictures | |
| Peter Zoppi | .... | modeler: Luma Pictures | |
| Peter Zoppi | .... | texture artist: Luma Pictures | |
| Brian Openshaw | .... | render manager (uncredited) | |
| Danny Torres | .... | systems administrator (uncredited) | |
Casting Department | |||
| Stephanie Boeke | .... | extras casting | |
| Susan Taylor Brouse | .... | casting: Canada (as Sue Brouse) | |
| Lynne Carrow | .... | casting: Canada | |
| Larkin MacKenzie-Ast | .... | casting assistant: Canada | |
| Jennifer Ricchiazzi | .... | casting assistant | |
| Jennifer L. Smith | .... | casting associate (as Jennifer Smith) | |
Costume and Wardrobe Department | |||
| Petra Bergholz | .... | seamstress | |
| Debbie Humphreys | .... | wardrobe supervisor (as Debbie Humphrey) | |
| Patty Hunter | .... | costume set supervisor: second unit | |
| Jana MacDonald | .... | assistant costume designer | |
| Elizabeth Needham | .... | wardrobe supervisor | |
| Kia Porter | .... | dresser: Ms. Beckinsale | |
| Michael Shire | .... | armour costumer: Valentine Armouries | |
| Robert Valentine | .... | armour costumer: Valentine Armouries | |
Editorial Department | |||
| James Andrykowski | .... | first assistant editor | |
| Des Carey | .... | digital intermediate producer | |
| Salvatore Catanzaro | .... | assistant on-line editor | |
| Mike Chiado | .... | digital intermediate technologist | |
| Casey Dexter | .... | post-production assistant | |
| Rob Doolittle | .... | senior digital on-line editor | |
| Siggy Ferstl | .... | digital intermediate colorist | |
| Allen Glass II | .... | film preparation | |
| Stephanie Kessler | .... | film preparation | |
| Jackie Lee | .... | digital intermediate producer | |
| Gary Oldroyd | .... | post-production coordinator | |
| Franco Pante | .... | assistant editor: Vancouver | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Marilyn Sommer | .... | film data manager | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Company 3 | |
| Ian Sullivan | .... | digital intermediate accountant | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 | |
| Thor Roos | .... | color timer: dailies (uncredited) | |
Music Department | |||
| Marco Beltrami | .... | conductor | |
| Marco Beltrami | .... | score producer | |
| Tiffany Biscayne | .... | orchestrations | |
| Tiger Cummings | .... | music preparation | |
| Kory Kruckenberg | .... | scoring assistant engineer | |
| John Kurlander | .... | recording engineer | |
| Brian McNelis | .... | music supervisor | |
| Denise Okimoto | .... | music editor | |
| Phil A. Pinot | .... | conductor | |
| Phil A. Pinot | .... | orchestrations | |
| Darian Pollard | .... | music supervisor | |
| Robert Puff | .... | additional music preparer | |
| Brandon Roberts | .... | music preparation | |
| David Sabee | .... | orchestra contractor | |
| Buck Sanders | .... | score co-producer | |
| Rici J. Sentoures | .... | orchestrations | |
| Dennis Smith | .... | composer: additional music | |
| Dennis Smith | .... | orchestrations | |
| Ceiri Torjussen | .... | composer: additional music | |
| Marcus Trumpp | .... | composer: additional music | |
| Max Windhalm | .... | orchestrations | |
| Scott Gutierrez | .... | score co-mixer (uncredited) | |
| Sean Osborn | .... | clarinet (uncredited) | |
Thanks | |||
| Robert L. Benun | .... | thanks: end titles | |
| Kee Kee Buckley | .... | thanks (as Christine Buckley) | |
Production Companies
- Screen Gems (present)
- Lakeshore Entertainment (present)
- Screen Gems (2006) (USA) (theatrical)
- Buena Vista International (2006) (Switzerland) (theatrical)
- Columbia TriStar Films de Argentina (2006) (Argentina) (theatrical)
- Entertainment Film Distributors (2006) (UK) (theatrical)
- Forum Cinemas (2006) (Lithuania) (theatrical)
- Hollywood Classic Entertainment (2006) (Czech Republic) (theatrical)
- Kye Films (2006) (Philippines) (theatrical)
- Pioneer Films (2006) (Philippines) (theatrical)
- Sony Pictures Filmverleih (2006) (Austria) (theatrical)
- Sony Pictures Releasing (2006) (Germany) (theatrical)
- Sony Pictures Releasing (2006) (Singapore) (theatrical)
- Sony Pictures Releasing (2006) (USA) (theatrical)
- Entertainment in Video (2006) (UK) (DVD)
- Filmax (2006) (Spain) (all media)
- Hollydan Works (2007) (Yugoslavia) (DVD)
- LK-TEL (2006) (Argentina) (DVD)
- LK-TEL (2006) (Argentina) (VHS)
- LK-TEL (2007) (Argentina) (DVD) (Blu-ray)
- Nelonen (2011) (Finland) (TV)
- SND Films (2006) (France) (all media)
- Showcase Television (2009) (Canada) (TV)
- Sony Pictures Home Entertainment Nordic (2006) (Finland) (DVD) (Blu-ray)
- Sony Pictures Home Entertainment Nordic (2009) (Finland) (DVD) (3-disc Underworld Trilogy)
- Sony Pictures Home Entertainment Nordic (2012) (Finland) (DVD) (Blu-ray) (4-disc Underworld Legacy)
- Sony Pictures Home Entertainment (2006) (Germany) (DVD)
- Sony Pictures Home Entertainment (2006) (Netherlands) (DVD)
- Sony Pictures Home Entertainment (2006) (Netherlands) (DVD) (Blu-ray)
- Sony Pictures Home Entertainment (2007) (Netherlands) (DVD)
- TV5 (2011) (Finland) (TV)
- Veronica (2009) (Netherlands) (TV)
- Patrick Tatopoulos Design (creatures)
- Luma Pictures (visual effects)
- Ntropic (visual effects)
- Furious FX (visual effects)
- CafeFX (additional visual effects)
- Krypton (additional visual effects)
- Framestore CFC (additional visual effects)
- Sub/Par Pix (additional visual effects)
- Fantasy II Film Effects (miniature effects)
- Proof (pre-visualization services)
- Evolution Effects Studio (special make-up effects: insert unit)
- Pacific Title Imaging (scanning services)
- Proof
- Satellite Studios (uncredited)
- All Axis Remote Systems remote cranes and heads (as All Axis)
- Cas Iberia swords and weapons provided by (as Cas Iberia)
- Chapman/Leonard Studio Equipment cranes
- Clairmont Camera cameras (as Clairmont)
- Company 3 digital intermediate
- DeLuxe Laboratories prints (as Deluxe)
- Earth Media Studios post-production
- Geo Film Group production equipment
- IVC post-production facilities (digital mastering)
- Image Bank Films by Getty Images footage
- Joan Pearce Research Associates script clearance
- L.A. Mad Dogs voice casting
- Lakeshore Records soundtrack released by
- Momentous Insurance Brokerage insurance
- Momentous Insurance Brokerage production insurance services
- Orbit Digital Avids
- Paramount Pictures Production Services production equipment
- Pictorvision aerial camera system
- SFX Studio corpse creation
- Scarlet Letters end titles
- Sommerware film data management (as Sommerware Systems)
- Technicolor dailies
- Telescopic Camera Crane production equipment
- Tivoli Moving Pictures Caterers catering/craft services (as Tivoli Moving Picture Caterers)
- US Computamatch film preparation for scanning
- Universal Studios Sound Facilities re-recording services provided by (as Universal Studios Sound)
Additional Details
Also Known As:
See more »
MPAA:
Rated R for pervasive strong violence and gore, some sexuality/nudity and language
Parents Guide:
Runtime:
106 min | Philippines:102 min (cut)
Country:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Australia:MA15+ | Brazil:16 | Canada:18A (Ontario) | Canada:16+ (Quebec) | Canada:18+ (TV rating) | Chile:14 | Finland:K-15 | France:12 | Germany:16 (nf) | Hong Kong:IIB | Hungary:18 | Iceland:16 | Ireland:15A | Italy:VM14 | Japan:R-15 | Malaysia:18SG | Netherlands:16 | New Zealand:R16 | Norway:15 | Philippines:R-13 (MTRCB) | Portugal:M/16 | Singapore:M18 | South Africa:16 | South Korea:18 | South Korea:15 (cable rating) | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R
Filming Locations:
Company:
Did You Know?
Trivia:
This is the only film in the Underworld series so far that the music wasn't composed by Paul Haslinger, who did the score for Underworld (2003). He was replaced by Marco Beltrami, who Director Len Wiseman wanted because he was impressed with his score on I, Robot (2004). Paul was brought back for Underworld: Rise of the Lycans (2009).See more »
Goofs:
Continuity: At the end of the film, sunlight is shining straight down through a hole in the cavern ceiling, indicating that the sun is directly overhead (ie, it is noon). But in an exterior shot, it is dawn and the sun has barely cleared the horizon.See more »
Movie Connections:
References Terminator 2: Judgment Day (1991)See more »
Soundtrack:
Morning AfterSee more »
FAQ
Why is Selene suddenly able to walk into the sunlight and not get burnt?Why are all the people who died in the first one back, if they're dead?
What's with all the non-traditional vamps and lycans?
See more »
See more (500 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Underworld: Evolution (2006)Related Links
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
company.
After Kate Beckinsale's Seline character got around kicking massive rear in slinky black Lycra, we had Charlize Theron doing the same in Aeon Flux, and coming soon, Milla Jovovich in Ultraviolet. Sexy costumes, menacing weapons and killer moves seem to be the order of the day. It's no doubt that Underworld would have a sequel, since it was obviously hinted at after the end credits of the original, though it would be three years before it materialized.
And Kate Beckinsale still looked as hot as the pasty-white faced, black and blue eyed vampire known as a Death Dealer. Actually, that's one of the extremely few good things about this movie. We get to see her more, see her in action more (*ahem* love scene some more to keep the fan boys happy) with her twin rapid firing handguns, and flitting around action sequences without tearing her outfit.
The other good thing about this movie, is if you're a fan of blood and gore, you'll be kept happy with the many decapitations in various creative ways, piercings, shootings (at point blank), and endless gunfire.
Unfortunately, these good points were thin after a while, and seriously, you'll be clock watching for it to end. The movie starts off by going back to the early beginnings of the feud and tries to explain blood ties and brotherly love, in the times when the Death Dealers were wearing hand-me-down armor from the elves in Lord of the Rings. For those who are unfamiliar with the first movie, fret not, this movie does spend some time to try and explain the convoluted plot to you in a series of quick flashbacks. Sometimes so much that I think the entire first movie had been told here in fast forward.
And what a convoluted plot it is! Somehow you know that our heroes can't die - one's a superhuman hybrid never seen before, while the other is Seline the invincible who defied all odds to survive past the first film. But invulnerability makes a character weak, as it takes away the fun. Injuries heal in record time (ok, so they're vampires who recuperate in the darkness), and you'll really wonder if the Highlander way is the only way for a character to perish. The central plot about brotherhood, and the quest to unleash the very first Lycan was pretty boring stuff.
Somehow the production seemed a little lazy too. In the first movie, we had sets which are more in tuned to the present world, with the city and all. But this movie seemed to like darkness and worn out locations, and even the finale set looked suspiciously similar to the original's. And I learnt too that vampires can transfer abilities and skills by letting another suck its blood, much like Chinese Martial Arts films where the kungfu master imparts his skills to his disciples using internal strength - you'll become stronger overnight.
I had great hopes that the sequel would present itself as superior to the original, especially if it could develop a strong back story. However I was proved wrong, and this sequel, like many others, pale when compared to the original. I don't think there'll be another sequel given the characters becoming who they are at the end (almost a copy of X-Men 2's camera moving across a body of water shot with voice over), but then again, you'll never know.