In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by
Robert Rodriguez has said that he does not consider this movie to be an adaptation so much as a translation. This is why there is no screenwriting in the credits. The only mention of writing is Frank Miller as the creator of the graphic novels. See more »
When Hartigan sits in prison, he says he "refused to plead innocent." This is not correct terminology. An accused person can generally plead "guilty" or "not guilty." There are other possible pleas, but this is irrelevant and none of them are "innocent" for various reasons.
It cannot be a character error because Hartigan is a highly experience policeman with personal interactions surrounding his own court case to boot. See more »
She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
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I just came back from an advance screening of Sin City, and I can tell you this is one salient reel of pitch of a film. Think of it as film noir amped up for a post modern century. It comes across like most of Frank Miller's writing, modestly fantastic for the comic environment, but steeped long and hard in the tradition of the underground crime writers of the '40's. Visually, the juxtaposition of the rich B&W with digitally-hued Technicolor makes it hard to take your eyes off the screen. This film was tailor made for most of the people who have been following Miller's writing for the past twenty odd years, brimming with many of his trademark elements and visual style that he, along with Messrs. Rodriguez and Tarantino, capture brilliantly. Not for more sensitive or under aged souls, Sin City will burn like a fire that you have to watch for everyone else.
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