| Lorenzo Lamas | ... | Hacket | |
| Steven Bauer | ... | Azir | |
| Hayley DuMond | ... | Jamie Cole | |
| Michael Cory Davis | ... | Marcus | |
| Peter Jason | ... | The Captain | |
| Hristo Shopov | ... | Quinn | |
| Atanas Srebrev | ... | Simon (as Nasko Srebrev) | |
| Jonas Talkington | ... | Radar Technician | |
| Ivo Tonchev | ... | Rico | |
| Michail Elenov | ... | Kalif | |
| Julian Vergov | ... | Rashid | |
| Edward McDermott | ... | First Officer | |
| Daniel Angelov | ... | Chopper Pilot | |
| Pavil Gavrilov | ... | Yusef | |
| Velislav Pavlov | ... | Hassan | |
| Dejan Angelov | ... | Diaz |
Directed by | |||
| Stanley Isaacs | |||
Writing credits(in alphabetical order) | ||
| Stanley Isaacs | written by | |
| Dean Widenmann | written by | |
Produced by | |||
| Cindy Carroll | .... | supervising producer | |
| Sven Clement | .... | producer | |
| Pat Corbitt | .... | producer | |
| Jeff Franklin | .... | executive producer | |
| Stanley Isaacs | .... | producer | |
| Michael Jones | .... | associate producer | |
| Barbara Kearney | .... | associate producer | |
| Jan Korbelin | .... | executive producer | |
| Bob Perkis | .... | producer | |
| Philip von Alvensleben | .... | executive producer | |
| Michael Weiser | .... | executive producer | |
Original Music by | |||
| Peter Bernstein | |||
Cinematography by | |||
| David Worth | |||
Film Editing by | |||
| Christopher Roth | (as Chris Roth) | ||
Production Design by | |||
| Kes Bonnet | |||
Costume Design by | |||
| Irina Kotcheva | |||
Makeup Department | |||
| Mariana Love | .... | key makeup artist | |
| Petya Simeonova | .... | assistant makeup artist | |
Production Management | |||
| Steve Bartlett | .... | post-production incharge | |
| Jeff Rank | .... | production manager | |
Art Department | |||
| Bogdan Bogdanov | .... | carpenter | |
Sound Department | |||
| George R. Groves Jr. | .... | adr mixer | |
| George R. Groves Jr. | .... | sound re-recording mixer | |
| George R. Groves Jr. | .... | sound supervisor | |
| George R. Groves Jr. | .... | supervising sound editor | |
| Eric Lalicata | .... | sound designer | |
| Ivaylo Natzev | .... | location sound mixer: second unit | |
Visual Effects by | |||
| Dan Dipierro | .... | director of digital effects | |
Camera and Electrical Department | |||
| Vasil Galabov | .... | key grip | |
| Ivo Peitchev | .... | camera operator | |
| Georgi Petkov | .... | grip | |
| Miroslav Stoilov | .... | first assistant camera: "b" camera | |
Costume and Wardrobe Department | |||
| Velemira Petkova | .... | costume supervisor | |
Editorial Department | |||
| Todor G. Todorov | .... | colorist | |
Other crew | |||
| Kristina Kambitova | .... | production accountant | |
| Rebecca Knowlton | .... | production controller | |
| Jeff Kranzdorf | .... | production attorney | |
| Mariana Popova | .... | script supervisor: vfx unit | |
| Didi Tokova | .... | production accountant | |
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| King of the Rocket Men | 2012 | The A-Team | The Spider Returns | King Solomon's Mines |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Pretty sorry effort. I'm not sure who did a worse job, the director, the CGI guys, or Lorenzo Lamos... Lamos, who's never been that good, just really sucks this time out. It looks like he isn't even trying....
A good director probably could've made this a halfway decent B movie. The CGI wouldn't have been nearly as bad if they'd not held the shot for so long and had planted a few squibs in the forest to add to the illusion that they were actually getting shot. I presume this Navy seal raid had to happen in the daytime simply because the production couldn't afford to light a night scene, but I guess these guys have never heard of shooting day-for-night.