John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by
In the graphic novel, That Yellow Bastard's car is an Atlantic '57C Bugatti. However, it was changed to a 1936 Cadillac Limo for the film because it would've cost over $230,000 to use the Bugatti for four shooting days. Also, the Yellow Bastard's license plate is "TYB 069." The first half is TYB, the initials for the story "That Yellow Bastard." See more »
Even regular patrol cops knew not to enter Old Down with their sirens on and feared the area to the extent that they disengaged pursuits, turned off their sirens, and left. Jackie Boy is supposed to be an experienced detective and a "hero cop" to boot, but he goes to Old Town and foolishly threatens a hooker with a handgun, getting himself killed. It's something everyone except him and his goons easily foresaw, but the detective inexplicably couldn't figure it out. See more »
She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
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In the opening credits, each of the actor's names is shown with a frame from the comic, featuring their character. See more »
Went to a sneak preview of this movie today, and I was blown away. Over the years people have tried to emulate the feel of comics on the screen, and met with mild success(Dick Tracy), minor failure(Hulk), and solid success(Sky Captain and the World of Tomorrow). This is hard to do, but Sin City hits this dead on. The film is entirely in black and white(Except for about 20 seconds that I noticed in one scene.), except for highlights of color(Gorgeous eyes, splattered blood, and red Converse All-Stars to name a few.). This gives the film a feel that immerses you into the storyline. Add to this the overly corny duologue and scenes where scantily(And I DO mean scantily) clad women pull Uzi's out of literally nowhere, and you have all the right makings for a transfer of a comic book to the screen. The duologue had me laughing almost constantly, but it's easy to tell that they wanted you to laugh, even when they lines were incredibly corny and melodramatic...
The performances in the movie were great as well. I believe my favorite male character was Marv, played by Micky Rourke, and my favorite female character was definitely Miho, played by Devon Aoki. It seems that everyone and their dog was either in this movie, or lent some of their talents to it, and it shows.
I would definitely suggest that you see this in the theatre the very first time, because it will NEVER have the same impact on your TV at home as it does on a 30-foot screen in a dark theatre. I was actually able to note a few times where the digital cameras were able to outperform anything film could do.
A lot of violence in this movie, although most of it is either totally cartoon-style, or off camera, and some gore as well... A good amount of nudity in the film, ALL of it on camera, so you'll probably want to leave the kiddies at home.
All in all, one of the best movies I have seen in a long time, and I'll probably go see it again while it's in the theatres, so that my fiancé can enjoy it as well...
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