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Sin City (2005)

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A film that explores the dark and miserable town, Basin City, and tells the story of three different people, all caught up in violent corruption.


(graphic novels)
530 ( 23)
Top Rated Movies #228 | 31 wins & 47 nominations. See more awards »



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Cast overview, first billed only:
Cara D. Briggs ...
Hearing Panel Person (as Cara Briggs)
Jeffrey J. Dashnaw ...
Motorcycle Cop (as Jeff Dashnaw)
Jesse De Luna ...
Christina Frankenfield ...


Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by Tom Benton

Plot Summary | Plot Synopsis


Walk down the right back alley in Sin City and you can find anything. See more »


Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for sustained strong stylized violence, nudity and sexual content including dialogue | See all certifications »

Parents Guide:



Official Sites:

| |  »



Release Date:

1 April 2005 (USA)  »

Also Known As:

Frank Miller's Sin City  »

Filming Locations:

Box Office


$40,000,000 (estimated)

Opening Weekend:

$29,120,273 (USA) (1 April 2005)


$74,098,862 (USA) (5 August 2005)

Company Credits

Show detailed on  »

Technical Specs


| (unrated, recut)

Sound Mix:

| |

Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Originally Robert Rodriguez didn't plan for Benicio Del Toro to wear make-up, but Del Toro insisted on it. Tarantino later commended the make-up being so good that "people actually forget that's not what Benicio looks like." See more »


When Marv is talking with the priest, the gun keeps switching from his right hand to his left. See more »


[first lines]
The Salesman: [voiceover] She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
See more »

Crazy Credits

In the opening credits, each of the actor's names is shown with a frame from the comic, featuring their character. See more »


Featured in Hollywood's Top Ten: Sizzlin' Dance Scenes (2010) See more »


Composed by Silvestre Revueltas
Conducted by Eduardo Mata with the New Philharmonic Orchestra
Courtesy SONY BMG Mexico
By Arrangement with SONY BMG Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

23 March 2005 | by (London) – See all my reviews

If I was to use one word to describe this film it would have to be....Violent! if i was allowed two words I would add 'Visceral'.

The movie is two hours long and is structured in a similar way to Pulp Fiction. A bunch of stories set in a consistent world, with characters falling in and out of each others plot lines. On the whole it works brilliantly, and for the duration there isn't a boring moment. It is High octane, million miles and hour storytelling, and it EASILY Robert Rodriguez's best film.

Allowing Frank Miller to write the script was a fantastic move, as the dialogue is edgy, witty and VERY faithful to the original material. In fact, many many lines are just taken straight from the pages. likewise, the camera behaves like a moving cartoon box out. The framing of all the key scenes is SO faithful to the printed page that it produces a truly original look that is fairly incomparable. Visually its a true original. Sometimes these visuals fall down, there are some very very obvious digital shots that don't quite gel, but on the whole the cinematography is jaw dropping. You could literally pause the movie at almost any point and just hang that frame on a wall, its that beautiful.

Performances are good all round. Mickey Rourke absolutely nails Marv, and the girls of Old Town are all as beautiful as they are deadly. The other standout for me was Elijah Wood, who was truly chilling. Bruce Willis puts in a solid, if unspectacular turn as Hartigan.

The film isn't entirely void of criticism. there's some fudging of time lines with Hartigans character (do we really buy Bruce Willis as a nearly 70 year old man?) and the jumps from story to story are jarring initially, but once it settles into itself the ride is fantastic.

My other main criticism is the same I have with Quentin Tarantinos work. That every character and every voice in the movie is the same. This is more a fault of the source material, but when every single person is a wise cracking, hard boiled tough guy (even the women) then it kind of distills the effect of their toughness. In a film that is predominantly voice over driven, it is hard to differentiate characters when they all sound exactly the same, both tonally, and in the language they use. Even Marv, who's supposed to be a meat head, talks in gravelly prose that would make Bukowski feel like a Nancy.

Other Minor niggles are hardly worth mentioning. From a technical standpoint the sound effects are WAY to loud. All of the punches, gunshots etc are given such ridiculous prominence on the track that they threaten to make mockery of the violence. I actually found that i didn't want any more guns fired cos it was hurting my ears! all in all though, its one hell of a ride, and only a couple of notches below Pulp Fiction on the 'Oh my god that film was cool-o-meter'.

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