Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by
The text of the newspaper shown during "The Hard Goodbye" has a written transcript of the opening scene and "The Hard Goodbye." The author of the article is F. Miller, that is Frank Miller. The date on the paper appears to be either 1993 or 1999, indicating that's when the story takes place. See more »
When Marv is fighting Kevin, after he handcuffs him, Kevin's hair changes from straight and flat to short and spiky, then back again. See more »
She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
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I just came back from an advance screening of Sin City, and I can tell you this is one salient reel of pitch of a film. Think of it as film noir amped up for a post modern century. It comes across like most of Frank Miller's writing, modestly fantastic for the comic environment, but steeped long and hard in the tradition of the underground crime writers of the '40's. Visually, the juxtaposition of the rich B&W with digitally-hued Technicolor makes it hard to take your eyes off the screen. This film was tailor made for most of the people who have been following Miller's writing for the past twenty odd years, brimming with many of his trademark elements and visual style that he, along with Messrs. Rodriguez and Tarantino, capture brilliantly. Not for more sensitive or under aged souls, Sin City will burn like a fire that you have to watch for everyone else.
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