| Lorenzo Lamas | ... | Hacket | |
| Steven Bauer | ... | Azir | |
| Hayley DuMond | ... | Jamie Cole | |
| Michael Cory Davis | ... | Marcus | |
| Peter Jason | ... | The Captain | |
| Hristo Shopov | ... | Quinn | |
| Atanas Srebrev | ... | Simon (as Nasko Srebrev) | |
| Jonas Talkington | ... | Radar Technician | |
| Ivo Tonchev | ... | Rico | |
| Michail Elenov | ... | Kalif | |
| Julian Vergov | ... | Rashid | |
| Edward McDermott | ... | First Officer | |
| Daniel Angelov | ... | Chopper Pilot | |
| Pavil Gavrilov | ... | Yusef | |
| Velislav Pavlov | ... | Hassan | |
| Dejan Angelov | ... | Diaz |
Directed by | |||
| Stanley Isaacs | |||
Writing credits(in alphabetical order) | ||
| Stanley Isaacs | written by | |
| Dean Widenmann | written by | |
Produced by | |||
| Cindy Carroll | .... | supervising producer | |
| Sven Clement | .... | producer | |
| Pat Corbitt | .... | producer | |
| Jeff Franklin | .... | executive producer | |
| Stanley Isaacs | .... | producer | |
| Michael Jones | .... | associate producer | |
| Barbara Kearney | .... | associate producer | |
| Jan Korbelin | .... | executive producer | |
| Bob Perkis | .... | producer | |
| Philip von Alvensleben | .... | executive producer | |
| Michael Weiser | .... | executive producer | |
Original Music by | |||
| Peter Bernstein | |||
Cinematography by | |||
| David Worth | |||
Film Editing by | |||
| Christopher Roth | (as Chris Roth) | ||
Production Design by | |||
| Kes Bonnet | |||
Costume Design by | |||
| Irina Kotcheva | |||
Makeup Department | |||
| Mariana Love | .... | key makeup artist | |
| Petya Simeonova | .... | assistant makeup artist | |
Production Management | |||
| Steve Bartlett | .... | post-production incharge | |
| Jeff Rank | .... | production manager | |
Art Department | |||
| Bogdan Bogdanov | .... | carpenter | |
Sound Department | |||
| George R. Groves Jr. | .... | adr mixer | |
| George R. Groves Jr. | .... | sound re-recording mixer | |
| George R. Groves Jr. | .... | sound supervisor | |
| George R. Groves Jr. | .... | supervising sound editor | |
| Eric Lalicata | .... | sound designer | |
| Ivaylo Natzev | .... | location sound mixer: second unit | |
Visual Effects by | |||
| Dan Dipierro | .... | director of digital effects | |
Camera and Electrical Department | |||
| Vasil Galabov | .... | key grip | |
| Ivo Peitchev | .... | camera operator | |
| Georgi Petkov | .... | grip | |
| Miroslav Stoilov | .... | first assistant camera: "b" camera | |
Costume and Wardrobe Department | |||
| Velemira Petkova | .... | costume supervisor | |
Editorial Department | |||
| Todor G. Todorov | .... | colorist | |
Other crew | |||
| Kristina Kambitova | .... | production accountant | |
| Rebecca Knowlton | .... | production controller | |
| Jeff Kranzdorf | .... | production attorney | |
| Mariana Popova | .... | script supervisor: vfx unit | |
| Didi Tokova | .... | production accountant | |
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| King of the Rocket Men | 2012 | The A-Team | The Spider Returns | King Solomon's Mines |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This move was a 10.5 on our Cheez-o-meter, the highest ranking possible, thanks to the earthquake movie of the same name. We knew we were setting ourselves up for a lambasting with "Raptor Island", we just didn't realize how badly.
OK, so the movie is made on the super cheap, with crappy CGI, models that scream "REVELL!!" and an utterly ridiculous plot scenario. I can get past a lot of cheapness necessitated by TV movie budgets, but what I cannot accept is the flagrant carelessness of the director. C'mon, people, the story takes place on an island in the South China Sea: so why are we looking at boreal forest, replete with ivy-covered trees, in what is obviously fall? During the scene where Hack and Jamie are holed up in the plane wreckage, their breath is clearly visible when they speak. Sorry, folks, no matter how you slice it, British Columbia can never stand in for a tropical island.
And what was with that weather at the end? The captain says their "socked in" "in this pea soup", but the island is having a lovely red sunset. Cut to helicopter pilot guy, shown in the cockpit with a raging ocean behind him. Cut to island sunset. Cut to helicopter flying over wrecked zodiac - it's night. Cut to Hack and Jamie, fighting off the bad guy, in full daylight. Cut back to pilot, shown in cockpit with that same raging ocean behind him. Cut to sunset. WASN'T ANYONE PAYING ATTENTION? Could they have at least TRIED to seem as though they were trying to be credible? Though this one was ripe for Joel and the Bots, we had plenty of fun of our own. Sublimely silly and purely ridiculous, there is no excuse to watch "Raptor Island", unless you're socked in by pea soup. Which we were.