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Sin City (2005)

 -  Crime | Thriller  -  1 April 2005 (USA)
8.1
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Ratings: 8.1/10 from 545,590 users   Metascore: 74/100
Reviews: 1,710 user | 369 critic | 40 from Metacritic.com

A film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.

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(graphic novels)
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Title: Sin City (2005)

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Cast

Cast overview, first billed only:
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Cara D. Briggs ...
Hearing Panel Person (as Cara Briggs)
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Jeffrey J. Dashnaw ...
Motorcycle Cop (as Jeff Dashnaw)
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Jesse De Luna ...
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Christina Frankenfield ...
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Storyline

Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by Tom Benton

Plot Summary | Plot Synopsis

Taglines:

Do I take this cop down and risk it all? See more »

Genres:

Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for sustained strong stylized violence, nudity and sexual content including dialogue | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

1 April 2005 (USA)  »

Also Known As:

Frank Miller's Sin City  »

Filming Locations:


Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$655,705 (Spain) (19 August 2005)

Gross:

$2,351,101 (Brazil) (26 August 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated, recut)

Sound Mix:

| |

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The text of the newspaper shown during "The Hard Goodbye" has a written transcript of the opening scene and "The Hard Goodbye". The author of the article is F. Miller. Accoring to the paper, the story either takes place in 1993 or 1999. See more »

Goofs

When Yellow Bastard is holding Nancy inside the farm, squaring off with Hartigan, the arm holding the knife keeps changing its distance from Nancy from shot to shot. See more »

Quotes

[first lines]
The Salesman: [voiceover] She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
See more »

Crazy Credits

There is no screen writing credit. See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #19.168 (2011) See more »

Soundtracks

Absurd
Written by Fluke
Performed by Fluke
Courtesy of Virgin Records
Under License from EMI Film & TV Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Stunning...
23 March 2005 | by (London) – See all my reviews

If I was to use one word to describe this film it would have to be....Violent! if i was allowed two words I would add 'Visceral'.

The movie is two hours long and is structured in a similar way to Pulp Fiction. A bunch of stories set in a consistent world, with characters falling in and out of each others plot lines. On the whole it works brilliantly, and for the duration there isn't a boring moment. It is High octane, million miles and hour storytelling, and it EASILY Robert Rodriguez's best film.

Allowing Frank Miller to write the script was a fantastic move, as the dialogue is edgy, witty and VERY faithful to the original material. In fact, many many lines are just taken straight from the pages. likewise, the camera behaves like a moving cartoon box out. The framing of all the key scenes is SO faithful to the printed page that it produces a truly original look that is fairly incomparable. Visually its a true original. Sometimes these visuals fall down, there are some very very obvious digital shots that don't quite gel, but on the whole the cinematography is jaw dropping. You could literally pause the movie at almost any point and just hang that frame on a wall, its that beautiful.

Performances are good all round. Mickey Rourke absolutely nails Marv, and the girls of Old Town are all as beautiful as they are deadly. The other standout for me was Elijah Wood, who was truly chilling. Bruce Willis puts in a solid, if unspectacular turn as Hartigan.

The film isn't entirely void of criticism. there's some fudging of time lines with Hartigans character (do we really buy Bruce Willis as a nearly 70 year old man?) and the jumps from story to story are jarring initially, but once it settles into itself the ride is fantastic.

My other main criticism is the same I have with Quentin Tarantinos work. That every character and every voice in the movie is the same. This is more a fault of the source material, but when every single person is a wise cracking, hard boiled tough guy (even the women) then it kind of distills the effect of their toughness. In a film that is predominantly voice over driven, it is hard to differentiate characters when they all sound exactly the same, both tonally, and in the language they use. Even Marv, who's supposed to be a meat head, talks in gravelly prose that would make Bukowski feel like a Nancy.

Other Minor niggles are hardly worth mentioning. From a technical standpoint the sound effects are WAY to loud. All of the punches, gunshots etc are given such ridiculous prominence on the track that they threaten to make mockery of the violence. I actually found that i didn't want any more guns fired cos it was hurting my ears! all in all though, its one hell of a ride, and only a couple of notches below Pulp Fiction on the 'Oh my god that film was cool-o-meter'.


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